The Crowd (1928)
-
95% of critics liked it
(19 reviews) -
62% want to see it
(1,522 ratings)
As was the case with every film project that he cared deeply about, filmmaker King Vidor had to fight long and hard with his studio bosses to get The Crowd produced. Though Vidor's parent studio MGM was certain that this simple story of everyday people would take a bath at the box-office, the… More As was the case with every film project that he cared deeply about, filmmaker King Vidor had to fight long and hard with his studio bosses to get The Crowd produced. Though Vidor's parent studio MGM was certain that this simple story of everyday people would take a bath at the box-office, the film earned back twice its cost. The story concentrates on John Sims, brilliantly played by James Murray, an extra boosted to stardom by Vidor. Born on the fourth of July in the year 1900, John convinced that he's destined to be a man of importance. 27 years later, however, Sims is merely one of the faceless crowd, an underpaid clerk in a huge New York office building. On a blind date, John meets Mary (Eleanor Boardman), a likeable if not overly attractive young lady (Boardman, the wife of director Vidor, balked at the notion of departing from her usual glamorous roles; Vidor prevailed, and as a result the actress delivered what is now considered her finest performance). John and Mary are eventually married, raising two children in their tiny New York tenement (complete with a balky toilet-the first time that this particular bathroom fixture ever appeared in an American film). As John's dreams of glory go unfulfilled, he becomes bitter and argumentative, while Mary grows old before her time. Just when John wins $500 in a slogan contest, tragedy strikes unexpectedly when the Sims' youngest child is killed in a traffic accident. Haunted by the memory of his child, John is unable to function properly at his job, and is soon fired. In despair, Sims contemplates suicide, only to be shaken back to reality by his son, who, oblivious to John's grief and disillusionment, declares proudly that he wants to be just like his daddy when he grows up. By chance, John gets a job as a street huckster for a local department store. Though both John and Mary know that this "triumph" is transitory, at least the family is together again, and at least they're reasonably happy. As the camera pulls back, back, back in a packed movie theatre, we leave John Sims just where we found him-one of The Crowd. At the behest of MGM, Vidor reluctantly filmed an idiotic alternate ending, wherein the Sims family, having inherited a fortune, are seen living in the lap of luxury. This finale was hooted off the screen wherever it was shown; thus, current prints of the film contain Vidor's original, ambivalent ending. A deceptively "small" film, The Crowd was assembled on as large a budget and with as much production polish as any "big" MGM picture. In 1934, Vidor produced a sequel with his own funds, Our Daily Bread. Alas, James Murray, the actor catapulted to the Big Time in The Crowd, was not a part of the project. A headstrong, irresponsible man, Murray had squandered the chance offered him by Vidor, and had descended into drunken dereliction. Unlike the hero in The Crowd, there was no one to pull James Murray back when, in 1936, he fell off a pier and drowned. ~ Hal Erickson, Rovi
- Directed By
- King Vidor
- Written By
- King Vidor, John V.A. Weaver
- Genres
- Drama, Classics
Critic Reviews
-
Dave Kehr, Chicago Reader
The camera style owes something to Murnau, but the sense of space -- the vast environments that define and attack his protagonists -- is Vidor's own.
-
Variety Staff, Variety
A drab actionless story of ungodly length and apparently telling nothing.
-
Mordaunt Hall, New York Times
Throughout this subject Mr. Vidor shrewdly avoids the stereotyped conception of setting forth scenes, and in more than one case he uses his camera in an inspired fashion.
-
Tom Milne, Time Out
The performances are absolutely flawless, and astonishing location work in the busy New York streets (including a giddy tour of Coney Island on a blind date) lends a gritty ring of truth to his intensely human odyssey.
-
Mick LaSalle, San Francisco Chronicle
What's extraordinary is that what could have come off as a case study instead packs a consistently strong emotional punch.
See more critic ratings and reviews on Rotten Tomatoes
Fresh (60% or more critics rated the movie positively)
Rotten (59% or fewer critics rated the movie positively)
Featured Audience Ratings
Currently unavailable on Flixster
Also available on
Other Retailers
Subscription Services
Cast
-
Eleanor Boardman
as Mary
-
James Murray
as John
-
Bert Roach
as Bert
-
Daniel G. Tomlinson
as Jim
-
Dell Henderson
as Dick
-
Lucy Beaumont
as Mother
-
Freddie Burke Frederick
as Junior
-
Alice Mildred Puter
as Daughter
-
Estelle Clark
as Jane