Irène Jacob, Philippe Volter, Sandrine Dumas

Two young women lead totally separate lives in France and in Poland, one called Veronique and one called Weronika. They have no blood relation and they and their families have never met, but they are ...( read more  read more... )physically identical to one another, and strangely aware of each other's presence. Despite their different backgrounds, the two share the same likes and foibles, and above all both of them have a magnificent sublime voice and an extraordinary musical talent. Unfortunately each girl suffers from the same, barely detectable, cardiac malformation. They also share the same wisdom, inspiring one to unconsciously avoid making the same mistakes in life as the other.

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93% liked it

15,409 ratings

Critics

84% liked it

25 critics

R, 1 hr. 36 min.

Directed by: Krzysztof Kieslowski

Release Date: May 15, 1991

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DVD Release Date: November 21, 2006

Stats: 899 reviews

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Flixster Reviews (899)


  • September 4, 2008
    This feels very much like a test run for the three colors trilogy, especially Blue. You could call this entry
    Trois Couleurs: Vert (Green)
  • July 17, 2008
    Ever since I was a child, I had always wondered if there was another one of me out there. I'm not alone in this curiosity... I think it's something we have all considered at one point or another in our lives. Because really, how many possibilities are there? Can there really be s...( read more)ix billion people with completely distinguishable character traits and facial structures? Even in a completely random fashion, there are certainly possibilities for almost duplicates... doppelgangers, if you want to call them that. When I consider this theme, the first thing that comes to my mind is the Olsen twins' movie "It Takes Two". Well, needless to say, "The Double Life of Veronique" certainly explores this topic much more maturely and deeply. It also certainly leaves a lot more questions to be asked.

    Two women, Weronika and Veronique (both played by Irene Jacob), are born on the same day. Weronkia was born in Poland, and Veronique was born in France. Although they grow up in completely different environments, their fate seems linked. Both women pursue a career in music, and both have a heart condition. These women never meet, and will never meet really meet during the film. The only time their paths truly cross is when Veronique see's Weronika get onto a bus, and Weronika takes a picture of Veronique. Shortly thereafter, Weronika dies during a musical performance.

    Once Weronika dies, the story instantly shifts to Veronique. We don't really ever get interlacing plot in the first act of the film, which is good as that would've been extraordinarily hard to keep up with (in what is already a very challenging film). Veronique's life now becomes a mystery - a children's author and puppeteer starts sending her strange messages to receive her attention. He calls her and hangs up, sends her an empty box of cigars, sends her a shoelace, and a tape of sounds from a cafe. What does this man want to do? Why is he getting her attention? Well, that's never really clear. He's studying to write a novel, and he seems to somehow know of the dual Veroniques. As a puppeteer, he almost plays a godlike figure - making the viewer question the ideas of fate vs. free will.

    This is an extraordinarily beautiful movie. It's never exactly "entertaining" in terms of flashing directing, silly dialogue, or a fast paced narrative - but it's never boring. The whole film feels like you're peering into someone else's dream. It's haunting, challenging, and not all of the pieces seem to fit exactly together. You seem to hover over these people's lives, just observing - not knowing anything really for sure. Don't get me wrong, this isn't exactly a mystery film... but it's certainly not your typical linear plot.

    This is the fourth film i've seen from Krzysztof Kieslowski after his masterpiece "Three Colors" trilogy. His ideas are obscure and original, and the films don't leave your head anytime soon after you watch it. This is, in my opinion, what makes a great film. If you enjoy something until it ends, and then you can simply move on with your life - that's not the mark of something truly brilliant. It's the films that leave you breathless for days... the ones that leave you feeling a new sense of awareness, that are truly timeless. And "The Double Life of Veronique" is certainly something that'll keep me up tonight, and the rest of the week.

    While I am praising this film, I cannot say that I loved everything about it. While it was at all times visually interesting, it wasn't exactly emotionally interesting. While it's wonderful for what it is, what stops it from being perfect is that the characters aren't exactly memorable. This is a film where the mind behind it is truly the star. Irene Jacob, although absolutely perfect and an extremely wonderful actress, was fairly disposable when it comes all down to it. This isn't about Veronique, it's about an idea.

