A rather interesting film. Delving into the world of spin-doctoring, the film's wit moves fast and offers much humor to go with the lessons provided.
Aaron Eckhart was a dynamite choice for Nick Naylor, spokesman extraordinaire. The character himself seems nearly unflappable,… More
A rather interesting film. Delving into the world of spin-doctoring, the film's wit moves fast and offers much humor to go with the lessons provided.
Aaron Eckhart was a dynamite choice for Nick Naylor, spokesman extraordinaire. The character himself seems nearly unflappable, even when the spotlight is on him in a negative way. I honestly believe the man could sell water to a drowning man, that's just how good he is at putting a spin on things.
I've spoken before about narration in films and how it doesn't work most of the time but here, it not only serves to introduce Nick Naylor's friends and acquaintances with a sense of humor, it lets us in on some of the tricks of the trade of the spin doctor profession.
Speaking of his friends and acquaintances, the supporting cast is solid. We have J.K Simmons as a simmered down (aside from throwing a few swear words now and then) version of another character he played, J. Jonah Jameson. Obviously not intended to be that way but I can see the similarities and it doesn't bother me.
Maria Bello and David Koechner are fun to watch as Nick's fellow "Merchants Of Death" and they make some of the more valid points of the film (though Nick might have topped them all by asking his companions the average yearly death totals of their respective trades, alcohol and firearms respectively).
Katie Holmes I did not hate in this, surprisingly enough. Might be due to the fact that her role is supporting at best but I didn't feel like booing her, unlike in Batman Begins.
Sam Elliott in his short role as the original Marlboro Man (where this film is concerned at least) was much better than almost all his screen time in Ghost Rider (sorry Sam but you were kinda phoning it in there, from my perspective at least) by getting to be bitter and cynical.
And of course, I can't go much further without mentioning that Cameron Bright (playing Nick's son) has a natural screen presence and I hope he'll choose challenging roles in the future (and stay away from stuff similar to Birth).
One of the best performances for me, however, comes from William H. Macy, a man who quickly became one of my favourite actors after I saw him in Fargo. He plays Nick's primary opposition, a senator from Vermont named Finisterre, who wants cigarette packs to carry pictures showing the effects of smoking. What's interesting here is the role reversal. Most films will have cigarette representatives as one dimensional villains while the politicians fighting them are fighting a good cause. Here we have a tobacco representative who isn't arguing the merits of tobacco because he believes in it, it's just what he's arguing. He'd be doing the same if it was a violent video game or a movie bordering on pornographic released in cinemas. He's not interested in actively forcing people (children in particular) to smoke, he's just trying to keep his job.
Meanwhile, Senator Finisterre is a hypocritical, uncaring man. He used a cancer-stricken child at the beginning of the film just for his own means and (slight spoiler in the next sentence) arranges for Nick to be kidnapped and nearly killed by having loads of nicotine patches slapped on him (the intent was to kill but it didn't quite work, due to Nick's own smoking habit. The irony is lamp shaded on).
This film was Jason Reitman's directorial debut and I look forward to seeing his third film Up In The Air. For a good movie marathon, I suggest combining this with his second effort, Juno.