[size=3]The Hoax is an enjoyable tale about true events from the 1970s. While the film starts out pretty thin, it thickens as it goes.[/size]
[size=3]At the outset, The Hoax narrowly focuses on the chain of events, but gradually it grows into a meditation on and to some degree a… More
[size=3]The Hoax is an enjoyable tale about true events from the 1970s. While the film starts out pretty thin, it thickens as it goes.[/size]
[size=3]At the outset, The Hoax narrowly focuses on the chain of events, but gradually it grows into a meditation on and to some degree a send-up of the 1970s. Only in that zany, madcap decade could something like this have happened, the film seems to imply. And I support that notion.[/size]
[size=3][img]http://www.videodetective.com/photos/954/040069_41135.jpg[/img][/size]
[size=3]Richard Gere, who plays the lead, does a pretty remarkable job. It's certainly his best work ever. But that's not saying much, because he's never been much of an actor, at least not in my book. But here he gives a real acting performance. The character of Clifford Irving really does come alive.[/size]
[size=3]Irving wrote a memoir upon which the film is based. The story centers on his stunning near-success at pulling off possibly the biggest charade of the decade. He one day announces to a major publisher that Howard Hughes had contacted him for help in writing an autobiography. Irving completely made this up.[/size]
[size=3]Hughes at the time was a figure of major popular fascination, and word of the book spread like wild fire. It's hard to describe that level of fascination to someone who didn't live through it. Interestingly, Hughes is no longer a figure in the popular imagination. But at the time he was as big a name as Jackie Kennedy. I'm not sure we have people like that anymore. I just can't see any announced autobiographies creating a stir like that today. There was something essentially 1970s about it.[/size]
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[size=3]Irving's announement led to the biggest advances in publishing history up to that time. And it truly is fascincating to see how this man goes about providing phony evidence of a relationship with Hughes. Irving does end up writing a book, although much of it was based on an unpublished manuscript by one of Hughes's former colleagues.[/size]
[size=3]The most fascinating scenes are when Irving starts imitating Hughes, recording fake interviews. He does it so well that it's almost eerie. Watching Gere channel Irving channelling Hughes was quite amazing.[/size]
[size=3]Watching the employees at the book publisher try to suss out the truth and then get caught up in the frenzy was a joy. There's a scene when Hughes is supposed to be flying in via helicopter to attend a meeting at the publishing company. Irving arranges for a helicopter to approach the midtown Manhattan skyscraper but then turn around, as if Hughes had changed his mind. The anticipation for the landing was hilarious, with employees out on the roof scanning the sky for signs of Hughes. They scream as they see an aircraft approaching. The look on their faces when the helicopter turns around was precious. This is the best sequence in the film.[/size]
[size=3]Alfred Molina brings a lot of comic relief all throughout the film as Irving's partner in crime. He also brings gravity as the weight of the lies bares down on him more painfully than it does on Irving.[/size]
[size=3]But ultimately the film is not a major work of art. It's enjoyable, and it does have some inspired, meaningful commentary on the 1970s and on the American fascination with celebrity and "reclusive geniuses." But I wouldn't say it's a first-rate film or a must-see. I'm sure everyone would enjoy The Hoax, but I don't think anyone would be deeply impacted by it.[/size]