Tatsuya Nakadai, Miki Irie, Mikijiro Hira

A businessman facially scarred in a laboratory fire receives psychotherapy from a psychiatrist, and obtains an amazingly lifelike mask from the doctor. Soon after being fitted for the mask, he seduces...( read more  read more... ) his wife and succeeds. But his wife claims she was aware all along who he was and believed that both were just masquerading together as most couples usually do in different ways. Strangely enough, his personality seemingly begins to change after he puts on the mask as if the mask has influenced his personality. His new identity does not enable him to reintegrate into society after all. A subplot is inserted in fragments. A good-natured young woman, the right side of whose face is disfigured, has been hurt by others' inquisitive eyes and insults, and has been shunned by men. She asks her older brother, the only man who understands her pain and solitude, to make love to her, hiding from him the intent of killing herself after then.

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91% liked it

882 ratings

Critics

100% liked it

5 critics

Unrated

Directed by: Hiroshi Teshigahara

Release Date: June 9, 1967

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Flixster Reviews (95)


  • August 8, 2009
    what a brilliant film. entrenched in philosophy, the dialogue in the film and the films entire concept were incredibly profound and thought provoking. nakadai put in a great performance as always and the images produced through some great cinematography were perfect for creatin...( read more)g just the right feel for the subject matter. a phenomenal film.
  • June 23, 2009
    interesting kafkaesque premise. It's never good though for a film to have heavyhanded conversations about its ideas and themes instead of illustrating them.
  • March 23, 2009
    A highly stylized, psychologically dense, and provocative analysis on identity, persona, freedom, and intimacy. The film asks, "If no one knew who you were, what kind of mischief would you get into?" What would happen to society if we were all anonymous?

    A must see for love...( read more)rs of film and art in general to experience for its' cinematic eye, the surrealistic descent into the mind of a man conflicted about his own identity, the horror and sci-fi themes and its' highly effective score and performances.
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  • June 15, 2009
    This movie is rather...strange. Quite strange. Hard to categorize - part psychodrama, part thriller, part new wave, and not really any of those. Moves slowly but I was kept occupied (I kept thinking the psychiatrist/maskmaker had an ulterior motive), but an unrelated sideplot ...( read more)involving a scarred woman seemed repetitive of the main story and therefore rather pointless. Some diverting avant-garde sets and non-sequiturs (woman's bed flying through the city??) kept things edgy. A commendable experiment from '60s Japanese cinema.
  • June 23, 2008
    Another incredible adaptation of a Kobo Abe novel by the amazing Hiroshi Teshigahara. Having just finished the novel, I might even go as far as to say the movie was better. The addition of the doctor was an ingenius one and the filmmaking is simply fantastic. Every shot could ...( read more)be framed and put up on a wall (more than likely, the strange wall of the doctor's office). Another masterpiece resulting from the author and director's team ups.
  • October 11, 2008
    everyone is wearing a mask
  • September 29, 2008
    With a new face, Tatsuya Nakadai just looked like a Japanese Abe Lincoln.
  • September 21, 2008
    Surrealistic and very philosophical. It's a great movie though the pace is a bit too slow.
  • June 26, 2008
    like johnny handsome, except not amazing. fuck, why is that movie is so good? Oh because it's a bank heist revenge thriller starring the elephant man, that's why. In this movie though, when the deformed guy gets a new face he just wants to seduce his wife, to basically trick her ...( read more)into cheating on him with himself. Which is a good idea for a movie, but in the end undone by its artypretentions. Still, Nakadai proves he may be like top 10 actors of all time here, he spends half the movie with mummy bandages on his face and he's fucking incredible. I mean, he almost literally acts his way out of a paper bag.

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