Featured Audience Ratings

• Spencer S

  
  When watching this film, the first talkie from mega talented filmmaker Charlie Chaplin, it's all so visceral. Your response, neither weathered by time nor the shame of what was happening at that point in time, is primal. Chaplin here is fusing his talents of comedic slapstick and… More
  When watching this film, the first talkie from mega talented filmmaker Charlie Chaplin, it's all so visceral. Your response, neither weathered by time nor the shame of what was happening at that point in time, is primal. Chaplin here is fusing his talents of comedic slapstick and international propaganda so seamlessly, that you can't distinguish the two, and in the midst of those elements is also a flawless interpretation of human suffering and degradation, laced with hope. This film, from the king of silent comedic films, made his coup de grace at this time, unequalled in his commentary of the Nazi Party, because at the time of production it was unpopular to mince words when you were speaking about the Germans. At the time of release however this was a pivotal motivator for all countries, and still stands as a great form of propaganda and art. Where does the humor towards a dictatorship come from, you ask? Well, Chaplin saw the similarities between himself and Hitler, not just in mustaches but in upbringings. Using his off-brand form of humor he floats through scenes as The Tramp (though now labeled as The Barber), upends the government, makes friends with a traitorous former colleague, and has to grasp to understand the evils of the party in power. The dictator uses anti-Semitism for political gain, giving speeches that sound furious and biting, though in reality none of its in proper German (true to Chaplin's sense of humor). While the Barber is an enlightened, strong-willed, and clumsy Jew on the verge of romance with another in the ghetto, Chaplin also portrays the dictator named Hynckel, who is in direct control of the fake country of Tomania. The differences between the two performances are astounding, not just because one is filled with light humor and the other with cloying hatred. Hynckel is savage in his opinion of Jews while not caring about their fate, tries to take over Europe without much thought, treats women as objects, and lives an opulent lifestyle. Some of the scenes truly show the deranged political power of Hynckel while masking any resemblance to Chaplin's adopted tramp. The facts of the Nazis' true terror had not fully come into the public sphere, but many people did know about these horrors. Chaplin denies any knowledge of the realities of the camps and wouldn't have made light of them had he known, though this fact is debated. Either way, what is shown onscreen seems to be of the right atmosphere and a little easier to digest now that it's been seventy odd years. The film balances between sincere odes to intervention and humane love for one another and full out comedy, including an inspired dance between Hynkel and Hitler's famed globe, in balloon form of course. If you know anything about this film already, it's the ending speech that remains famous. Though I didn't know anything of it prior to watching, it was miraculous, inventive, beautiful, and something else altogether, and can be observed as much no matter what. This film is lovely from all angles, so good it's miraculous, and belies its own reputation, simply creating beauty onscreen.

• Carlos M

  
  Chaplin's first all-talking picture is a hilarious film that makes a poignant statement against dictatorial regimes. A wonderful film with countless memorable moments, from the dictator's speech in incomprehensible German to the unforgettable conclusion.

• Jeff "

  
  Brilliant comedy classic starring Charlie Chaplin, The Great Dictator is a well crafted jab at fascism and is the most outspoken film that Chaplin has ever made. This is a brilliant satire, and a must see film that still holds up to this day. With a great cast at hand, Charlie Chaplin… More
  Brilliant comedy classic starring Charlie Chaplin, The Great Dictator is a well crafted jab at fascism and is the most outspoken film that Chaplin has ever made. This is a brilliant satire, and a must see film that still holds up to this day. With a great cast at hand, Charlie Chaplin crafts a memorable comedy/ drama film that is a must see for cinema buffs. This was the first major talkie of Chaplin as he veered into new territory. This is a fun, entertaining film that also manages to be critical and smart in exposing the worst that fascism has offered. This is a terrific film that will surely please fans of classic movies, as much as comedy lovers. The film blends elements of drama, comedy and political satire brilliantly to create an outstanding picture that has plenty of laughs and an important message to boot. This is among one of the greatest films ever made and it showcases Chaplin's talents perfectly. I would consider this film as one of the first satires ever filmed. With an effective plot, and wonderful acting by its cast, this is a comedy classic that is a memorable viewing experience, if you want a well crafted satire that is smart, witty, funny and above all critical of policies overseas at the time, and then definitely give this classic a viewing. This is among the most important and significant films made in the long history of cinema. Eye opening and well executed, The Great Dictator is a genre defining picture that definitely is worth your time if you love Chaplin's work or if you're getting into his work, and then this is the perfect place to start.

