Bela Lugosi, Boris Karloff, David Manners

This highly regarded Universal horror classic was the first pairing of Boris Karloff and Bela Lugosi. Bela plays Dr. Vitus Verdegast, a mysterious traveler who returns to the art-deco mansion of his o...( read more  read more... )ld military commander, the Satan-worshipping Poelzig (Karloff). The two horror stars wander through the hallways looking at dead girls floating in glass tanks. They also play chess for the lives of a newlywed couple stranded at the mansion (David Manners and Jacqueline Wells). Dr. Verdegast deals with a black cat that paralyzes him with fear, and Poelzing conducts a Satanic Mass in Latin.

Cult director Edgar G. Ulmer made a name for himself with this bizarre masterpiece, which is filled with dreamy camera movements, and fanciful Bauhaus style architecture (Ulmer worked for many years as an art director for Max Reinhart and F.W. Murnau). This is one of the best (and weirdest) of all the Universal horror films of the 1930s. Classic monster lovers who fondly remember films like the original FRANKENSTEIN and DRACULA should do themselves a huge favor in seeking it out.

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2,376 ratings

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85% liked it

26 critics

Unrated

Directed by: Edgar G. Ulmer

Release Date: January 1, 1934

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Flixster Reviews (145)


  • October 31, 2008
    it's fun to see karloff and lugosi working together. there is a black cat; other than that there's no resemblance to poe's short story. karloff plays an architect and leader of a gang of satanists with lugosi as a man from his past back to settle an old score, a psychiatrist wh...( read more)o has a terrible fear of cats. interesting set design
  • June 4, 2008
    The Black Cat (1934)

    Those looking for an accurate adaptation of Edgar Allan Poe's short story should look elsewhere. About the only thing this film has in common with Poe's story i...( read more)s the fact that there is a black cat in the movie, and Lugosi's character is deathly afraid of black cats. If on the other hand you're looking for some great moments in classic horror, then you should definitely check out THE BLACK CAT. It stars both Boris Karloff and Bela Lugosi.

    Lugosi and Karloff in The Black Cat (1934)

    I've seen a few films starring both horror legends together (THE RAVEN, THE INVISIBLE RAY, SON OF FRANKENSTEIN, and BLACK FRIDAY); but in my opinion THE BLACK CAT features the best performances of both actors together. They play so well off of each other in this film.

    Bela Lugosi and Boris Karloff in The Black Cat

    The story concerns a young couple Peter (played by David Manners) and Joan (played by Jacqueline Wells) who are honeymooning in Hungary and traveling by way of the Orient Express. They share a train compartment with Dr. Vitus Werdegast (Bela Lugosi) is going back to his homeland to visit an "old friend", Hjalmar Poelzig (Boris Karloff). Dr Vitus relates a story to them of how he left his wife and daughter 18 years ago to go to war, and how he was captured and imprisoned for the last 15 years. Once they reach the train station, the three board a bus. In route to a hotel, the bus crashes and Joan is injured. Dr. Vitus decides to take them to Poelzig's estate which is within walking distance. The estate is a sprawling post-modern, futuristic (for the '30s anyway) fortress; which is later revealed to have been built by Poelzig on the ruins of the fort where Dr. Vitus was captured.

    The Black Cat (1934)

    It's an interesting setting and quite a departure from Universal's classic horror movies of the time, which were usually set in a gothic, cobweb-filled castle or mansion. There are some wonderful expressionist scenes throughout the movie using this "futuristic" house setting.

    The Black Cat (1934)

