Alan Badel, Charles Bronson, Donald Pleasence

Charles Bronson stars as ace KGB agent Col. Grigori Borzov in Don Siegel's adaptation of Walter Wager's Cold War thriller. It seems that in the 1950s, at the height of the cold war, the Soviet Union p...( read more  read more... )lanted a network of agents in the United States. They were programmed, under hypnosis, to blow up key military installations when activated by hearing a line from a Robert Frost poem. In the 1970s, Nicolai Dalchimsky (Donald Pleasence), a fanatical KGB agent, has decided to begin activating this network. The Kremlin, which had no awareness of the program, finally grasps what has happened after a series of explosions occurs at abandoned U.S. installations. Realizing that they can't reveal the problem to U.S. officials, they choose to send their best agent, Borzov, to stop Dalchimsky before he starts WWIII. Along the way Bronson is forced to work with another KGB intelligence officer, Barbara (Lee Remick), who proves to be a double agent, as well as accepting help from computer expert Dorothy Putterman (Tyne Daly). Solid evidence that at the height of his box-office appeal Bronson could have gotten a seed catalog made into a big-budget movie, the film likely suffered from its tumultous production history, showing little of Siegel's signature style. On the bright side, Daly scores as a techie, and Bronson, mercifully, makes absolutely no attempt at a Russian accent.

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53% liked it

1,111 ratings

PG, 1 hr. 43 min.

Directed by: Don Siegel

Release Date: January 1, 1977

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Flixster Reviews (51)


  • October 5, 2009
    "The woods are lovely, dark, and deep, but I have promises to keep. And miles to go before I sleep, and miles to go before I sleep. Remember. Miles to go before I sleep."


    Telefon is an entertaining Charles Bronson vehicle - nothing more, nothing less. It lacks b

    ...( read more)rains, it's a tad slapdash and it's an extremely predictable affair, but it's quotable and thoroughly enjoyable as well. With renowned action director Don Siegel at the helm (best known for the first Dirty Harry), Telefon is packed with nail-biting suspense and exciting eruptions of action, all the while threading together an engaging plotline (though it's nothing too deep). With the focus primarily on narrative velocity rather than compelling drama, this is a very serviceable spy thriller supported by an intriguing premise.


    The story involves a communist zealot known as Dalchimsky (Pleasance) who plots to sabotage détente by activating deep-cover agents in the United States. Said agents were planted by the Soviet Union at the height of the Cold War but were never utilised, and are primed to execute suicidal missions to blow up key military sites on telephonic phone cue. Military intelligence officer Major Grigori Borzov (Bronson) is recruited by the Soviets to eliminate Dalchimsky before his actions trigger World War III. Oh, and Grigori is accompanied by an American agent named Barbara (Remick).
    With the continuing political conflict and military tension between America and Russia in the late '70s and throughout the 1980s, it's kinda heart-warming to witness a movie released in 1977 which features a Russian agent and an American agent working side-by-side.


    At its most basic level, Telefon is pleasant escapism. The script was penned by the screenwriting duo of Sterling Silliphant and Peter Hyams, based on the novel by Walter Wager. Though the story is considered by some to be beyond the realms of reality, the driving force behind the plot (i.e. activating agents using drug-induced hypnosis) isn't as far-fetched as some of the actual schemes concocted by the overzealous CIA and KGB during the Cold War. The script's only weak spots are in the characters and the construction of events. Initially, Grigori and Barbara are hostile towards one another. An audience would expect these two to somehow end up together, and we get that pay-off, but it seems merely perfunctory rather than natural. Granted, it's probably unreasonable to expect a beautifully-written relationship in a film like this. But if said relationship is unmotivated and naff, then there's a big problem.


    Here's the major problem with Telefon: it's entirely without a satisfying final act. At about a hundred minutes in length, the film is fairly long considering the '70s action-thriller pedigree. And during these hundred minutes, there's a lot of building up with very little pay-off. Walter Wages' novel contained an excellent climax which could've become an effective action set-piece in this screen adaptation, but alas the film fizzles out with a whimper. The demise of the main villain is underwhelming, and the story is wrapped up irritatingly quickly. In all likelihood, budget constraints prevented a big climax from being lensed. It's disappointing, to say the least.


