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Robert De Niro, Jodie Foster, Albert Brooks, Harvey Keitel, Leonard Harris ...( see more  see more... ) , Peter Boyle , Cybill Shepherd

A mentally unstable Vietnam war veteran works as nighttime taxi driver in a city whose perceived decadence and sleaze feeds his urge to violently lash out, attempting to save a teenage prostitute in t...( read more  read more... )he process.

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207,339 ratings

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98% liked it

50 critics

R, 1 hr. 53 min.

Directed by: Martin Scorsese

Release Date: February 8, 1976

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DVD Release Date: June 15, 1999

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Flixster Reviews (13,270)

  • TheMachinist
    January 25, 2010
    TheMachinist
    "I think someone should just take this city and just... just flush it down the fuckin' toilet"

    In my room, where I have my collection of films, I have two posters of 'Taxi Driver', one regular size and one so big that I can't fit it in the room at this point. I've wanted to writ...( read more)e a review of my favourite film for so long but I've been somewhat scared of failing... miserably. How to give 'Taxi Driver' a proper review from a person who doesn't make this for a living? Now is the time to give it a shot...

    'Taxi Driver' had lots of difficulties to get into production. The studio executives weren't that excited about Paul Schrader's strange story about a cab driver called Travis Bickle. They were in fact more interested of his other script called 'Watch the Skies'. In the end, Spielberg would direct the film but before that he rewrote it and retitled it to 'Close Encounters of the Third Kind'. Schrader's two picture deal with Columbia made it possible to give birth to these two films. The budget for 'Close Encounters of the Third Kind' was rather big but the money that came over was enough to make 'Taxi Driver' possible.

    Scorsese was not the first in mind to direct 'Taxi Driver'. Brian De Palma (Scarface', 'The Untouchables') was the first person that came in mind for directing duties for the producers. But Scorsese would get the job in the end. He had prior to 'Taxi Driver' made 'Mean Streets' and 'Alice Doesn't Live Here Anymore' so he had proven to make good movies.

    The film was given "a green light". All was set, the crew was hired and the actors were ready to make history... Next, some thoughts and facts of the key players in the making of 'Taxi Driver'.

    De Niro is my all-time favourite actor. He is what you could call a method actor, focusing 100 % and preparing every detail of his character. For the role of Travis Bickle he got himself a cab licence and drove for a month on the streets of NY to understand the job. He met Army veterans to study their behavior.

    As a kid, De Niro was somewhat of a loner, he'd rather read books than hang out with other kids. He has always had a need for privacy. Even on his later days he has tried to keep a distance to the media. During filming he stayed in character throughout the filming and kept his distance also to the other actors. He rarely socialized with them, only when necessary.

    De Niro's challenge was to make Travis Bickle into a complex and troubling character, a character that would be remembered long after the release of the film. In my opinion, he did an amazing job. Bickle is a psychotic racist, driven by his past. A person who sees the impurity of men at night. He is nothing but a bystander who will stand up in the end. De Niro managed to make him a sympathetic character, laking any social skills, with an unstable personality and repressed feelings.

    "You talkin' to me? You talkin' to me? You talkin' to me? Then who the hell else are you talkin' to? You talkin' to me? Well I'm the only one here. Who do you think you're talking to? Oh yeah? Huh? Ok."

    It's a good thing that Scorsese did not join priesthood. He's somewhat religious even today but he managed to flunk his studies and attended a film school. I'm not religious at all.. but "thank God"! What I've heard, Scorsese had some difficulties with intoxicants throughout the 60's and 80's. I've even read that during filming he would snort some lines... When you look at his performance as the jealous husband in one scene it really doesn't come as a surprise. Scorsese did not intend to make a performance in the movie but what I've read, the person who was cast for the role didn't show up. So Scorsese made his own memorable contribution...

    "Have you ever seen what a .44 Magnum will do to a woman's pussy? Now that you should see. What a .44 Magnum will do to a woman's pussy that you should see."

    Schrader managed to give Bickle's character similarities to a real life person called Arthur Bremer. Bremer tried to kill US president Nixon and governor Wallace. The later one he managed to paralyze. Bremer kept a diary with him which was released in 1973 as 'An Assassin's Diary'. Schrader has told that he hadn't read the diary when he wrote 'Taxi Driver'.

    I've read that Schrader has said that during writing he suffered of depression and even had some suicidal thoughts. A loner who would just drift around on the streets and explore the distress of other loners. Not sure if all of what I've read is true but at least he has written an excellent script on which the actors and Scorsese could base their work on.

