Sasha Grey, Chris Santos, Peter Zizzo

A drama set in the days leading up to the 2008 Presidential election, and centered on a high-end Manhattan call girl meeting the challenges of her boyfriend, her clients, and her work.

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38% liked it

21,171 ratings

Critics

62% liked it

89 critics

R, 1 hr. 18 min.

Directed by: Steven Soderbergh

Release Date: May 22, 2009

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DVD Release Date: September 29, 2009

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Flixster Reviews (811)


  • November 12, 2009
    Pure Soderbergh: distinct, polished, but unbearably irritating at times. But, of course, the lesson to take from here is that porn starts can act.
  • October 8, 2009
    Sasha Grey gives a surprisingly strong performance in a film that is equally surprising and strong. I just wish more time was spent with Grey's character than with the dude playing her boyfriend because he just wasn't that intriguing or interesting.
  • June 25, 2009
    "See it with someone you ****"

    A drama set in the days leading up to the 2008 Presidential election, and centered on a high-end Manhattan call girl meeting the challenges of her boyfriend, her clients, and her work.

    ...( read more)>REVIEW
    This film is the stylish portrait of a high-end New York City escort. While the film lacks any true emotional depth, its ironic value lies as a piece of art lies therein. Soderbergh has crafted an aesthetically pleasing picture that is perfectly enjoyable throughout, but as the escort it portrays, lacks any real emotional connection with the viewer and any lasting impact. Grey's acting, however unintentionally on her part, leaves the viewer in a similar position to one of her character's clients; it is almost as if she pretends to be Chelsea rather than actually becoming her, in the same manner that she pretends to be a client's girlfriend.
  • June 6, 2009
    Chelsea: One client says I should invest my money in gold.

    Another entry into director Steven Soderbergh's experimental film catalog. He once again employs a very stylistic approach to his film making, using a low budget, hand held camera work, non actors, and improved dialog to...( read more) get us through the film. In this case, adult film star Sasha Grey has been placed in the lead as a sophisticated escort girl.

    The plot involves the work of this escort girl, Chelsea, who offers a very sophisticated escort service, where men pay a lot of money to spend time with her, with sex certainly taking place as an option for most (although the film is not about showing us these moments). We mainly get a look at how Chelsea handles the conversations that these men want to engage her in concerning her profession, which she mainly tries to shield off. Chelsea, despite being an escort girl, is also in a devoted relationship with Chris, a man who works as a personal trainer.

    These two are living together in New York, and the film is set a few days before Obama has been elected president. The economic crisis certainly takes a role in the film, as many of the discussions between the characters has to do with the financial aspects of these characters' professions.

    Experimental is certainly a key work for this film. Its certainly not the kind that everyone will want to see, with its mixed around narrative, strange but effective editing, and abrupt ending, but I certainly admired the ambition and way the film developed itself over time. Confident soundtrack sue as well.

    Sasha Grey, who is actually known for being quite the intellectual as well as an adult film star, is fairly good in the film. She's not a great actress, which shows in some key scenes, but the film is intent on focusing around her face for the majority of its 78 minute run time, and she certainly manages to convey what she needs to for the most part.

    Once again, its an experimental Soderbergh feature that doesn't beg for repeat viewings, but I certainly got out of it what I wanted.

    Chris: Y'know, I'm not a big T-shirt wearin' kinda guy.
  • May 30, 2009
    In the past year, we've seen several films that reflect the economic downturn Americans are suffering through. In "Wendy and Lucy", Wendy is a homeless woman who can't find a job, fix her car, or feed her dog. In "Frozen River", Ray begs for more hours at work to support her two ...( read more)children. "The Girlfriend Experience" exists in the same economic climate, however these characters are wealthy but cautionary. A high class prostitute prepares an expansion of her business with internet advertising. Most of her clients offer her advice regarding investment opportunities. Such is the world of film in 2009, and "The Girlfriend Experience" is another entry that explores the dehumanization process of modern American capitalism.

    Steven Soderbergh as a director is not unlike Gus Van Sant. Although he fills his wallet with mainstream crowd-pleasers (Soderbergh directed the "Oceans Eleven" series, Van Sant directed "Milk"), he always retreats to low budget and personal films. This film marks the second of six low budget films that Soderbergh is making in conjunction with HD NET, following "Bubble" in 2006.