    Director Don Siegel handles the action competently, but this is not among his best efforts (a few terrific set-pieces notwithstanding, there's some pretty dull filmmaking on display here). Lalo Schifrin also provides a fantastic score which suitably amplifies tension during key scenes. As for the acting...not unlike the sleeper agents of the picture, the stoic Charles Bronson gives a strong impression of deep hypnosis throughout. During his career, Bronson rarely acted - he simply inhabited a film with his particular presence, which frequently played off his infamous Death Wish persona. Donald Pleasence fares a lot better as the main villain of the film. He oozes menace, and is especially sinister while uttering a few lines from the particular Robert Frost poem which triggers a sleeper agent. Lee Remick's performance is impassive, and she's an absurd love interest for Bronson. Also in the cast is Tyne Daly who's embarrassing as the overexcitable CIA computer expert (hilariously, the computers she uses literally have a brain of their own) and whose role feels at once redundant and underdone.


    Bronson enthusiasts will almost certainly find a lot to enjoy about Telefon - it's a fun spy thriller with Bronson in Russian Death Wish mode. The film was later parodied in The Naked Gun, and Tarantino used the "trigger" phrase ("The woods are lovely, dark and deep...") in his 2007 movie Death Proof.

  • January 6, 2009
    Before detente there was Bronson. Well, it's an effective thriller, but with Bronson attached you expect a little more action. Donald Pleasence is right in his realm of creep-master general here.
  • July 27, 2007
    A rather flat and dour cold war thriller starring a rather flat and dour Charles Bronson as a Russian agent sent to kill a cell of sleeper agents who are activated by a fanatical Stalinist. It's an interesting idea, but none of Siegel's trademark intensity and panache is in evide...( read more)nce and Bronson is at his least charismatic.
  • January 17, 2008
    Assassins living as normal Americans are programed to kill when they are given a certain phrase (I'll think of the word later and replace this... what the hell is the word I'm looking for? Let's just say a "trigger" word). Like Manchurian Candidate if Bronson had been there to ...( read more)kick all kinds of ass.
  • October 26, 2008
    its a great film. kinda like monchureon candidate
  • October 19, 2008
    Telefon is an intriguing spy thriller from Don Siegel, and while it does have its moments, it also falls short of expectations. It just lacks that extra something seen in other Siegel films.

    The plot is a good one and it has a ton of potential. The Soviet Union has pla

    ...( read more)ced 50+ brainwashed sleeper agents all over the United States and suddenly, one by one, they begin to carry out their purpose of blowing up key military installations. I say that is a great concept for a spy movie.

    The first 20 minutes are great as it involves the telephone calls, in which the culprit delivers the "trigger" phrases, to set the sleeper agent in motion. These "trigger" phrases are what Tarantino uses in his movie Deathproof. The main character of Charles Bronson doesn't show up until the 20 minute mark and that is where the film begins to lose its pizazz. The rest of the film focuses less on the sleeper agents and more on Bronson's attempt to stop the culprit from triggering the rest of them. This isn't necessarily a bad thing, but watching the agents get the telephone calls and carrying out their missions are the high points of this picture.

    Charles Bronson is a little flat. If you combine this with Don Siegel's directing you get a movie that doesn't live up to the hype. Fortunately, the supporting cast gets the job done. Donald Pleasance is a good "trigger" man and Lee Remick is a beautiful partner for Bronson. Tyne Daly gives a solid performance as a computer wiz, but her part of the story feels incomplete and unnecessary.

    Telefon may not be great, but it is still a better than average movie that Charles Bronson or Donald Pleasance fans may want to check out.

  • May 6, 2008
    This is a good movie
  • April 29, 2008
    Another one i am waiting for on DVD. What is with these companies not releasing movies on DVD?
  • July 25, 2007
    Très bon thriller (ancien, certes, mais très bon néanmoins) avec Charles Bronson à l'époque des conflits entre USA et URSS.

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  • In the film "Telefon" starring Charles Bronson; the poem being read by Donald Pleasance (as a code to activate hypnotized Soviet sabateurs in the US) was written by which poet?  Answer »

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