The Gates (2007)
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83% of critics liked it
(6 reviews) -
65% of users liked it
(92 ratings)
From "wrapping" the Berlin Reichstag to transforming South Seas islands into massive pink water lilies to hanging drapes between the Colorado mountains, Christo qualifies as one of the most dynamic, innovative, and ambitious conceptual artists in modern history. Documentarians Albert and… More From "wrapping" the Berlin Reichstag to transforming South Seas islands into massive pink water lilies to hanging drapes between the Colorado mountains, Christo qualifies as one of the most dynamic, innovative, and ambitious conceptual artists in modern history. Documentarians Albert and David Maysles have a long-running professional association with Christo (having co-directed such pictures as Christo's Valley Curtain and Christo's Islands); now, with their film The Gates, Albert Maysles and co-director Antonio Ferrera cover Christo and wife Jeanne-Claude's 26-year project to create a "golden river" of 7,500 fabric-paneled "gates" running through Central Park in February 2005. The endeavor began in 1979, but didn't overcome the necessary bureaucratic hurtles for 26 years, and only received a final go-ahead with a green light from New York City mayor Michael Bloomberg. The film reveals how Christo and Jeanne-Claude's 21-million-dollar project transforms the environment from one of winter bleakness to one of brisk, vibrant, and springlike colors. Though David Maysles (brother of Albert) did die in 1987, he received posthumous credit on this film for a sequence that the siblings co-directed in 1979. ~ Nathan Southern, Rovi
- Directed By
- Antonio Ferrera, Albert Maysles
- Genres
- Documentary, Musical & Performing Arts, Special Interest
Unrated,
- In Theaters
- Feb 14, 2008 Wide
- Studio
- Kino Lorber
Critic Reviews
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Kenneth Baker, San Francisco Chronicle
People say the $20 million cost of 'The Gates' would have been better spent feeding people, he notes, 'but this feeds the soul.' To a lesser extent, so does the documentary about it.
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Roger Ebert, Chicago Sun-Times
The documentary is pretty much what you'd expect: Two decades of ignorant contempt, followed by the city finding it was really surprisingly fond of 'The Gates.'
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Alan G. Artner, Chicago Tribune
Anyone with an interest in contemporary art on a heroic scale should find Christo's practice fascinating.
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Ian Buckwalter, DCist
The film's editing is transparent in its objective: to show how opposition and rancor turn to smiles and tranquility in the face of Christo and Jeanne-Claude's artistic vision.
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Keith Uhlich, House Next Door
The Gates only reinforces my ambivalence toward the vérité stylings of co-director Albert Maysles.
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