Taxi Driver (1976)

Featured Audience Ratings

• Directors C

  
  [img]http://images.rottentomatoes.com/images/user/icons/icon14.gif[/img] Martin Scorsese's eerily disturbing, greatly thought provoking and entirely unrestrained jewel; Taxi Driver, is one of the most powerful character study drama's in film history. "Someday a real… More
  [img]http://images.rottentomatoes.com/images/user/icons/icon14.gif[/img] Martin Scorsese's eerily disturbing, greatly thought provoking and entirely unrestrained jewel; Taxi Driver, is one of the most powerful character study drama's in film history. "Someday a real rain will come and wash this scum off the streets". That's my favourite line from the film and also among the best i've ever heard. A hard hitting inspiration that all film makers who have crafted masterpieces envy. There is quite simply no flaws to it. The iconic performances from DeNiro and Foster and the inspiring direction prove the artistic and raw brutalness of cinema.

• Albert K

  
  An absolute captivating movie. "Taxi Driver" is an incredibly complex, dark, psychological character study of a mentally unstable man. Robert De Niro is the character. He is absolutely mesmerizing and entertaining to watch on screen. This is filmmaking at its finest. For… More
  An absolute captivating movie. "Taxi Driver" is an incredibly complex, dark, psychological character study of a mentally unstable man. Robert De Niro is the character. He is absolutely mesmerizing and entertaining to watch on screen. This is filmmaking at its finest. For those that have not seen it, I highly recommend watching an old but great movie. Don't let its age scare you away; this is Martin Scorsese's masterpiece.

