The House of the Devil (2009)

Featured Audience Ratings

• Tsubaki S

  
  Not a bad effort, but it has it's ups and downs. Good atmosphere, avoids many of the traps of the genre, but it doesn't have enough ideas to fill the lenght. With some polishing Mr West might pull out a real horror classic in the future, he has the right eye and the right… More
  Not a bad effort, but it has it's ups and downs. Good atmosphere, avoids many of the traps of the genre, but it doesn't have enough ideas to fill the lenght. With some polishing Mr West might pull out a real horror classic in the future, he has the right eye and the right sensibility for the material, he just needs a better script.

• Melvin W

  
  Samantha: Hi, I'm calling in regards to the babysitter flier posted outside my dorm room. "Talk on the phone. Finish your homework. Watch T.V. Die!" I have no problem saying that this is in my top 10 favorite horror films of all-time. Ti West does a nice little… More
  Samantha: Hi, I'm calling in regards to the babysitter flier posted outside my dorm room. "Talk on the phone. Finish your homework. Watch T.V. Die!" I have no problem saying that this is in my top 10 favorite horror films of all-time. Ti West does a nice little throwback/homage to 70's, 80's horror. The picture is grainy, the credits are exactly like an cheap horror film and the soundtrack is spotless. I love how he included Greg Kihn's Breakup Song in the soundtrack that has the line, "They don't write em like that anymore." It is sort of West's way of saying that horror movies just aren't what they used to be.  The story is straightforward. A college student wants to get a place of her own, and she needs to come up with the money for the place. She sees a flier for a babysitter and decides to take the guy up on it. That's about as far as I'll go into plot for two reasons. A) There really isn't that much more to tell. B) I don't want to accidentally give anything away. This film is extremely slow and if you don't like slow burn horror, then don't watch this. If you do, this is heaven. For me, this is the closest to perfection a horror film has been since The Shining. The first 30 minutes is all getting to know Samantha and her situation. I grew to like her quick. Then she gets to the house and still, nothing much happens. I love the scenes where she wanders the house. West plays off what we expect from a standard horror film very well. Then finally we get to an amazing last sequence that rivals any horror sequence I have ever seen. I must mention how the scene starts out because I found it to be the coolest thing ever. You won't get much out of this description if you haven't seen it, but here it is anyway. The screen is black and then a red moon flashes onto the screen three times, slowly to an almost heartbeat like drumming. Then black again, a lighter flicks on three times to the same heartbeat. Then black again, Samantha in her "situation" pops up three times to the same heartbeat. Then the camera goes crazy to some of the most bizarre and surreal music I have ever heard. The first time I watched this scene I sat motionless, in awe of just how well done it was. Then I finished the movie, went back to the start of the ending, and watched it again. Everybody has that movie that feels like it was almost made just for them. These type of movies don't have big stars in them and they don't have big budgets. They feel personal somehow. This is that movie for me. It is absolutely perfect in my opinion. I honestly believe this to be the best horror film since that has come out in the last 25 plus years. I love it that much.

• Robert C

  
  A superbly made homage to 80's horror films. It's one of those films where 5 minutes in I had to double check the release date as it looks and feels completely of the era. It really is an admirable achievement that director Ti West was able to capture so completely all… More
  A superbly made homage to 80's horror films. It's one of those films where 5 minutes in I had to double check the release date as it looks and feels completely of the era. It really is an admirable achievement that director Ti West was able to capture so completely all of the GREAT aspects of 80's horror films while deftly triming away the gratuitous nudity and sex that (while at times ammusing) very often pulls you "out" of the film. It's hard not to compare it to Rosemary's Baby (my pal Quinto put it best: "Rosemary's Babysitter") as it has that same slow build to a final horror filled climax (not to mention a satanic cult). But while this film is quite good...it is not (overall) the same caliber of film. It might be "too slow" for today's "sensory overload" addicts, but I found that it was written and acted in such a way that the pacing (ultimately) works perfectly to help develope the characters and the tension. I think (most) fans of horror films, will be pleasantly surprised by this film.

