Albert Finney, Alun Armstrong, Cristina Raines

D'Hubert (Keith Carradine) and Feraud (Harvey Keitel) are officers in Napoleon's army who challenge each other to a series of bloody duels. In the final clash -- which comes after many years of fighti...( read more  read more... )ng -- D'Hubert finally bests Feraud, but things don't end there. Better keep your powder dry for the explosive finish! Based on a story by Joseph Conrad, The Duellists marks director Ridley Scott's feature debut.

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4,493 ratings

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13 critics

PG, 101 min.

Directed by: Ridley Scott

Release Date: January 1, 1977

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DVD Release Date: December 3, 2002

Stats: 278 reviews

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Flixster Reviews (278)


  • November 9, 2009
    it's wonderfully photographed but the story is a bit lacking and the american actors aren't helping with suspension of disbelief. i love harvey keitel but he just can't do everything
  • July 20, 2008
    The Napoleonic Wars are hardly the place I'd've imagined the man who gave us Alien and Bladerunner would have started, but then, he has gone on to make period films like Gladiator and Kingdom of Heaven, so I'm probably coming from a bias of preference ...( read more)for the more fantastic (in the subject matter sense) films. Nor, particularly, did I expect to find Keith Carradine and Harvey Keitel in a period piece, or in a Ridley Scott film in general. Admittedly, I have little experience with Carradine (having more with his brothers, and possibly even his father)--primarily his role in Walter Hill's The Long Riders, wherein he was simply "one of the Carradines." I attempted to watch this film a few weeks ago whilst in a state of personal frustration and could not deal with the pacing or deliberate dialogue--sounding very faithful to the original writing of Joseph Conrad, which the film is allegedly (I've not read the story)* extremely faithful to. I set it aside, plowed through some television series and returned to it, from the beginning, tonight. Certainly what stands out in any and all Ridley Scott films I've seen is the cinematography and framing. Many of the duels take place with an entire horizon in view in background, the men duelling dwarfed by the world around them, open fields broken only by a single building in each case, and masses of trees in the distance, afternoon light causing a warm glow over scenes of intense fighting for survival against inarguable persistence and obsession. This was something I saw even when I did not have the patience for the film--the majesty of these images instantly reels you into the beauty of their own images.

    Feraud (Keitel) is an officer in what became La Grand Armée, first seen duelling viciously with a civilian man near a mill, running him through after an intense build up of otherwise nearly absent music, creating a very thorough and palpable sense of dread at the approaching and inevitable violence. One of his superiors hears of this event and angrily asks for what other officers are familiar with Feraud. No one responds except D'Hubert (Carradine), who says he has met with him before. When D'Hubert requests Feraud leave the presence of Mme. de Lionne, he begins to see the probable reason he was the only one to respond to his superior's orders--from the moment of his arrival, Feraud clearly has it in for him--not necessarily him in particular, but insisting that he begin another duel, trying to find any reason he possibly can for a duel with D'Hubert. Eventually, D'Hubert recognizes the futility of his refusal to fight and participates in a brief duel with Feraud. From here, Feraud holds on with unimaginable tenacity to the perceived insult of the more truly honourable D'Hubert, who attempts to avoid or sidestep the endless duel at whatever time he can, but again and again over the years--1806, 1812--they cross paths and Feraud inevitably points events toward a duel.

    An unusually introspective film for Scott--again, in terms of what I have seen--this film follows very closely these two men and looks almost exclusively at their own varying interpretations of life and honour. Certainly, Alien was claustrophobic, and Blade Runner dealt with some of the tunnel visioned nature man sometimes exhibits, but none seemed to magnify the personalities, philosophies and lives of two men so fully. D'Hubert is a man of reason, quiet grace and calm, able-bodied both physically and socially, no matter what the state of, well, the state. Under Napoleon he is a well-regarded and decorated officer. After Napoleon's defeat, he is a man of some standing and title, living on a magnificent estate with his sister. Feraud is a bulldog of personal insecurity, bottled yet unrestrained anger and obsessive pursuit of bettering himself by bettering others in combat. He will not look to reason, reacting purely through instinct and emotion, not acknowledging anything that conflicts with his desire for combat. It's unusual, but definitely shows the spark that indeed opened wide the gates for Scott's later work, with an absolutely stunning closing shot, leisurely paced but drawing the eyes to every detail in its staggering natural beauty and carefully orchestrated, albeit minor, movements.

    *The Duel, also the inspiration behind Steven Spielberg's film, which originally had a man duelling sabres with a diesel-powered 18-wheeler, this concept abandoned when they couldn't determine how to make the truck hold any kind of sword, let alone nimbly fence with a sabre.
  • July 14, 2007
    Beautifully shot study of obsession that oozes period detail. A little lacking in plot, but a nice idea, well executed.
  • December 6, 2006
    Ridley Scott's first film has got very good performances from its cast and a look at its own. If you like Scott, you simply need to see this one.
  • April 9, 2008
    My favourite Scott film (yes, more than Blade Runner) has Carradine spending his life facing duels with the previously insulted Keitel. A story about what is honour and responsibility, and also examines what it takes to be a man. A masterpiece.
  • May 16, 2009
    This is a film of stunning beauty. It is a story of two Napoleonic soldiers who have a long-standing rivalry which honour dictates can only be resolved through a duel - or a series of duels. Based on a Joseph Conrad short story - which is itself based on true events, Ridley Sco...( read more)tt's debut film is a thing of true beauty - a work of art.
  • April 9, 2009
    A very interesting and artful debut from Scott. Clearly, his European sensibilities are intake. He hadn't quite mastered story yet though. Harvey Keitel is decent.
  • March 16, 2009
    http://www.godsoffilmmaking.com/html/the_duellists.html
  • January 19, 2009
    I've seen this film probably thirty times and I never, ever get tired of it - the direction, action and cinematography are unparalleled. Carradine and Keitel's murderous intent towards each other in a lifelong 'gentleman's feud' goes beyond acting and into the realm of factual, ...( read more)historical reenactment. The only weak point in the film is Keitel's strong American accent - overlooking that, he is the soul and incarnation of the 18th century warrior, Feraud- both men fight in the service of Napoleon Buonoparte, but the real battle is within themselves.
  • December 28, 2008
    I remember a time when I avoided seeing this film because I assumed that, due to it's status as Ridley's first film, it may not be as good as his later epics and might ruin my image of him. O me of little faith. Woe to me and my person for my offensive doubt in the ability and su...( read more)preme awesomeness of the one who is Ridley Scott. The Duellists womps ass. A beautiful period piece that plays like a continung action sequence with a kaleidoscope of Napoleonic War images spinning in the backround. It seemed just a bit static at times (hence the loss of a perfect score) but this is but one minor deficiency in a truly superior movie. Aparrently, Ridley didn't learn how to make great movies. He was born knowing.

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The Duellists Trivia


  • In which 1977 Ridley Scott movie (actually, it was his motion picture directing debut) can Harvey Keitel not get over his grudge towards Keith Carradine?  Answer »
  • What was director Ridley Scott's first feature film?  Answer »
  • What movie, based on a story by Joseph Conrad, was Ridley Scott's first feature film?  Answer »
  • What was director Ridley Scotts feature film debut?  Answer »

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