Featured Audience Ratings

• Pierluigi P

  
  Peckinpah buries his favorite genre with the help of an outstanding trio: Jason Robards as an outlaw with strict moral codes, Stella Stevens as a town whore with too much heart, and David Warner as a preacher full of lust. This isn't by any means a languid, morose funeral; but a… More
  Peckinpah buries his favorite genre with the help of an outstanding trio: Jason Robards as an outlaw with strict moral codes, Stella Stevens as a town whore with too much heart, and David Warner as a preacher full of lust. This isn't by any means a languid, morose funeral; but a festive farewell to a time and place that seemed to stay isolate from the rest of the ever changing modern world.

• Adam M

  
  The heart of this movie, which make the rest of it come alive -- zigzagging dissolves and all -- is Robards' and Stevens' performances and some of Lucien Ballard's shots, mostly cloudscapes he catches behind the characters. I don't know whether Peckinpah had to… More
  The heart of this movie, which make the rest of it come alive -- zigzagging dissolves and all -- is Robards' and Stevens' performances and some of Lucien Ballard's shots, mostly cloudscapes he catches behind the characters. I don't know whether Peckinpah had to direct this, and I don't mean because of the low level of violence. It's a comic elegy to the pioneer individualist where the system isn't trying to beat him down. He slides one way, while the system slides the other; both taking 'er easy. Of course the system slides the pavement under Hogue's feet, but there's no dialectic Peckinpah is experimenting with this time. Yeah, I know we're all charmed with what Hogue represents and we hate to see him go, but almost a whole movie about collectively basking in that feeling? Even the banker is nice in this one. ------------------ A reconsideration, with some SPOILERS: *** Maybe we're deliberately left with handful of unsatisfying suggestions about what he might represent in history. "He was a man," I think the Preacher says solemnly -- emptily??? The movie basks in our feeling for this guy, who is between worlds that won't fully have him -- since he is his own man, by choice. It's sad to watch that feeling contrast with the quickness of each character's mourning for him at the end. ??"He was a man" ... Maybe this movie ends up being about loneliness as our sacrifice in living out American ideals. Cable makes that sacrifice more honorably than most of us would even aspire to, without any regrets.

• Michael G

  
  The Ballad of Cable Hogue was proof that Jason Robards is possibly the most underappreciated actor ever. Sam Peckinpah's uncharacteristically upbeat Western wasn't what I expected and despite the contrast with Peckinpah's usual fare, I really liked it. Robards steals… More
  The Ballad of Cable Hogue was proof that Jason Robards is possibly the most underappreciated actor ever. Sam Peckinpah's uncharacteristically upbeat Western wasn't what I expected and despite the contrast with Peckinpah's usual fare, I really liked it. Robards steals the show, but the rest of the cast (especially David Warner) was great. The Ballad of Cable Hogue is by no means a perfect movie as the duet with Robards and Stella Stevens was a tad on the painful side and the goofy sped-up nonsense was cringe-worthy, but the last 20 minutes and a scowl-inducing but necessary and perfectly sensible ending more than justify it.

• Conner R

  
  A completely different movie than you'd probably expect, given the director and actors. This is really a light-hearted western compared to Sam Peckinpah's others. It's about a man finding his place in the world and admitting that he's not as tough as he might like… More
  A completely different movie than you'd probably expect, given the director and actors. This is really a light-hearted western compared to Sam Peckinpah's others. It's about a man finding his place in the world and admitting that he's not as tough as he might like to be. Jason Robards does a great job in his role, bringing such a charming person to the screen. This does have beautiful cinematography like The Wild Bunch and Pat Garrett so you shouldn't expect a downgrade in quality.

• Randy T

  
  Peckinpah lite. A western comedy with heart featuring the immensely likable Jason Robards and the always BEAUTIFUL Stella Stevens. A surprising amount of warmth and romance for a Sam Peckinpah film.

• Tim S

  
  Robards and Peckinpah. Why haven't I seen this movie sooner? The final death scene is genius and the character actors that make up the cast are amazing. I could watch this movie for hours.

• Stephen E

  
  "The Ballad of Cable Hogue" isn't a perfect Western nor does it try to be, which may be why it's more likable than others. It's as wandering and aimless as its nomadic protagonist, but just as amiable and kindhearted as him as well. Jason Robards turns in an… More
  "The Ballad of Cable Hogue" isn't a perfect Western nor does it try to be, which may be why it's more likable than others. It's as wandering and aimless as its nomadic protagonist, but just as amiable and kindhearted as him as well. Jason Robards turns in an excessively charming performance that makes up for most of the film's unlikable qualities, such as overdone editing and unimpressive camerawork. And although it's not a totally involving experience, it has just the right amount of heart to make you care. Films this lighthearted just aren't made any more.

• Jonny C

  
  Decent enough western from Sam Peckinpah. The cast put in likable performances, but the story is too slow and a little uninteresting.

• MJS M

  
  Sam Peckinpah?s follow up to The Wild Bunch probably confounded fans expecting another blood soaked epic. What they got was a lighter, more allegorical, slightly theatrical film. It chronicles the plight of the titular character who finds water in the middle of the desert, stakes a… More
  Sam Peckinpah?s follow up to The Wild Bunch probably confounded fans expecting another blood soaked epic. What they got was a lighter, more allegorical, slightly theatrical film. It chronicles the plight of the titular character who finds water in the middle of the desert, stakes a claim to the well, and opens a way station for travelers. The film is greatly elevated by a magnificent performance by Jason Robards, who?s able to perfectly match the film?s tone with his work here. The film is marred by a few misguided moments of broad comedy, but it makes up for it with a great ending which is at the same time both bizarre and touching.

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