• Dan S

  
  A disappointingly too silly take on an extremely serious subject (Hitler and the destruction of many Jews), concerning a crazed dictator (Charlie Chaplin), who is unaware that there is a Jewish barber (also Chaplin) who looks identical to him, and how the two unavoidably switch places… More
  A disappointingly too silly take on an extremely serious subject (Hitler and the destruction of many Jews), concerning a crazed dictator (Charlie Chaplin), who is unaware that there is a Jewish barber (also Chaplin) who looks identical to him, and how the two unavoidably switch places at some point. While the subject of war has been dealt with in a funny, smart manner before (Kubrick's 'Dr. Strangelove' remains the cream of the crop in that category), this film seems to be about 80 percent slapstick with 20 percent seriousness. It is not a fair balance for a subject like this, although granted the slapstick is largely very, very funny. When it comes time for Chaplin's big speech, there has been too much funny business going on beforehand that it in turn undermines the film's most important point. A better balance of humor and compassion, as well as a heavier dose of anger at these events going on at these times would have made this a defining, legendary film. Instead, to me, it is an occasional funny but overall frustrating one that never lives up to its reputation as a great one.

• David L

  
  "The Great Dictator" is one of Charlie Chaplin's most dynamic and most entertaining films. His first speaking film, it allows him to add a level of verbal comedy and wit to his always-funny pantomime and physical comedy. Playing a dual role both as megalomaniacal… More
  "The Great Dictator" is one of Charlie Chaplin's most dynamic and most entertaining films. His first speaking film, it allows him to add a level of verbal comedy and wit to his always-funny pantomime and physical comedy. Playing a dual role both as megalomaniacal dictator Adenoid Hynkel (based on Adolf Hitler) and a lowly Jewish barber from the ghetto, Chaplin, flexes his repertory performing talents to convince the viewer it could be different actors playing these roles. The barber character allows Chaplin to breathe new life into his well-known tramp character, complete with signature hat and cane. The Brahms shaving scene is so dynamic that even without a word of dialogue it stands the test of time to entertain viewers decades after its release. Much of the film's intrigue comes from its symbolism. Beginning with the "double cross" symbol, playing on the Nazi swastika as well as the public being double-crossed, the movie goes on to explore the notion of how, as Caesar once said, "Absolute power corrupts absolutely". As Hynkel even notices when he says "you make me afraid of myself!" the world is not unlike the balloon prop Chaplin uses to entertain viewers; it may be fun to play with, but if you squeeze it too hard it will explode. As an added bonus, the movie explores the notion of what can happen when two men with great power but even greater egos go against each other for control of the world. Arguing over military deployment and treaty negotiation, Hynkel and Italian dictator Benzini Napaloni (based on Benito Mussolini) quarrel at a complimentary buffet, but eventually settle their differences and remain friends. This, one could say, is a strong allegory to the uselessness of war and clueless nature of those with the power to start wars. In delivering speeches in the character of Hynkel, Chaplin expresses the fire and intensity of an evil dictator while remaining absolutely ridiculous and entertaining. In preparing for his role, Chaplin spent a lot of time studying a lot of tapes of Hitler's speeches, mastering his posture, body language and voice inflection. Thus, the fire and malice of his messages are communicated, although if you listen closely you can hear Chaplin use such words as "schnitzel", "lederhosen", and other terms most Americans with little or no German training can understand. In addition, Chaplin "Germanizes" English phrases to make them sound more comical, such as "tighten-de-belten." But, never breaking character allows Chaplin to sell his portrayal. As true as it is today, it was the same in 1940, and even back in 1440: It's not what you say, it's how you say it. Chaplin also excels in the directorial aspect of this movie. He uses many different aspects and strategies to portray the world that surrounds his storyline. Without utilizing very much in the way of camera movement, Chaplin uses other ways such as music - both diegetic and non-diegetic - as well as creative cuts and pantomime to change the movie from being words on a page of script into a living, breathing work of art. In the scene involving the coins within the puddings, each table member finds a coin, which would mean they would have to sacrifice themselves to police. Each person passes theirs to Chaplin, who subsequently tries to swallow each coin in order to hide it. As he eats the pudding and bites down to find a coin, a crescendo of music tells the viewer what has happened. Another method pursued by Chaplin in making this movie is what is known as the "Kuleshov Effect". This occurs when a show is coordinated alongside a different shot or sound effects, and the viewer perceives a link between the two. When Hynkel and Napaloni are viewing the armies, the camera remains focused on the two dignitaries, adding in background noise. The viewer is told that the two are looking at fast planes, and the sound of a plane engine is accompanied by the two men turning their heads quickly, seemingly watching the planes fly across the sky. As the larger artillery is viewed, the viewer hears heavy clanking metal and the two heads of state turn their gaze much more slowly. This is the Kuleshov Effect at its best, because even though the two actors are staring at a film crew and the inside of a movie studio, the viewer is convinced the two are actually conducting a military review. In Hynkel's final speech, actually delivered in the character of the Jewish barber, Chaplin uses camera-work to combine unlike shots as well. As he calls out to Hannah, his love, he looks to the sky. Simultaneously, she wakes up miles away, and looks to the sky as well. Although the two are miles away and there is no way that she can actually hear him calling to her, the viewer can't help but think that she can hear his voice carrying on the wind. This is Chaplin's directing at its best. A must see classic

