Critic Reviews

• Trevor Johnston, Time Out

  Even if 'Telstar' can't quite get the measure of its fascinating material, its pluck and ambition prove infectious enough to outweigh its flaws.

• Derek Elley, Variety

  Fairly crackles with character and period flavor for its first 90 minutes but is let down by a repetitive and tiresomely maudlin final half-hour.

• Roger Moore, Movie Nation

  An overlong but fascinating look at the life of a forgotten innovator of early rock'n roll

• Kim Newman, Empire Magazine

  Nick Moran definitely emphasizes certain characteristics of the idiosyncratic producer over others for affect, but this is still as fascinating portraits in parts.

• Ali Catterall, Film4

  Telstar is an embarrassing farrago, an amateurish, incoherent pantomime of a piece, stuffed with interchangeable characters, a sketchy, largely unsympathetic leading role, and - betraying its stage play origins - unspeakably stilted dialogue.

• Kevin Maher, Times [UK]

  This is Meek's show, and as a wild and hostile central character (the bellowed phrase "F*** off" is never far from his lips) he is likely to fascinate and alienate in equal measure.

• Peter Bradshaw, Guardian [UK]

  Nick Moran's film, based on the stage-play he wrote with James Hicks, is an eccentric, sometimes underpowered but always watchable story about the early-60s prehistory of pop culture.

• Sukhdev Sandhu, Daily Telegraph

  The Meek they present is closer to being a character in Little Britain than the mysterious, proto-avant-garde sonic scientist revered by legions of contemporary electronic musicians. A little more weirdness would have been very welcome.

• Kingsley Marshall, Little White Lies

  O'Neill's performance is spellbinding, with Moran commendably allowing the actor the necessary time and space on the screen to believably cast his darkness upon those around him.

• Mayer Nissim, Digital Spy

  Like Meek himself, Telstar draws you in despite its its imperfections, which don't detract too much from a bold take on an undertold and fascinating story.

• Rob Daniel, Sky Movies

  It's a solidly-made, enjoyable story that manages to rope in some notable cameos (can anyone spot Jimmy Carr) and shows Moran is a name to watch as a director.

• Kevin Harley, Total Film

  Clumsily plotted and psychologically messy as it is, Moran's pop biopic is a ripe bustle of business, given substance and conviction by well-rooted performances.

• Alastair McKay, Uncut Magazine [UK]

  Moran's film is not empty nostalgia. It is not The Boat That Rocked. It should be filed alongside Stephen Frears' Joe Orton biopic, Prick Up Your Ears, because its breezy exterior conceals a thoughtful consideration of a strange moment in British pop.

• Christopher Tookey, Daily Mail [UK]

  Like Meek's music, it's not much good and definitely not sophisticated, but I enjoyed it.

• David Edwards, Daily Mirror [UK]

  Telstar is a rambling, chaotic mess that's got missed opportunity written all over it.

• Mark Adams, Sunday Mirror [UK]

  Telstar is still an oddly compulsive story of an exuberant mess of a man who played a key role in British pop history.

• , Sun Online

  Nick Moran's directorial debut is, in fact, remarkably light until it nears its tragic climax.

• Nigel Andrews, Financial Times

  By the film's end we feel we have had too much of a good thing - but since that is what the hero died of, it seems an appropriate sensation to leave us with.

• Anthony Quinn, Independent

  Some nice moments, though not all that convincing in its lament for a great lost talent.

• Allan Hunter, Daily Express

  The film lurches uncertainly in tone from frisky nostalgia to fatalistic drama without really getting under the skin of one of the forgotten pioneers of British pop.

Read all 20 critic reviews