• Emily A

  
  Fascinating. This movie looks exactly like it was made in 1973, and that illusion is flawless. It recreates the whole Rosemary's Baby vibe, but unfortunately it also recreates all the bad things about that movie culture as well: the story really drags, the narrative really lacks… More
  Fascinating. This movie looks exactly like it was made in 1973, and that illusion is flawless. It recreates the whole Rosemary's Baby vibe, but unfortunately it also recreates all the bad things about that movie culture as well: the story really drags, the narrative really lacks focus and I didn't find any of the characters particularly engaging. I think HotD tries to create an atmosphere of slow-burn dread, but there is too much "slow" and not enough "burn". I wish this movie had a little more energy. In fact, it does display one burst of action that clashes with the rest of the glacial pace here that it creates a really really jarring scare. Therein resides the value of this movie. That one moment is so good that it's almost worth sitting through the rest of this movie. It's not bad, but just make sure that you take some Ritalin before you turn this movie on.

• Adam M

  
  It's supposed to be a tribute to American horror movies of the late-70s-early-80s, but an above-average American horror movie in 1982 was not this good and not nearly as devoted to atmosphere and stretching the length of shots out until suspense hangs so heavy in the frame that… More
  It's supposed to be a tribute to American horror movies of the late-70s-early-80s, but an above-average American horror movie in 1982 was not this good and not nearly as devoted to atmosphere and stretching the length of shots out until suspense hangs so heavy in the frame that we want it to end but we're not sure if we can deal with it exploding into violence. For that style, West seems to be taking lessons from Roth and Tarantino and perhaps some of the European horror in the 70s that influenced them. He borrows that the general approach but fully owns the realism and understatement in the dialogue, which give the movie a docudrama quality. Greta Gerwig and Dee Wallace have a talent for selling the dialogue like it coincidentally shows artistic precision. With everything underexposed like in Godfather Part 2, a lot of House of the Devil feels like an arty docudrama about a campfire story.

• Lewis C

  
  "Don't worry. You're going to be just fine. Both of you." We horror fans are a diverse bunch. What appeals to one of us in a horror movie will inspire disapproval from another and boredom from a third. House of the Devil is a good horror movie, but you'll… More
  "Don't worry. You're going to be just fine. Both of you." We horror fans are a diverse bunch. What appeals to one of us in a horror movie will inspire disapproval from another and boredom from a third. House of the Devil is a good horror movie, but you'll probably need a few (non-spoilery) details to decide if it's for you. First of all, it's almost totally reliant on tension and atmosphere, from beginning to end. Almost all of the action and mayhem is concentrated in the last 20 minutes of the movie. Most of the hour before that is spent alone with our main character Samantha (Jocelin Donahue). There's not a lot of story exposition, you discover what's going on as Samantha does. Desperate for money, she agrees to an urgent request for a babysitter, despite her own reservations and those of her friend. It's clear from the moment she arrives at the house that something odd and perhaps sinister is going on, but what? Some people will be bored to tears by House of the Devil. It requires patience from the viewer, and a willingness to lose yourself in the suspense. There's no humor to distract you, and you have to pay attention to put together the clues of what's happening, just like Samantha does. The story, when fully revealed, isn't something that we haven't seen before, but it felt somewhat fresh because of the lean, minimalistic way in which it was presented. Gore-hounds may not be satisfied, and neither will those people who prefer high kill counts, lots of jump scares, and constant gratification. There's a lot to like here, including the excellent early 80's setting, the solid performance of Donahue, and the way the sheer creepiness of the movie will settle into your bones, if you let it. In the mood for a horror movie with a somewhat different approach? Give House of the Devil a try.

• Tim S

  
  I could go on an on about the way this film was made, the 16mm film that was used to shoot it, the pans, zooms and other camera moves...I could, but it would be much easier if you just see it for yourself. I think the film is quite brilliant and a return to form for a modern-day… More
  I could go on an on about the way this film was made, the 16mm film that was used to shoot it, the pans, zooms and other camera moves...I could, but it would be much easier if you just see it for yourself. I think the film is quite brilliant and a return to form for a modern-day horror film that was made in the "old" style. Those who felt is was boring and lead nowhere missed the point entirely and are better off sticking to their modern-day, over-the-top and frenetic schlock & shock fests that are pumped out a dime a dozen these days.