    Of course, Bickle has to have something that drives him besides his hate towards the scum and other low-lifes of NYC. 'Taxi Driver' has two female characters that become important to Bickle. In my opinion the more important one is Jodie Foster's character Iris. Iris is a child prostitute who left home and started walkin' the streets. The character has a certain innocence in her, something that would also affect Bickle. During filming, Foster was only 12-13 years old. Scorsese did not put her in the explicit or intimate scenes, for instance the scene in which Iris puts her hands on Bickle's zipper.

    By the way, Foster's performance was modeled on a real-life teen prostitute. This woman was hired as a consultant to Foster and even had a small part as Iris's friend.

    This superb portrayal of a teen prostitute gave Jodie Foster, a former Disney child actor, her first Oscar nomination. Little did she know that her performance would have an impact on her life later on by a person called John Hinckley...

    "I don't like what I'm doing, Sport."

    Cybill Shepherd has the other important female role as Betsy. A real dream girl with golden hair and white dresses, always cheerful, she is the opposite of Bickle with her optimism. Bickle's ultimate fantasy woman. It was close that Shepherd would not be given the role. In fact, I've even read that she wasn't that eager to take the role after reading the script. I've also read that De Niro and Shepherd did not come that good together on the set. Maybe because of De Niro staying in character or something else?

    But even though De Niro and the producers were not that convinced of Shepherd's acting skills, Scorsese wanted and needed a "pure" blonde for the part. He wanted her and got her. And Shepherd needed work. As a curiosity, Shepherd is the only lead performer who's career didn't reach the same level as the others. But I liked her performance in the movie. She is the perfect and at the same time wrong person for Bickle's affection.

    "They... cannot... touch... her"

    And the last character that I'm going to mention largely is Harvey Keitel's character called Sport. Keitel was considered for the role of Bickle. After losing it to De Niro, he was offered a part as the campaign manager. Keitel didn't want the role, maybe because it was so insignificant, but asked to play the pimp instead. Keitel's performance is almost just as good as De Niro's. De Niro's performance is ultimatelly the best performance I've ever seen on screen but Keitel managed to make a smaller character as Sport a memorable one.

    Keitel is an actor of the same level as De Niro. Both of 'em concentrate fully on their characters. He spent almost a month with a real pimp. I've read that Keitel even improvised scenes with the pimp to fully understand what makes them do such work. Keitel had some difficulties to adjust to the scenes he did with Foster but like a real pro, he managed to put "the filth of it all" behind him. And this next quote, even though it is really obnoxious, says everything necessary of Sport...

    "Well, take it or leave it. If you want to save yourself some money, don't fuck her. Cause you'll be back here every night for some more. Man, she's twelve and a half years old. You never had no pussy like that. You can do anything you want with her. You can cum on her, fuck her in the mouth, fuck her in the ass, cum on her face, man. She get your cock so hard she'll make it explode. But no rough stuff, all right?"

    Even the smaller roles are in my opinion just as important as the leads. Peter Boyle's character Wizard, a philosophical cab driver, someone Bickle could even call a friend. Albert Brooks plays Betsy's co-worker Tom, in his first film role. A real yuppie who has his eyes on Betsy. Victor Argo, the clerk at the store, who has probably one of the most violent scenes in the film. Steven Prince as the gun salesman. All of these contribute perfectly on the making of Taxi Driver into the best film in the history of cinema.

    So, you've probably understood already that the acting is superb in 'Taxi Driver'. But what about the editing, cinematography or music?

    Bernard Herrmann's jazzy score is minimalistic in its ways but it is in fact one of the most mesmerizing scores I've heard. I don't own that many soundtracks but 'Taxi Driver's' soundtrack is one to own if you appreciate the work of film musicians.

    Michael Chapman's cinematography, along with Tom Rolf's and Melvin Shapiro's editing, play an important part in the movie. The opening scene in which a yellow cab drives thru thick smoke and Herrmann's dreamlike score plays on the background... Filmmaking in its most perfect way.

    One specific sequence to mention is the bloodbath in the end. The camerawork, the lighting, special effects, the music. I've never seen an intensity of same caliber in any other film. The moment when Bickle puts his hand near his head to demonstrate (or mimic) a gun effect and having an eerie grin on his face... Awesome.

