Critic Reviews
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Roger Greenspun, New York Times
I have now seen enough of Rocha's work to know that I dislike it for its own sake, and not for the unfamiliarity of its locale and people or for the ritual obsessiveness of its themes.
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Dave Kehr, Chicago Reader
One of the later entries (1966) in Brazil's short-lived Cinema Novo movement, applying New Wave pyrotechnics to popular and political mythology.
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Ted Shen, Chicago Reader
Rocha's frenzied mise-en-scene, which borrows from Fellini, Antonioni, and European avant-garde theater, is so stylized and self-referential that it probably appealed less to the masses than to the left-wing intelligentsia it scrutinizes.
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Cast
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Jardel Filhoas Paulo Martins -
Paulo Autranas Porfirio Diaz -
José Lewgoyas Felipe Vieira
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Glauber Rochaas Sara -
Paulo Gracindoas Julio Fuentes -
Paulo Cesar Pereio
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