    It is revealed that Poelzig's (Karloff) traitorous actions were responsible for Dr. Vitus' (Lugosi) capture and imprisonment. After Vitus was imprisoned, Poelzig convinced Vitus' wife that he had died. Two years later she died of pneumonia (and Poelzig keeps her perfectly-preserved body in a concealed room in the house). Poelzig has married Vitus' daughter Karen (played by Lucille Lund), who he also keeps hidden in the house. Dr. Vitus has returned for revenge. Poelzig also happens to be a satanic high priest and is planning on sacrificing Joan in a ritual. Karloff as Poelzig is certainly sinister and is meant to be the "bad guy" of the movie. I really like the ambiguity of Lugosi's Dr. Vitus character. He seems almost as sinister as Karloff in some scenes, and you're not even sure if he's a "good guy" until near the end of the movie (and even then he manages to indulge in a little sadism in the conclusion).
  • May 8, 2008
    Boris Karloff plays the leader of a bunch of satanists, and is willing to sacrifice a married couple, who are unexpectedly protected by none other than Bela Lugosi. Duel of titans that has few or nothing to do with Edgar Allan Poe's short story, but is directed with attractive ex...( read more)pressionism by Edgar G. Ulmer, an underrated king of B movies
  • August 19, 2007
    Utter rubbish with nothing at all to do with the Edgar Allan Poe story of the same name even if it is mentioned in the opening credits.
    The bizarre plot becomes more and more muddled as the film progresses with gaping holes everywhere. Mercifully, it is all soon over.
    The only go...( read more)od bit is the set design. The acting is atrocious and there are no scares here for horror fans.
  • February 20, 2007
    A fantastic example of classic horror, The Black Cat is delightfully eerie in the gothic way vintage horror often is. Lugosi and Karloff work perfectly together in a story centered around betrayal.
  • August 3, 2009
    A couple Peter and Joan Allison are joined by Dr. Vitus Verdegast (Bela Lugosi) who are on their way to a hotel, but suddenly their bus crashes during a storm. Dr Verdegast suggests they seek refuge in Hjalmar Poelzig's (Boris Karloff) house, who is an old acquaintance of his and...( read more) he's secretly seeking revenge against him for the death of his wife and betraying his country by slaughtering his entire army when it was sacrificed to Satan during WW1. Dr Verdegast discovers that Poelzig has the same idea for Joan, which saw him kill his wife. So to help them escape Dr. Verdegast challenges Poelzig to a game of chess and if he wins they are free and if he doesn't their doom.

    Incredibly complex and odd assortments of novelties ranging from Sadism, Superstition to Satan worship fill this stylish yet confusing film. I wasn't particularly gob smacked or incredibly impressed by the film after reading a lot good things about it, but it's the performances and the look of the film that kept me glued and amazed. The plot had an engrossing set up, but the story just didn't compliment it, as it could have been far more interesting than it was. It jumps here to there without real cohesion and becomes rather thin in detail, but there are some surprising revelations along the way. The dialogue on the other hand was rather fine, if too much of it. There was a lot of conversations than actual action or lively scenes. The distinction between Dr Verdegast and Poelzig is pretty even in power and determination to rid each other. With them tossing back and forth sharp and intense dialogue to get the upper hand. All of this mayhem between them leads to a greatly energetic tussle between the two stars.

    The set-up is a slow-grinder to begin with, though there are interesting ideas that pop up throughout the film. The reasonably slow dramatic 45-minutes suddenly picks up the pace and energy levels for the last thrilling and involving 15-minutes, which alone is good reason to watch it. This is when Satanists and sacrificial ceremonies fill the story. There is a brilliant climax involving a skinning that is implied to great effect and a big explosion to end it all. The ironic ending was fairly convincing and enjoyable in tying up the film.

    It's definitely Lugosi's best performance that I've seen( I wasn't a fan of his version of "Dracula") It was a good change to see him playing a good guy and a much more controlled and subtle character than his eccentric roles. Boris Karloff comes across rather menacing and quite callous in appearance. His body language is impressively noticeable and imposing in creating terror. From his dead looking facials and soft spoken voice really added to the unease. Julie Bishop and David Manners as the couple were fine in their performances.

    This is impressively atmospheric and holds such a great awe to it all. The modernistic cold domain of Poelzig's castle truly stands out, with the spiral staircase, sliding doors, the dark dungeon and curvy interior. There is such great composition with lighting and solid camera-work captures the elegance and style of the scenery beautifully. The soaring score takes hold and sometimes it got rather distracting for me. As I kept trying to figure out where I heard the score from before.

    Overall, "The Black Cat" is a very good mood piece and holds such great performances, it's a weird and wonderful film that is highly entertaining.
  • August 1, 2009
    Uh...satanism, masochism, necrophilia in 1934?!! Yikes.
  • July 26, 2009
    Creepy, weird, sexual undertones and very odd, it was banned when it first came out. Still hard to get hold of - except in Europe (which is were I got my copy). No relation to the Edgar Allan Poe story whatsoever.
  • June 24, 2009
    Another must watch horror or so I've heard
  • April 13, 2009
    mysterious, excellent performance of Boris Karloff and Bela Lugosi.

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The Black Cat Trivia


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  • Minor error here. The cat was gray. What was the name of the black cat in Pet Sematary who was also run over by a truck and resurrected by the evil forces within the burial ground? Choose the correct answer: Blackie Church Smoky Chuck Satan   Answer »

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