• Morgan S

  
  I was expecting a so bad its good, 80s gory horror flick. But instead I got a so bad it was bad, poorly made boring, waste of a hour and 1/2. Dont waste your time and dont believe the hype that this movie is just like all your favorite 80s slasher movie because it is not and its the… More
  I was expecting a so bad its good, 80s gory horror flick. But instead I got a so bad it was bad, poorly made boring, waste of a hour and 1/2. Dont waste your time and dont believe the hype that this movie is just like all your favorite 80s slasher movie because it is not and its the most BORING and uneventful horror movies I've ever seen. Boo you teasing whore of a movie XD lol

• Jeff "

  
  Hearing good things about The House Of The Devil on horror websites, I decide to check out the film for myself. The critics point of view of this film was that it was a return to form to classic horror films of the 1980's. Director Ti West knows how to build effective suspense,… More
  Hearing good things about The House Of The Devil on horror websites, I decide to check out the film for myself. The critics point of view of this film was that it was a return to form to classic horror films of the 1980's. Director Ti West knows how to build effective suspense, and The House Of The Devil is a terrific horror film. The whole film reeks of homage to the cheap Horror films of the 8o's and theres a constant B movie film feel to the movie that adds an awesome atmosphere to the overall picture. The actor that Ti West picked to play in this cool little piece of 80's horror homage are terrific. Everyone involved are well chosen and are, for the most part horror icons. The film dwells on the subject of satanic cults and Sam, a babysitter is hired by a weird family to babysit a family member. The reality is more terrifying, and they plan to use her in a Satanic Ritual. This film is quite original and is one of the best original horror films since The Devil's Rejects. The House Of The Devil is an homage of traditional of the 80's as it has the feel, and look of the 80's. Director Ti West went as far to film the film in 35 MM just to go the extra mile and get a retro look for his film. House Of The Devil steadily builds it's tension and the payoff is awesome, it has quite a terrific climax, which I won't reveal because I personally feel that this is the type of film that needs to be seen to be believed. An original story thats frightening and complimented with actors from horror films of the 80's Tom Noonan (Manhunter) and Dee Wallace (Cujo) make this film a true winner. A must watch!

• Stuart B

  
  Good horror movie with lots of suspense. Played out well and its 80's setting is very realistic. It genuinely feels like a lost 80's horror movie. Good acting and very creepy.

• Stephen M

  
  Knowingly titled with a covetous eye on the shelf space between <I>Houses</I> <I>...by the Cemetery</I> and <I>...on the Edge of the Park</I> in your horror library; opening credits in a vintage font that could have been lifted from any John… More
  Knowingly titled with a covetous eye on the shelf space between <I>Houses</I> <I>...by the Cemetery</I> and <I>...on the Edge of the Park</I> in your horror library; opening credits in a vintage font that could have been lifted from any John Carpenter movie of the period; a supporting cast that includes Dee Wallace (<I>The Howling</I>, <I>Cujo</I>), Mary Woronov (<I>Night of the Comet</I>) and Tom Noonan (<I>The Monster Squad</I>). <I>The House of the Devil</I> recreates the look and feel of the low budget Eighties horror movie so meticulously, one wonders afterwards whether or not the risibility of the climax was also intentional. Oh well, if it ultimately fails to deliver the goods, this is still a nicely paced and well acted piece of horror nostalgia.

• _kelly .

  
  I applaud the effort that went into recreating the vibe and setting of 80s slashers, but hell those movies were never scary and rarely decent. This is near to decent, but still has a very WTF? ending that gives no answers, real or feigned. The primary problem with this movie is that… More
  I applaud the effort that went into recreating the vibe and setting of 80s slashers, but hell those movies were never scary and rarely decent. This is near to decent, but still has a very WTF? ending that gives no answers, real or feigned. The primary problem with this movie is that it takes forever to introduce any element of horror and build suspense. Until then, it's just a girl wandering about a strange house acting irrationally afraid (she didn't see and doesn't know about the one earlier incident of violence). When "scary time" kicks in, there's enough fake blood to fill a pool and it's a nonstop barrage of false suspense to compensate for the utter lack of it in the rest of the film. This was toted as one of the best films of the year by some horror buffs, and I feel like if the best that can be done is a (completely non-terrifying) tribute to a genre that never had any real purpose (even entertainment!) to begin with, then the horror film industry is a far dire condition than I previously thought. To say it again: I applaud the effort that went into production design and the cinematography which early in the film is able to achieve an aura of creepiness and the decent acting work, but that is where any shred of praise ends.

• MisterYoda ?