    This film reminded me of a lot of other films i've seen within the past year. It's playful treasure hunt that leads to a cafe was reminiscent of Jean-Pierre Jeunet's "Amélie", and it's philosophy was similar to Richard Linklater's in "Waking Life". If this isn't a mere coincidence - then I guess it shows why both respective films are so great. When you copy ideas from a mastermind like Kieslowski, you're bound to come out with magic.
  • September 9, 2007
    almost distractingly beautiful film. hmmm, not my fave Kieslowski, a bit vague I thought
  • April 7, 2007
    It's awfully hard to decide whether this film, or the Decalogue, or Red is Kieslowski's best work, but this is definitely his most mysterious and abstract film. In an otherworldly performance that earned her the Best Actress award at Cannes, Irene Jacob (who learned to speak Pol...( read more)ish fluently just for this film) plays the dual role of a pair of doppelhangers, both of whom are gifted with beautiful voices. When one dies, the other senses it and avoids making the same mistake that led to the other's death, even though they have never known each other's existence. Kieslowski here is suggesting a mystical and spiritual connection between their souls. This is one of the most metaphysical films I've ever experienced. To say that it is a minimalistic film due to the lack of dialogue does not do the film justice. It is an unique visual and audio experience. The soul-shattering score is completely diegetic - its source is within the narrative. Likewise, the use of motifs such as reflections and strings suggests the character's duality and their connection. The Double Life of Veronique is a film that does not provide an explanination for anything, rather it's a film that make its audience ponder the mysteries of the human soul and its desire for connection.

    ps. Amelie fans should will notice that Jeunet pays homage to the sequence involving Veronique and the audio cassette in Amelie, which pales in comparison to that of Veronique.
  • July 12, 2007
    I may not quite get it, but I know that I like it.
  • November 12, 2009
    otras 5 estrellas mas
  • October 27, 2009
    won best foreign film with the NSFC and was nominated for best foreign film at the golden globes
  • October 3, 2009
    Como sempre, Kieslowski esbanja técnica e sensibilidade. A luz é adequadíssima (e coloca a qualidade da imagem à frente de seu tempo), e a trilha sonora é sucinta e delicada. Aqui, deixa em aberto uma trama calcada no duplo, ao manusear, com cuidado, dentro da linguagem cinematog...( read more)ráfica, o conceito de Outro. Mais uma vez, excepcional.
  • August 16, 2009
    Yes, there is some nice camera work. Yes, the colour is good. But it was boring, and Kieslowski is in love with his female subject and there's only so long a camera can be transfixed on one person.
  • August 10, 2009
    This is not going to be an easy review to write, and it has taken me a while to gather my thoughts. This is a very unconventional movie and most of what happens in it happens well below the surface. It?s also nearly impossible to analyze without spoiling the whole thing. I tri...( read more)ed looking up Roger Ebert?s take on it, but even he seemed at a bit of a loss of words as to how to describe it to someone who hasn?t seen it.

    The film was directed by Krzysztof Kie?lowski, a filmmaker I got off on the wrong foot with. I found him film ?Blue? to be pretentious and boring, and I didn?t want to bite off his ten part series ?The Decalogue? before I knew I could chew it. This movie on the other hand was captivating from the moment it started until the moment it ended. It?s the sort of thing that makes me want to give Blue another shot.

    The burden of carrying this entire film rests on the shoulders of the French actress Irène Jacob who plays both the Polish singer Weronika and the French singer Véronique. Neither woman knows the other one but they both share an indefinable bond. But the film?s central mystery is not how these women are connected, but what lays in their head. The Veronicas emote a certain state of mind that just makes forces you to examine them, you NEED to know what makes them tick. Jabob clearly deserved the award she won at the Cannes film festival.

    What?s more it is a great technical achievement, S?awomir Idziak?s cinematography is among the most beautiful I?ve ever seen. The film looks mostly natural, but it is also drenched in rich beautiful colors. Even the indoor shots look like they were filmed at magic hour.

    I cannot articulate the feelings this movie evokes, it just needs to be experienced. This is what ?art? movies are supposed to be.

Critic Reviews


April 3, 2006
Anthony Lane, The New Yorker

We see through a glass darkly, and often confusingly, but at least we see. full review

January 1, 2000
Roger Ebert, Chicago Sun-Times

The parts do not quite fit, and anyway this is not a puzzle to be assembled. It is a romance about those moments we all sometimes have when we think we see ourselves at a distance. full review

View more La Double Vie de Véronique (The Double Life of Veronique) reviews at RottenTomatoes.com

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