8.7/10
Alexandro Jodorowsky is one of my favorite filmmakers; a man able to summon his very dreams onto the screen. He makes surrealist films like nobody else can, and admittedly, many people attempt. He is different. He is a man who will go as far as to do psychadelics to… More
8.7/10
Alexandro Jodorowsky is one of my favorite filmmakers; a man able to summon his very dreams onto the screen. He makes surrealist films like nobody else can, and admittedly, many people attempt. He is different. He is a man who will go as far as to do psychadelics to create an image. He's a passionate and frequent lucid dreamer. I wish I could be as genius as him.
He began his reign of surrealist terror and fascination with "El Topo", and he went from there to here. "The Holy Mountain", his second film, is also the second film I've seen from the filmmaker; my first outing being the mind-blowing "Santa Sangre". But perhaps the very term "mind-blowing" cannot be attached to a Jodorowsky film; since all of his films serve their purpose as escapist imagery-driven works of art. To call "The Holy Mountain" one of the director's best is a lie; it is a great film, and there are no "best" Jodorowsky films. They are all, at least somewhat, fascinating.
This is one of those films that leaves a certain impact on the viewer, and it is the kind that disturbs us because we can't quite identify it. While most films attempt stories which are straight-forward and spoon-fed to us, films like this one are different. "The Holy Mountain", unlike "Santa Sangre", does not so-much tell a story; but more-so, it is a celebration of the macabre and the gruesome corners of our darkest imaginations. It came from a brilliant, educated, one-of-a-kind mind; that is Jodorowsky's.
So, what exactly is the film, if its story is almost non-existent? I can't tell you much beyond what I am about to. The film is basically a series of religious and rather admittedly sacrilegious images. An almost Christ-like figure walks from scenario-to-scenario; stopping only when he meets a man (played by the director) who takes him in as an apprentice. The hero of the story wants gold, and he will get gold, as well as he follows his mentor. He meets seven people; all of whom live on different planets. They are, like the Christ-like man, mortal...but perhaps they are something more.
There, that's all you get in terms of story; because that's (nearly) all there is to it. One would consider doing an entire study on the imagery shown here, most of which I won't spoil for you, because it must be experienced; and what an experience it is. These are some of the richest, most symbolic, powerfully resonant images I've ever seen in film. I don't consider myself religious, and you don't need to be to appreciate what you see and feel whilst watching the film, but the more you know; the more you are ultimately able to perceive and understand. So in ways, there are rewards to living your life, in a spiritual sense; and one of them is being able to survive such a sensory assault as "The Holy Mountain".
On top of how beautiful (and disgusting) the images can be, the film also cares about what it needs to care about. It has a story, albeit a confusing (but still worthwhile) one. The acting is solid, but not crucial to the overall film. Perhaps this is because, in an Alexandro Jodorowsky film, you need not worry about having memorable characters; only memorable directorial choices. Some of the filmmaker's best work is contained within the frames of this film, and watching it shot-by-shot might just be essential for understanding everything. It is an overwhelming film. It is unlike anything I've ever seen. It could be seen as either overly indulgent and pretentious, or beautiful and unique. All I know is that the film is what it is; a fascinating, symbolic film, and I loved it.