• Reid V

  
  Prophetic and brilliantly played by Mr. Chaplin

• Steven C

  
  I really dislike "The Great Dictator". While Charlie Chaplin certainly has his moments in much better films, like the terrific "The Kid" (my favorite far and away), this is unfunny, lame and just plain boring. I'm still going to be a Buster Keaton fan at… More
  I really dislike "The Great Dictator". While Charlie Chaplin certainly has his moments in much better films, like the terrific "The Kid" (my favorite far and away), this is unfunny, lame and just plain boring. I'm still going to be a Buster Keaton fan at heart.

• AJ V

  
  This movie is funny now, but it makes me wonder how it was received in 1940 when the war was on. Although the movie is mostly enjoyable, there are some boring scenes too. Of course if you're a Chaplin fan you should see this movie.

• Wahida K

  
  No one can ever replace this little guy. Charlie Chaplin. Undisputed Master of the Comedy

• Anthony L

  
  One of the greatest films ever made. Charles Chaplin got it so right with this film, it's a timeless classic and an important film historically. I can't recommend it enough, it just has to be seen. Make it a priority film fans!

• Randy T

  
  The more I see of Chaplin the more I am astounded by the depth of his talent. For those who only associate Charlie Chaplin with silent films, <i>The Great Dictator</i> is a must-see. His genius for physical comedy is nearly equaled by his adeptness of dialog. Hilariously… More
  The more I see of Chaplin the more I am astounded by the depth of his talent. For those who only associate Charlie Chaplin with silent films, <i>The Great Dictator</i> is a must-see. His genius for physical comedy is nearly equaled by his adeptness of dialog. Hilariously funny and timeless.

• familiar s

  
  Much, much below my expectations.

• Michael G

  
  Chaplin is amazing!

• Byron B

  
  Another classic I saw at the Cleveland Institute of Art Cinematheque. Unique experience hearing Chaplin speak, seeing him play two roles, and enjoying the political satire! Lots of awesome comic characters and set pieces. It starts in WWI. The battle scenes are fairly impressive, but… More
  Another classic I saw at the Cleveland Institute of Art Cinematheque. Unique experience hearing Chaplin speak, seeing him play two roles, and enjoying the political satire! Lots of awesome comic characters and set pieces. It starts in WWI. The battle scenes are fairly impressive, but of course Chaplin as a low ranking soldier (barber by trade) getting in over his head is the star. Years later a Hitler-like politician in a German-like country is rising to power by giving stirring nationalistic anti-Semitic speeches (in gibberish). Chaplin, the Jewish barber, returns home, but things have changed in the ghetto. Paulette Goddard is cute and strong as the barber's girl next door. We pop back and forth getting to know both the barber and the dictator and Chaplin does an excellent job of making us believe they are different individuals. Through a silly plot contrivance the Jewish barber ends up dressed like the dictator and is mistaken for him. The impassioned speech Chaplin makes here at the conclusion of the movie is absolutely one of the best about the human condition ever! The special features on the Criterion Collection DVD are cool too. We are treated with a documentary tracing Chaplin's and Hitler's lives, a couple visual essays, a couple barbershop scenes, a very funny one deleted from one of Charlie's shorts and a not so funny one from one of Sydney's shorts, and finally a real treasure of color 16mm home movie footage that Charlie's brother Sydney filmed behind the scenes during the making of The Great Dictator.