    The film marks the screen "debut" of Sasha Grey, a star in the porn industry. She plays a prostitute named Chelsea who offers the girlfriend experience - for a large sum, you get a movie, dinner, sex, breakfast, and the works. She recalls each of her client's visits in a diary which we hear throughout the film in voice over. She discusses what she wore and what kind of sex, if any, she had with the client.

    The film is loosely constructed with short nonlinear scenes. It was perhaps the best way to present a film that's so impersonal and mechanical, but it's still rather dull. Much of the film emphasizes sex and relationships as simple business transactions, and Chelsea never lets us within an arm's distance. When Chelsea goes against her better judgment and decides to spend a weekend with a client, it's already been long since we've given up on her redeeming herself.

    Although well-shot, the film feels unnatural. Grey is competent, however most of her dialogue feels flat and rehearsed. I understand that such is the nature of this type of world, however why should we, the audience, care about characters with so little passion? When Chelsea finally attempts to feel something, she's already been reduced to a hollow shell we cannot possibly root for. The film is interesting enough while it lasts, but it leaves so little of an impression that you'll forget you saw it a week later.
  • November 23, 2009
    Not as bad as I thought it was going to be (obviously I thought it was going to be terrible). Sasha Grey isn't bad, but the whole problem that I had with the movie was that I didn't know if we were supposed to feel bad for her or if Soderbergh was going for something different. T...( read more)he whole thing is all about what most every Hollywood asshole is interested in: I wonder what that call girl's that I just took a shit on life is like after she leaves this Four Seasons through the back door. I love how these guys are still confused about women when the whole thing stems from the fact that the entire environment that they live is basically a joke (a really expensive joke). I will say this, though, the movie looks great, I liked the things said about the economy and how it associated with the film (topical taken to new heights), and I thought the ending was fantastic.
  • November 11, 2009
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  • November 8, 2009
    Gives out the vibe of emptiness and artificial life. That's why it's good.
  • November 7, 2009
    iam glad tosee u & meet u & chat with u u are very cool
  • October 30, 2009
    Mmm diarios de una prostituta, la verdad es que es una historia que decae en muchos momentos ademas de no traer nada atractivo mas halla de la belleza de algunos de su protagonistas, sin duda lo mejor es la parte visual

Critic Reviews


June 25, 2009
Liam Lacey, Globe and Mail

This is one of the director's small, experimental, semi-improvised provocations, and if it doesn't push too deep, it's pointed enough to leave a mark. full review

May 27, 2009
Kurt Loder, MTV

Along with directing the movie, Soderbergh shot and edited it, too, and he's given the picture a gleaming, abstract beauty. The luxe interiors have a jewel-like glow, and the extensive manipulation of... full review

May 22, 2009
Claudia Puig, USA Today

The life of an upscale hooker: Even in the throes of passion, it's beyond bland. full review

May 22, 2009
Moira MacDonald, Seattle Times

It's a brief 77 minutes of vague, pretty blankness; a mere sketch of a character -- and a movie. full review

May 22, 2009
Mick LaSalle, San Francisco Chronicle

The first important cinematic statement about the recession. full review

May 22, 2009
Peter Travers, Rolling Stone

What makes The Girlfriend Experience a fresh provocation is not the new ways available to build a fantasy but the near-impossibility of negotiating one you can actually believe in. full review

May 22, 2009
Colin Covert, The Minneapolis Star Tribune

Nobody listens in this film; everyone's just waiting for their turn to talk. At the end of the movie, everyone is alone and you have the feeling they'll stay that way. full review

May 22, 2009
A.O. Scott, The New York Times

When the turmoil of the last 12 months has receded and the 10th-anniversary deluxe collectors edition comes around, this strange, numb cinematic experience may seem fresh, shocking and poignant rather... full review

May 21, 2009
Ty Burr, Boston Globe

What could seem an empty stylistic exercise (and was, in the director's 2002 Full Frontal) serves to bring a fresh urgency to the tale, ultimately granting the audience a wisdom and perspective the ch... full review

May 21, 2009
Roger Ebert, Chicago Sun-Times

This film is true about human nature. It clearly it sees needs and desires. It is not universal, but within its particular focus, it is unrelenting. full review

View more The Girlfriend Experience reviews at RottenTomatoes.com

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