• Jani H

  
  "I think someone should just take this city and just... just flush it down the fuckin' toilet" In my room, where I have my collection of films, I have two posters of 'Taxi Driver', one regular size and one so big that I can't fit it in the room at this… More
  "I think someone should just take this city and just... just flush it down the fuckin' toilet" In my room, where I have my collection of films, I have two posters of 'Taxi Driver', one regular size and one so big that I can't fit it in the room at this point. I've wanted to write a review of my favourite film for so long but I've been somewhat scared of failing... miserably. How to give 'Taxi Driver' a proper review from a person who doesn't make this for a living? Now is the time to give it a shot... 'Taxi Driver' had lots of difficulties to get into production. The studio executives weren't that excited about Paul Schrader's strange story about a cab driver called Travis Bickle. They were in fact more interested of his other script called 'Watch the Skies'. In the end, Spielberg would direct the film but before that he rewrote it and retitled it to 'Close Encounters of the Third Kind'. Schrader's two picture deal with Columbia made it possible to give birth to these two films. The budget for 'Close Encounters of the Third Kind' was rather big but the money that came over was enough to make 'Taxi Driver' possible. Scorsese was not the first in mind to direct 'Taxi Driver'. Brian De Palma (Scarface', 'The Untouchables') was the first person that came in mind for directing duties for the producers. But Scorsese would get the job in the end. He had prior to 'Taxi Driver' made 'Mean Streets' and 'Alice Doesn't Live Here Anymore' so he had proven to make good movies. The film was given "a green light". All was set, the crew was hired and the actors were ready to make history... Next, some thoughts and facts of the key players in the making of 'Taxi Driver'. De Niro is my all-time favourite actor. He is what you could call a method actor, focusing 100 % and preparing every detail of his character. For the role of Travis Bickle he got himself a cab licence and drove for a month on the streets of NY to understand the job. He met Army veterans to study their behavior. As a kid, De Niro was somewhat of a loner, he'd rather read books than hang out with other kids. He has always had a need for privacy. Even on his later days he has tried to keep a distance to the media. During filming he stayed in character throughout the filming and kept his distance also to the other actors. He rarely socialized with them, only when necessary. De Niro's challenge was to make Travis Bickle into a complex and troubling character, a character that would be remembered long after the release of the film. In my opinion, he did an amazing job. Bickle is a psychotic racist, driven by his past. A person who sees the impurity of men at night. He is nothing but a bystander who will stand up in the end. De Niro managed to make him a sympathetic character, laking any social skills, with an unstable personality and repressed feelings. "You talkin' to me? You talkin' to me? You talkin' to me? Then who the hell else are you talkin' to? You talkin' to me? Well I'm the only one here. Who do you think you're talking to? Oh yeah? Huh? Ok." It's a good thing that Scorsese did not join priesthood. He's somewhat religious even today but he managed to flunk his studies and attended a film school. I'm not religious at all.. but "thank God"! What I've heard, Scorsese had some difficulties with intoxicants throughout the 60's and 80's. I've even read that during filming he would snort some lines... When you look at his performance as the jealous husband in one scene it really doesn't come as a surprise. Scorsese did not intend to make a performance in the movie but what I've read, the person who was cast for the role didn't show up. So Scorsese made his own memorable contribution... "Have you ever seen what a .44 Magnum will do to a woman's pussy? Now that you should see. What a .44 Magnum will do to a woman's pussy that you should see." Schrader managed to give Bickle's character similarities to a real life person called Arthur Bremer. Bremer tried to kill US president Nixon and governor Wallace. The later one he managed to paralyze. Bremer kept a diary with him which was released in 1973 as 'An Assassin's Diary'. Schrader has told that he hadn't read the diary when he wrote 'Taxi Driver'. I've read that Schrader has said that during writing he suffered of depression and even had some suicidal thoughts. A loner who would just drift around on the streets and explore the distress of other loners. Not sure if all of what I've read is true but at least he has written an excellent script on which the actors and Scorsese could base their work on. Of course, Bickle has to have something that drives him besides his hate towards the scum and other low-lifes of NYC. 'Taxi Driver' has two female characters that become important to Bickle. In my opinion the more important one is Jodie Foster's character Iris. Iris is a child prostitute who left home and started walkin' the streets. The character has a certain innocence in her, something that would also affect Bickle. During filming, Foster was only 12-13 years old. Scorsese did not put her in the explicit or intimate scenes, for instance the scene in which Iris puts her hands on Bickle's zipper. By the way, Foster's performance was modeled on a real-life teen prostitute. This woman was hired as a consultant to Foster and even had a small part as Iris's friend. This superb portrayal of a teen prostitute gave Jodie Foster, a former Disney child actor, her first Oscar nomination. Little did she know that her performance would have an impact on her life later on by a person called John Hinckley... "I don't like what I'm doing, Sport." Cybill Shepherd has the other important female role as Betsy. A real dream girl with golden hair and white dresses, always cheerful, she is the opposite of Bickle with her optimism. Bickle's ultimate fantasy woman. It was close that Shepherd would not be given the role. In fact, I've even read that she wasn't that eager to take the role after reading the script. I've also read that De Niro and Shepherd did not come that good together on the set. Maybe because of De Niro staying in character or something else? But even though De Niro and the producers were not that convinced of Shepherd's acting skills, Scorsese wanted and needed a "pure" blonde for the part. He wanted her and got her. And Shepherd needed work. As a curiosity, Shepherd is the only lead performer who's career didn't reach the same level as the others. But I liked her performance in the movie. She is the perfect and at the same time wrong person for Bickle's affection. "They... cannot... touch... her" And the last character that I'm going to mention largely is Harvey Keitel's character called Sport. Keitel was considered for the role of Bickle. After losing it to De Niro, he was offered a part as the campaign manager. Keitel didn't want the role, maybe because it was so insignificant, but asked to play the pimp instead. Keitel's performance is almost just as good as De Niro's. De Niro's performance is ultimatelly the best performance I've ever seen on screen but Keitel managed to make a smaller character as Sport a memorable one. Keitel is an actor of the same level as De Niro. Both of 'em concentrate fully on their characters. He spent almost a month with a real pimp. I've read that Keitel even improvised scenes with the pimp to fully understand what makes them do such work. Keitel had some difficulties to adjust to the scenes he did with Foster but like a real pro, he managed to put "the filth of it all" behind him. And this next quote, even though it is really obnoxious, says everything necessary of Sport... "Well, take it or leave it. If you want to save yourself some money, don't fuck her. Cause you'll be back here every night for some more. Man, she's twelve and a half years old. You never had no pussy like that. You can do anything you want with her. You can cum on her, fuck her in the mouth, fuck her in the ass, cum on her face, man. She get your cock so hard she'll make it explode. But no rough stuff, all right?" Even the smaller roles are in my opinion just as important as the leads. Peter Boyle's character Wizard, a philosophical cab driver, someone Bickle could even call a friend. Albert Brooks plays Betsy's co-worker Tom, in his first film role. A real yuppie who has his eyes on Betsy. Victor Argo, the clerk at the store, who has probably one of the most violent scenes in the film. Steven Prince as the gun salesman. All of these contribute perfectly on the making of Taxi Driver into the best film in the history of cinema. So, you've probably understood already that the acting is superb in 'Taxi Driver'. But what about the editing, cinematography or music? Bernard Herrmann's jazzy score is minimalistic in its ways but it is in fact one of the most mesmerizing scores I've heard. I don't own that many soundtracks but 'Taxi Driver's' soundtrack is one to own if you appreciate the work of film musicians. Michael Chapman's cinematography, along with Tom Rolf's and Melvin Shapiro's editing, play an important part in the movie. The opening scene in which a yellow cab drives thru thick smoke and Herrmann's dreamlike score plays on the background... Filmmaking in its most perfect way. One specific sequence to mention is the bloodbath in the end. The camerawork, the lighting, special effects, the music. I've never seen an intensity of same caliber in any other film. The moment when Bickle puts his hand near his head to demonstrate (or mimic) a gun effect and having an eerie grin on his face... Awesome. De Niro's charismatic performance as Bickle, a partly sympathetic character who becomes some kind of hero at the end, Scorsese's perfect directing along with other crew members collaboration to the making of the film makes 'Taxi Driver' the best film ever. I remember when I saw 'Taxi Driver' for the first time, I was a 15 year old kid who by chance got a copy of the film. I've never been so stunned of any other film than 'Taxi Driver'. The film got under my skin, provoked me in ways I had never even thought that could be possible. Films like these just improve with every viewing. 'Taxi Driver' is very multileveled (don't know if this is a correct word...) This is just a scratch of what can be said of this film. I'll even say that 'Taxi Driver' is very critical against our society. What could happen when society doesn't do anything to make things better for common people? Surely there are people who are ready to take justice in their own hands, just as Travis Bickle. This film is very thought provoking, a film that really deserves its place among the best films ever made. Perfect in every way, this is a film that comes highly recommended to any person who appreciate high-class filmmaking with in-depth characters and top-notch writing. "Listen, you fuckers, you screwheads. Here is a man who would not take it anymore. A man who stood up." agains the scum, the cunts, the dogs, the filth, the shit. Here is someone who stood up."

