Brigitte Mira, Bruno S., Walter Ladengast

In his widely acclaimed attempt to fathom The Enigma of Kaspar Hauser, director Werner Herzog probes a real-life mystery that has puzzled German society for nearly two centuries. In the title r...( read more  read more... )ole, Herzog ingeniously cast the equally mysterious street musician Bruno S., whose mesmerizing performance is unique in the history of film. Isolated since infancy in a dank cellar, the now-adult Kaspar is abandoned in 1820s Nuremburg by his unknown custodian; townsfolk futilely speculate on his origins, and he's shaped by a bourgeois villager who places rigid, conflicting restraints on his new and peculiar perspective on the world around him. It's telling that Herzog's preferred title is Every Man for Himself and God Against All, for this is an eerily effective cautionary tale about an innocent man of nature who moves from one prison to another in a cruelly fateful universe. The mystery lingers, making The Enigma of Kaspar Hauser a deep, resonant reflection on the nature of humanity. --Jeff Shannon

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90% liked it

4,847 ratings

Unrated, 110 min.

Directed by: Werner Herzog

Release Date: January 1, 1975

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DVD Release Date: January 8, 2002

Stats: 286 reviews

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Flixster Reviews (286)


  • October 1, 2009
    A Herzog classic. A wonderfully thought provoking true story of Kaspar Hauser played brilliantly by Bruno. S. The script is to die for, great, great cinema!
  • September 9, 2009
    A slow methodical look at the story of this mysterious "foundling" of German folk lore.

    A man (I believe the real Kaspar was only 17?) who having been raised entirely in a small cell with no outside contact, is "released" into society, only to find society to be far more const...( read more)rictive and detrimental then the most solitary of confinement.

    As usual Herzog tells his verson of this story in a seemingly simple format and style, that (below the surface) is FULL of deep introspection, passion, pain and heartache. And he does so by filling the screen with actors and locales that make you feel as if you are watching a documentary and not a scripted film.

    Herzog's work may not be for everyone, but for those who enjoy taking a thought provoking journey via the mind (and eyes) of an often unconventional journeyman...ENJOY!
  • August 16, 2009
    The stars alone are for Bruno S and his extraodinary performance as Kaspar Hauser. A man raised in a prison, just to be released to the big prison that is society. Herzog watches this man not with pity, but with admiration.
  • September 9, 2007
    I am officially a Herzog junkie. That said, here's my totally elated review of The Enigma of Kaspar Hauser. The story here told is true, and that alone makes for a fascinating film. Herzog's characteristic contemplative-documentary style of narration, especially evident in 'Aguir...( read more)re', allows the story to be told as objectively and precisely as possible despite some random, lingering takes -a WH signature. I've never understood what he uses these for, but they work. They highlight the beauty of what he films. And KH is a very beautiful movie. The dialogue is appropriately scarce, and the cinematography is appropriately ethereal as usual, a sort of mystic fog settled over the town.

    The reason of this movie's existence, I believe, is the amount of questions that it poses. We are told the story of a man isolated from the world until quite late into his 20s or 30s. He is uncorrupted, unprejudiced, and overall uneducated. His life is a mystery. You have no idea how many times I felt the urge to just pause and think throughout the movie. Werner Herzog wrote hardly any words for the characters to speak, and yet the questions that he aks jump towards your face unexpectedly. Faith, instinct, fear, thought, death, what is the root of it all. Or, what's even better, when Kaspar says that life in his cave was better than life outside. Is it? And yet, even though it's such a deeply philosphical movie, it never falls into pretentiousness or self-importance.
    Finally, nobody, I believe, could've played Kaspar as well as Bruno S., a street musician that Herzog saw in a documentary. There's an amazing purity to his expression, and in accordance to the narrative style, he seems as though he could've simply been the real Kaspar.
    Not my favorite of Herzog's movies I've seen, but a fascinating one nevertheless. If you like Herzog, don't miss it. If you don't, approach it with nothing but interest on the story and it won't disappoint.
  • February 6, 2009
    Is it wrong to say I prefer this to both Aguirre Wrath of God and Fitzcarraldo?
  • November 1, 2009
    There is a real sense of extreme vulnerablility in these characters that you just never get with films today. It gives the film a real documentary sense of realism that is uncanny and definitely memorable. I love that Bruno actor! Check it out!
  • September 10, 2009
    Loneliness is here described through a slow moving plot and endless silences which make us see Kaspar Hauser not as a man but as something more sulfuric, almost a being from outer space. The performance of Bruno S. is simply moving and caused me a lot of tears and the use of time...( read more) through the narration is perfect for a film of this kind. The poetic vision of Werner Herzog is very peculiar and unique and you can love it or hate it but you cannot ignore it.
  • January 6, 2009
    there may well be no better casting in cinema history than Bruno S as Kaspar Hauser.
  • August 18, 2008
    The fantastic story of a man that tries to live in society but can't understand all the insane beliefs and traditions it has. Beautiful and makes you think.

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  • poppyfieldz
    February 25, 2007
    the opening scene is my favorite. pure simplistic genius. thank you herzog!

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