    De Niro's charismatic performance as Bickle, a partly sympathetic character who becomes some kind of hero at the end, Scorsese's perfect directing along with other crew members collaboration to the making of the film makes 'Taxi Driver' the best film ever. I remember when I saw 'Taxi Driver' for the first time, I was a 15 year old kid who by chance got a copy of the film. I've never been so stunned of any other film than 'Taxi Driver'. The film got under my skin, provoked me in ways I had never even thought that could be possible. Films like these just improve with every viewing.

    'Taxi Driver' is very multileveled (don't know if this is a correct word...) This is just a scratch of what can be said of this film. I'll even say that 'Taxi Driver' is very critical against our society. What could happen when society doesn't do anything to make things better for common people? Surely there are people who are ready to take justice in their own hands, just as Travis Bickle. This film is very thought provoking, a film that really deserves its place among the best films ever made.

    Perfect in every way, this is a film that comes highly recommended to any person who appreciate high-class filmmaking with in-depth characters and top-notch writing.

    "Listen, you fuckers, you screwheads. Here is a man who would not take it anymore. A man who stood up agains the scum, the cunts, the dogs, the filth, the shit. Here is someone who stood up."
  • SirPant
    September 4, 2009
    SirPant
    The impact this film has had on cinema has been vast. A film true to its time, a social commentary on the public's lack of faith in politicians and the possible extent their paranoia could lead us. Plus you have three people on top of their game, Robert DeNiro, Martin Scorsese an...( read more)d Paul Schrader, all masters in their professions.
  • ohagankieran
    June 13, 2009
    ohagankieran
    No matter what wars are going on, what the neighbours are screaming about next store, how many kids Sally Struthers pleads on behalf of, at the end of the day the media (movies, TV, books, etc.) more often than not present us with a candy-coated view of the world where in the end...( read more) everything turns out right. John Boy gets his goodnights in, the Tanners of Full House get their hugs and the boy and the girl live happily ever after. Happy endings are a good way to feel good, but the sheer percentage of happy endings as opposed to the blur of reality is far too great. Perhaps that's why Martin Scorsese's Taxi Driver is so frightening. It's got a happy ending of sorts, but the root of the happiness is deeply frightening.

    Made at a time when the world was skeptical and the powers that be were deemed untrustworthy, Taxi Driver resonates today as much as it did upon its initial release. The film focuses on a loner New York cabbie named Travis Bickle (Robert De Niro in one of his career-defining roles). Travis struggles to make any real friends, even failing to really get along with his coworkers over mid-shift coffee.

    Through Travis' eyes, Scorsese shows New York as an urban hell filled with drugs, pimps, weapons and politicians. This is established in the opening credits in a famous shot in which Travis' taxi emerges from a plume of steam that symbolizes the underworld of below.

    Travis is a Vietnam veteran who is unsure as to where to go with his life. All around him is human vermin and scum, surely not what he went to fight for. He is also alone in the world. He's shown with acquaintances, but there's never any sense of friendship until the end of the film, and even that "friendship" could be viewed as more familial than one of kinship.

    Looking at the world through a lens of trouble and disappointment, Travis is blind to love. When he lands a date with Betsy (Cybill Shepherd), a campaign organizer for a presidential hopeful, he takes her to a porno film their first time out. Amid the predictable fallout, Travis genuinely sees nothing wrong with his choice in date movies thinking that sex equaled love and vice versa. He has no concept on how to maintain a relationship. This, in part, allows Travis to become the violent anti-hero that he goes on to become later in the film. Because of his disconnect he isn't 'normal' and therefore Travis can go and commit murder and be admired for doing so. If he were your average guy in a suit, murder would not be so easy, even if it were to an abusive pimp who farms out young teenagers.

    Travis' motives are always pure. He simply wants a world filled with good. And just like he was willing to go to war earlier in his life on foreign soil, Travis is willing to fight on the streets of his homeland against enemies that aren't so easily identified. Travis is a soldier fighting the good fight.

    Taxi Driver is a grimy film that perfectly reflects its grimy subject matter. Paul Shrader's script combined with Scorsese's direction and topped off by De Niro's performance makes Travis Bickle one of film's most complex characters. When you talk about super heroes, he truly is one minus the tights and powers. This is a violent film that should be nothing less. Travis' world is an ugly place so what we see shouldn't be anything but.

    When Scorsese made Taxi Driver, he was still avoiding the glitz and glamour of a big-budget Hollywood production. Even if he was now in the spotlight, Taxi Driver maintains a gritty feel that was necessary for it to have any impact.