• Graham J

  
  One of my favorites, a truly frightening look at isolation. Get a Blu-Ray copy and it really comes alive.

• Idrees K

  
  A complex movie and a complex character to spread some light on a complex world. The old-school narration style works wonders with such excellent writing. One of Scorcese's deepest, strongest films. Everything from the script to the camera work to the soundtrack weaves an… More
  A complex movie and a complex character to spread some light on a complex world. The old-school narration style works wonders with such excellent writing. One of Scorcese's deepest, strongest films. Everything from the script to the camera work to the soundtrack weaves an almost flawless final cut.

• Daniel L

  
  Taxi Driver is a classic film and great character study. De Niro's haunting portrayal of the mentally disturbed and unstable Travis Bickle coupled with vivid cinematography makes this an immensely powerful film.

• Jason C

  
  I always get a claustrophobic feeling watching this movie. It's brought on by Travis Bickel's alienation. Imagine having to coexist, every moment of everyday, in a world that you believe you no longer belong in. Robert De Niro's distant performance is legendary. You… More
  I always get a claustrophobic feeling watching this movie. It's brought on by Travis Bickel's alienation. Imagine having to coexist, every moment of everyday, in a world that you believe you no longer belong in. Robert De Niro's distant performance is legendary. You can always feel the bending, and when things snap, it produces one of the most intense moments on film. This is De Niro and Scorsese at their very best, which if you're familiar with their bodies of work, is a very high compliment. I do take issue with the ending, but that's a small complaint. This is a great movie.