• Dillon L

  
  A memorable talkie by Charlie Chaplin that boasts a brilliant performance by himself, and makes strong political points during a difficult time. The final powerful speech at the end of the film is still applicable even 71 years later.

• Matthew Y

  
  Of all of Chaplins films, this may be the best side-splittingly funny one. Four years before the Allies victory Chaplin bravely takes advantage of the way the tramp and Hitler look alike. Holding back no punches in his anti-Nazi approach and (very often) simple mocking of the fuehrer… More
  Of all of Chaplins films, this may be the best side-splittingly funny one. Four years before the Allies victory Chaplin bravely takes advantage of the way the tramp and Hitler look alike. Holding back no punches in his anti-Nazi approach and (very often) simple mocking of the fuehrer himself Chaplin delivers a top 10 comedy of all time. Highlights include the German 'mumble' speech at the beginning and the spectacular balloon globe ballet scene.

• Bryce I

  
  One of Charlie Chaplin's greatest achievements, filled with the same Chaplin charm, as well as traces of a dark war film, and an excellent WWII drama. Charlie Chaplin delivers a brilliant performance, and has made an extremely enjoyable parody, that is an extremely controversial… More
  One of Charlie Chaplin's greatest achievements, filled with the same Chaplin charm, as well as traces of a dark war film, and an excellent WWII drama. Charlie Chaplin delivers a brilliant performance, and has made an extremely enjoyable parody, that is an extremely controversial film to this day.

• Daniel D

  
  I've been a Charles Chaplin fan since I was a child, and watching this for the first time solidified my belief that he's the king of slapstick. Bean, Keaton, and The Stooges are all great, but this man is the klutz you can't rely on. The film parodied the WWII… More
  I've been a Charles Chaplin fan since I was a child, and watching this for the first time solidified my belief that he's the king of slapstick. Bean, Keaton, and The Stooges are all great, but this man is the klutz you can't rely on. The film parodied the WWII dictators, and life in the earlier ghettos. A lot of people seem to prefer one to another, while the scenes had more to follow, the dictator scenes had the laughs. The chair scene was comedy gold, no one can mock Nazis like Chaplin, well Mel brooks, but thats his main gig. The end was so unbelievably beautiful and unimaginably relevant today. That was the greatest speech delivered in a film. Show this film and Duck Soup to the young people of the world, and we will have world peace.

• Chris B

  
  Laugh out loud funny and deeply resounding from an emotional side as well, The Great Dictator has it all. Chaplin playing the part of Dictator Hynkel and the barber is at his best here with his first talkie. He used the speeches by Hynkel to destroy the German language and it all… More
  Laugh out loud funny and deeply resounding from an emotional side as well, The Great Dictator has it all. Chaplin playing the part of Dictator Hynkel and the barber is at his best here with his first talkie. He used the speeches by Hynkel to destroy the German language and it all adds up to another layer of technical achievement. The film had a great story and was truly a product of it's time with an amazing and out of character speech by Chaplin himself for peace. Highly Highly Recommended!

• Stephen E

  
  Chaplin has a great sense of humor in "The Great Dictator" and hits the right notes most of the time. Not only is he funny, but he's a great actor as well, and knowing what we know now about Hitler and his mannerisms, it makes Chaplin's performance all the more… More
  Chaplin has a great sense of humor in "The Great Dictator" and hits the right notes most of the time. Not only is he funny, but he's a great actor as well, and knowing what we know now about Hitler and his mannerisms, it makes Chaplin's performance all the more brilliant.

Read all 20 featured audience ratings