    The fact that this film is as applicable today as it was three decades ago is a sad testament that it is impossible for one man to make all the difference in the world. Although I don't think Scorsese meant for Taxi Driver to be a call to arms for would-be vigilantes around the world, it should be seen as an eye-opener - something that makes you more aware and educates about the sad reality of some people's lives.
  • mrpopcorn
    May 28, 2009
    mrpopcorn
    "On every street in every city, there's a nobody who dreams of being a somebody."

    A mentally unstable Vietnam war veteran works as nighttime taxi driver in a city whose perceived decadence and sleaze feeds his urge to violently lash out, attempting to save a teenage pro...( read more)stitute in the process.

    REVIEW

    Travis Bickle remains one of the most iconic figures in cinema. His psychotic nature, profound intolerance and insomnia, are chillingly portrayed by a wired De Niro at the top of his game. While his role as the mercurial and masochistic Jake La Motta (Raging Bull) remains his finest hour, De Niro's performance is memorable. The reality of a New York with a hot underbelly is very much realised, and it gives substance to Travis' constant alienation from his immediate civilisation. The first person narrative structure allows us all to be immersed with Travis' unnerving state of mind. He is 'God's lonely man'.

    Scorsese's camera-work is especially riveting during the height of Travis' psychosis. When Travis has a gun in his hands, the camera becomes frighteningly close to the action, continuing this first person perspective that the film has from the start. Scorsese's distressing back seat cameo is a feat in itself. Paul Schrader's script smacks with attention to detail and palpable tension at every turn but it would never have been as effective without Herrmanns haunting score. It beautifully adapts to different moments in the film, evoking a whole range of emotions.
  • flixsterman
    April 29, 2009
    flixsterman
    Today I got my Bickle on. I don't get my Bickle on every day. In fact, it had been a few years since I last got my Bickle on, but today I was on vacation, with nothing better to do.

    Anyone who knows me knows that I can be a bit obsessive. I can brain-lock on a subject and o...( read more)rbit it for days and days, weeks even! Bickle is like that. He gets obsessed with crime and moral degradation and pretty soon that's all he can think about. I can relate to that. Lucky for me I live in an area where the worst crime I see is my fat-ass neighbor encouraging her poodle to crap in MY lawn instead of her own. But hey, as psychotic as I am, I can even obsess about that. It won't be long before I buy a .44 magnum, shave my hair into a mohawk and then it's bye-bye Mister Fi-Fi...
  • FilmFanatik
    February 6, 2010
    FilmFanatik
    A fantastic piece of cinema.
  • vascovj1
    February 3, 2010
    vascovj1
    Do i really need to rate it, 5 stars isn't enough
  • mcmullers
    January 31, 2010
    mcmullers
    drama, social, crime
  • josephgloria23
    January 26, 2010
    josephgloria23
    Classic! Where Robert De Niro came from
  • ElCochran90
    January 26, 2010
    ElCochran90
    Review coming someday...

    98/100

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Comments

  • jimbotender
    August 6, 2008
    jimbotender
    does anyone think it would be pretty controversial if the whole sequence after the shoot-out were just a dream?or a thought of Bickle of what "could have" happened in the future?
  • willerror1
    July 2, 2008
    willerror1
    I hate the DVD covers for Taxi Driver. They show Travis with his Mohawk--that's an important surprise in the movie! What a spoiler. Especially when the original one-sheet posters are so well-done. That said, I pretty much hate all DVD covers, they are so lame.
  • HerrMannelig
    August 31, 2007
    HerrMannelig
    If u can't relate to De Niro's charachter,if u think his actions make no sense,if u got bored watching this movie be thankful for that.
  • StealersWheel
    May 6, 2007
    StealersWheel
    A real proper character study on travis bickle. Scorsese at his best!
  • connordew
    April 3, 2007
    connordew
    love the movie,one of my favorites. one of my favorite De Niro films.
  • MayanGoddess
    April 1, 2007
    MayanGoddess
    Brilliant movie. Scorsese's and DeNiro's best, in my opinion.
    You talkin' to me?
  • dontdropthesoap84
    March 7, 2007
    dontdropthesoap84
    I just watched this and I must say it's one of the best movies I've ever seen.
  • soldieroffortune
    January 25, 2007
    soldieroffortune
    u talkin to me ...
  • scottydgibbs
    January 8, 2007
    scottydgibbs
    this film, along with goodfellas, got me into proper films.
    brillient
  • panchof28
    September 24, 2006
    panchof28
    wow... when Scorsese was a good director... highly recommended
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