• Shawn E

  
  At first I thought this film might be a love story where a guy chases after this beauty, but it sure doesn't keep that way for long. The film ditches the straightforward storyline and develops a focus on Bickle's decent into madness. It became very unclear if Bickle's… More
  At first I thought this film might be a love story where a guy chases after this beauty, but it sure doesn't keep that way for long. The film ditches the straightforward storyline and develops a focus on Bickle's decent into madness. It became very unclear if Bickle's madness would turn into something evil or something heroic, and in the end your left with interpretive chaos. De Niro's performance is amazing, and really puts the edge on this dark film.

• Matthew S

  
  Scorsese, De Niro and Schrader give us the world just as a mental gunman would plausibly see it. More creepy and disturbing than most horror movies. This poor guy.

• Michael G

  
  Taxi Driver is the kind of movie that whiny young men and disaffected/alienated youth (that I admittedly lumped myself in with years ago) cling to because they think they actually are Travis Bickle. Normally its the kind of movie that you ditch or let go of once you put the childish… More
  Taxi Driver is the kind of movie that whiny young men and disaffected/alienated youth (that I admittedly lumped myself in with years ago) cling to because they think they actually are Travis Bickle. Normally its the kind of movie that you ditch or let go of once you put the childish things of your youth away or have gotten over yourself. But what keeps Taxi Driver from sitting in a storage trunk next to that copy of "A Catcher in the Rye" or collecting dust next to your Fight Club DVD is the fact that its so goddamned good and still incredibly powerful. That and you just trade in one brand of crazy for another once you get older and Bickle has a universal brand of craziness that's got something for all ages. After taking a hiatus from Taxi Driver (in my early 20s I easily watched this a good 25 times) it still holds up even if its no longer the anthem it once was to me. Phenomenal acting, direction and photography add an almost grindhouse feel to the movie that not even a Blu Ray transfer could completely strip away. And speaking of Blu Ray transfers, I have two words for you: Cybill Shepherd. Taxi Driver has made the best case for me switching over to Blu Ray for that reason alone...

• Reid V

  
  For me, this film really solidified my idea that you have never really seen a film until you have seen it twice. Upon my initial viewing more than five years ago, I was really only focused on DeNiro's performance. I knew that the film itself was special, yet at the time I did not… More
  For me, this film really solidified my idea that you have never really seen a film until you have seen it twice. Upon my initial viewing more than five years ago, I was really only focused on DeNiro's performance. I knew that the film itself was special, yet at the time I did not have the faculty to really analyze the film and articulate what made it so powerful. While I will probably read this review five years from now and cringe at this rough attempt at film criticism, I am going to give it my best. From the moment that Travis' cab emerges through the steam, one gets a sense that Scorsese is going to take us down a dark road. What he gives the viewer is an in depth character analysis that drives into the mind of a neurotic ex-marine teetering on the edge of delirium. While writer Paul Schrader helped to bring Travis Bickle into existence, DeNiro and Scorsese really bring him to life. DeNiro, who drove an actual cab for a couple weeks in order to prepare for the role, uses the most subtle of expressions to showcase the many shades of turmoil that Bickle projects. As he walks amid the maelstrom of New York City at night, his demeanor is placid, yet something is clearly boiling beneath the surface. In the hands of many other actors, Travis would have turned out more ostentatiously psychopathic and I find DeNiro creates a malevolence that is even more sinister by making Travis oddly endearing. On paper Travis is not a simple man. Whether it be in his cab or his rather scanty apartment, he is usually shown in a constant state of isolation. Even Scorsese's direction stresses this isolation as he is usually the lone figure in the frame during a conversation while the other person is usually shot with Travis' shoulder in the foreground. He is intuitive, smart, confident, and believes himself to be a John Wayne figure even though he is more akin to Norman Bates. He is also a walking contradiction. Bickle becomes obsessed with fitness even though he predominately eats junk food and proclaims his distaste for people's licentious activities even though he frequents dirty movies. DeNiro's performance effectively encompasses all the complexities that a character such as Travis has to offer. As for Scorsese part, he does an excellent job accenting the pieces of the city that a person such as Travis would fixate on. Scorsese's New York is gritty and ominous. As Travis' cab drives around the city, Scorsese shows that there is wanton violence at every turn. Whether this is the New York that Scorsese sees or just Bickle's perception of it, it is not depicted as a place to settle down and start a family. (Unless of course you plan to eventually kill everyone in it) Even when Travis is outside of the cab, he is bathed in the red glow of the neon lights which also brilliantly foreshadows the violence that will ensue later. Forgive me for my tedious rehashing of all the things that make this film so memorable. I hope that it might have given some insight into the powerful piece of film that Scorsese and DeNiro have created. It is surely one that cannot afford to be missed and belongs in every film lovers collection.

