The Addiction
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Blood addiction provides a central theme in this dark tale of a young vampire who must prowl the gritty New York streets in search a fix. The film also offers deeper, philosophical themes as it uses vampirism as a metaphor for human behavior. Kathleen Conklin was a doctoral candidate in philosophy at NYU before she became a vampire. For her first kill, she attacked a street tramp, withdrew his blood with a syringe, and injected herself. As she begins to hunt more frequently, the filmmakers intersperse images of famous massacres. The other vampires she encounters are fond of quoting Nietzsche… More
Rotten Tomatoes Score: 73%

Critic Reviews from Rotten Tomatoes

"No matter, without exactly transcending the awful material, Ferrara puts it across with astonishing poetry and conviction."
‑ Jonathan Rosenbaum, Chicago Reader
"Abel Ferrara, working from a rabidly ambitious script by Nicholas St. John, gives the genre a provocative and perversely funny snap that Anne Rice might envy."
‑ Peter Travers, Rolling Stone
"One of Ferrara's most idiosyncratic yet popular slices of misanthropy."
‑ , Film4
"Reflecting Ferrara's obsession with guilt and redemption, the film acknowledges the capacity for evil, urging viewers to take responsibility for their actions, or else there won't be a way to arrest evil's diffusion from one generation to the next."
‑ Emanuel Levy, EmanuelLevy.Com
"Christopher Walken, who always looks like one of the living dead, proves that he hasn't exhausted his capacity to make your skin crawl."
‑ Susan Tavernetti, Palo Alto Weekly
"Scary, funny, magnificently risible, this could be the most pretentious B-movie ever -- and I mean that as a compliment."
‑ , Time Out
"Unfortunately, it's so dark -- and impenetrable -- that it shuts us out."
‑ Hal Hinson, Washington Post
"It's got a remarkable visual texture, integrity to burn, and almost -- but not quite -- enough intelligence to justify its lofty ambitions."
‑ , TV Guide's Movie Guide
"The allegory wears thin fast, and we're just left with artifice."
‑ Rob Thomas, Capital Times (Madison, WI)
"Ferrara's film both impresses and terrifies sufficiently for most of its duration."
‑ Nick Davis, Nick's Flick Picks
"Love him or hate him, Mr. Ferrara is one of the few directors who can turn genre movies into something deeper."
‑ Caryn James, New York Times
"Macabre and provocative, yet wonderfully restrained."
‑ Desson Thomson, Washington Post
"What we get is a slight, but entertaining movie, that's (dare I say it?) unintentionally funny at times."
‑ Jeffrey M. Anderson, Combustible Celluloid
"Given all the talent involved, this should have been much more compelling."
‑ Luke Y. Thompson, New Times
"Captain! The Pretense-O-Meter's gone off the scale!"
‑ Rob Vaux, Flipside Movie Emporium
More reviews for The Addiction on Rotten Tomatoes