• Brad W

  
  Martin Scorsese brings us a epic timeless masterpiece.. A raw and gritty crime film about a mentally unstable Vietnam veteran who puts it in his mind that he should rescue a teenage prostitute played by Jodie Foster. Taxi Driver is one of Martin Scorsese's very best films, and it… More
  Martin Scorsese brings us a epic timeless masterpiece.. A raw and gritty crime film about a mentally unstable Vietnam veteran who puts it in his mind that he should rescue a teenage prostitute played by Jodie Foster. Taxi Driver is one of Martin Scorsese's very best films, and it remains one of his most disturbing and chilling. Robert De Niro gives a stunning performance as Travis Bickle, one of cinemas greatest antiheroes.

• Kristijonas F

  
  One of the most disturbing and hard-hitting movies ever released, Taxi Driver is undoubtedly Martin Scorsese's finest achievement and a landmark of 1970's cinema.

• John H

  
  It's not a thriller, It's not melodramatic, so....what is this? A Taxi Driver spends his nights watching pornos at Adult theatres because they're his kind of movies. All of a sudden out of no where he runs into a 14 year old prostitute who ran away from home. And then… More
  It's not a thriller, It's not melodramatic, so....what is this? A Taxi Driver spends his nights watching pornos at Adult theatres because they're his kind of movies. All of a sudden out of no where he runs into a 14 year old prostitute who ran away from home. And then he looses it one day, gets some guns, shaves his head into a mohawk and decides to kill the girl's pimp and anyone else who gets in his way...yeah...doesn't really appeal to me that much. The story is just a bust.

• Sajin P

  
  "God's Lonely Man" - A character we all can relate to at some point of life, whether it's in his loneliness or in his anger or in his frustration. Taxi Driver is a dark and immense movie driven by a powerful performance from De Niro.

• Spencer S

  
  Think of the most degrading and disgusting of places full of criminals, perverts, and the usual filth that inhabits a place of ill refute. That's the backdrop and state of mind for the main character: Travis Bickle. Scarred by his time in the Vietnam War, and now exposed to the… More
  Think of the most degrading and disgusting of places full of criminals, perverts, and the usual filth that inhabits a place of ill refute. That's the backdrop and state of mind for the main character: Travis Bickle. Scarred by his time in the Vietnam War, and now exposed to the underbelly of society, Bickle is subject to being an underappreciated taxi driver in Harlem and the Bronx. Robert De Niro plays the martyr so well, grasping onto the fabricated image of vibrant Cybill Shepherd in one of her few decent film roles. After a broken relationship based on his uneven idea of what constitutes a date he spirals into a state of violent madness characterized by gunplay and that famous scene: "You talkin' to me?" When Jodie Foster, so very young and innocent in a role that demands perfect acclimation, arrives, it's a chance for redemption, which is the main theme of the film if not being a savior. Harvey Keitel, the trash Bickle so desperately wants to eliminate, is Easy's (Iris) keeper, and it's up to Travis' twisted mind to establish freedom. Full of memorable scenes and beautiful portraits of what lies beneath the regular unsavory aspects of life. The denoument was offputting, but not out of place in a film so obviously guilty of interpreting life.

• AJ V

  
  This is both a brilliant drama and a fantastic thriller/action type movie, which is an interesting combination. Scorsese's classic is a must see for any movie fan, I highly recommend it.

• Aditya G

  
  Martin Scorsese's "Taxi Driver" has got to be the most interesting character study I've ever seen. Travis Bickle (Robert De Niro), a former Marine living in New York City is a depressed loner with almost no friends except for the handful few he makes during his… More
  Martin Scorsese's "Taxi Driver" has got to be the most interesting character study I've ever seen. Travis Bickle (Robert De Niro), a former Marine living in New York City is a depressed loner with almost no friends except for the handful few he makes during his taxi-driving stint. He is also an insomniac who chooses to drive a taxi during nights mostly, because he can't sleep. During the days and during his time off, he spends his time in seedy movie theaters playing pornographic movies. While driving his taxi in the night on the streets of New York City, Travis encounters a wide variety of passengers. In the first half hour he describes his experiences with his passengers and we even get to see one interesting episode with a particular passenger played by none other than the great director of this film himself! All these experiences have left Travis disillusioned about the world as he knows it. He narrates to the audience that there is a lot of "scum" and "filth" in the streets. He drives around some of the seediest areas of Manhattan during hours when all the sex-workers and hoodlums roam the streets. Travis is still not entirely pessimistic, though, as he narrates in the voiceover: "Someday a real rain will come and wash all this scum off the streets." In the midst of all this filth, Travis gets to meet the beautiful 'Betsy' (Cybill Shepherd) who is a campaign volunteer Senator Charles Palantine, but his joy is short-lived. Things take a different turn during the final hour of the film, which I will surely not spoil here for the viewer. Robert De Niro delivers one of the greatest performances of his career and makes Travis Bickle one of the most memorable on-screen characters. He is an absolute treat to watch, as he practically becomes Travis Bickle and also makes one wonder if this is the same man who played the young Vito Corleone in "The Godfather Part II" not very long ago. Of the supporting cast, Harvey Keitel is superb as "Sport", the pimp. Jodie Foster makes a strong impression in one of her earliest screen roles as the teenage prostitute, Iris, even though she gets very little screen time. Cybill Shepherd and Peter Boyle both do justice to their roles as Betsy and "the Wizard" respectively. Martin Scorsese appears for a short time and shows his ample acting skills in a scene which is perhaps one of the best director cameos ever. Paul Schrader writes a superb script with one of the most interesting characters ever written for the screen. Equally interesting are his bizarre experiences and his eventual extreme reaction to the disturbing reality he has grown sick of seeing around him. Martin Scorsese directs with the kind of finesse that is expected of him. No other film I've seen, visually details the dark underbelly of New York City as effectively as "Taxi Driver". The director shows you some of the sleaziest places in the City full of pimps and prostitutes roaming around. Then there are some mean hoods who come out in numbers at night. You are also taken inside a porn theater with very little seating space and shabby looking interiors and projection screen, where Travis spends his spare time. Bernard Herrmann's score, particularly the saxophone in the main title is so mesmerizing, the music combined with the disturbing images in the film refuse to let go and keep echoing in your head long after the film is over. "Taxi Driver" is a haunting portrayal of "God's Lonely Man". It is the kind of film that demands repeated viewings and grows on you. This film is certainly not for everyone, considering it is really character-driven and not plot-driven. People who are looking for mere entertainment are likely to be disappointed. For others, who are lovers of some serious art cinema, "Taxi Driver" is a must-watch and a must-own!

• Lenny M

  
  De Niro so diverse, what a concept. Update: Captivating madness.

• Jeff "

  
  The ultimate Martin Scorsese classic. A raw and gritty crime film about a mentally unstable Vietnam veteran who puts it in his mind that he should rescue a teenage prostitute played by Jodie Foster. Taxi Driver is one of Martin Scorsese's very best films, and it remains one of… More
  The ultimate Martin Scorsese classic. A raw and gritty crime film about a mentally unstable Vietnam veteran who puts it in his mind that he should rescue a teenage prostitute played by Jodie Foster. Taxi Driver is one of Martin Scorsese's very best films, and it remains one of his most disturbing and chilling. Robert De Niro gives a stunning performance as Travis Bickle, one of cinemas greatest antiheroes. The films overall tone is raw, gritty and nasty. It does a terrific job at portraying the sleazy streets of Manhattan. Taxi Driver is a stunning achievement in film. This is one of Martin Scorsese's best films, and is one of my favorites too. The cast that acts alongside De Niro is well chosen and they all deliver something memorable on screen. Scorsese does a masterful job at portraying the crime riddled streets of New York. It's surprising to me that this was just the beginning of what was yet to come. Sure, Scorsese was making films since the end of the 1950's, but with Taxi Driver he truly mastered his skills and became more than just a director. This film paved the way for his later masterpieces, such as Raging Bull and Goodfellas.

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