  
  The 1980's were a golden age for horror movies, and many filmmakers today try to recapture that magic in their own films. Director Ti West's film "The House of the Devil" is yet another example, and for the most part succeeds in his efforts. Making a period horror… More
  The 1980's were a golden age for horror movies, and many filmmakers today try to recapture that magic in their own films. Director Ti West's film "The House of the Devil" is yet another example, and for the most part succeeds in his efforts. Making a period horror film for under a million dollars is in itself a great accomplishment. This movie is not without its flaws though. The movie centers on Samantha, played quite well by Jocelin Donahue. She is a college sophomore looking to move into her own apartment and get away from the dorms and her inconsiderate roommate. Her best friend is Megan, complete with 80's hair and attitude. Samantha replies to an ad for a babysitter and sets up to meet the man on the phone, but he stands her up. Being that there are no cell phones we get to see long lost items like pay phones and rotary phones, ahh that brings me back. The man calls Samantha the next day to apologize and to offer her more money. Megan drives her over to the house and they meet a tall older man with a cane. He comes clean that its not you average babysitting job and ups her pay. She accepts $400 for a few hours of work. As you might have guessed the movie is called "The House of the Devil" for a reason. Instead of babysitting a child, Samantha's job is to watch over "mother" who is in a second floor room. A great deal of the movie involves Samantha roaming the house and checking things out. Like most babysitters she's bored has some time to waste. She calls Megan a few times but she has yet to return home. We see that Megan's fate is one of films best and surprising horror scenes. This film has angered a lot of casual horror fans in the fact that there is not a lot that really happens. It's a very slow burn type of story and very atmospheric. This makes the last fifteen minutes of the film that more intense. That family has something horrific in store for Samantha when they return. My biggest gripe with the film is the completely illogical final minutes. Maybe that has something to do with the 80's time period but its just like, really? All in all this film is made for a very specific audience and not many people will ever see it, but for director Ti West this is another stepping stone in what looks to be a growing career. He has most recently finished making Cabin Fever 2 and will be filming "The Innkeepers" soon. For horror fans he is definitely a talent to keep your eye on.

• Conner R

  
  The first time I saw this, I thought it was great and one of the best recent horror films. Now I've been able to decide that it is one of the best horror movies ever made. It just has everything that makes the genre great. It's not just a nostalgia piece for Ti West, this is… More
  The first time I saw this, I thought it was great and one of the best recent horror films. Now I've been able to decide that it is one of the best horror movies ever made. It just has everything that makes the genre great. It's not just a nostalgia piece for Ti West, this is how horror movies need to be seen. The film deterioration and cinematography make the already great premise even better. The long takes are just so perfect to look at and lose yourself in. The acting also ties in very well to the very realistic yet fantasy like backdrop. These college girls actually talk and feel like college girls. They don't have monologues prepared and sassy banter that can last for twenty minutes straight. The whole creepy factor lies in the family, who are just way to volatile and bizarre. However, their scary factor lives in the real world, making t even more effective. I think this brings up a very good point about babysitters that was never really touched on in the 80s or ever really. Sure Halloween made people realize that suburbia isn't as safe as it pretends to be, but this makes it scary to trust anyone. I just can't give Ti West more praise for doing what he's done here. Clearly he knows the genre inside and out. Every aspect of film making is flawless. I'm usually partial to the horror genre to begin with, but this encompasses everything I want to see.

• Brian D

  
  A great throw back to the early 80's style horror movies that might of played on late night tv or double feature at your local cinema. Its a slow burning movie that really only gets going towards the last 20-30 mins , but you do get a great climax to boot. There's not to… More
  A great throw back to the early 80's style horror movies that might of played on late night tv or double feature at your local cinema. Its a slow burning movie that really only gets going towards the last 20-30 mins , but you do get a great climax to boot. There's not to many players in this but all involved do a great job. Tom Noonan and Mary Woronov are so creepy in there roles that it is a delight to watch. Recommanded to all that love a slow building horror movie that high on style and nostalgia.

• Aaron N

  
  Samantha: Hi, I'm calling in regards to the babysitter flier... Here is a horror film that is dependent on the audiences appreciation for classic type horror from the 70s/80s. This whole film is an exercise in restraint, deliberate pacing, and subtlety in establishing its creepy… More
  Samantha: Hi, I'm calling in regards to the babysitter flier... Here is a horror film that is dependent on the audiences appreciation for classic type horror from the 70s/80s. This whole film is an exercise in restraint, deliberate pacing, and subtlety in establishing its creepy atmosphere. Certainly helping all of this is the films production values, which literally make the film look as if it came from the times it is emulating. Set in the 1980s, Jocelin Donahue stars as Samantha, a cash strapped college sophomore, looking to make some cash in order to move into a new apartment. Samantha happens to see a flier for a babysitter job, calls the number, and is given a ride by her best friend Megan, played by Greta Gerwig, to the house where the sitter is needed. After meeting with the house owner, played by Tom Noonan, it is revealed that there is not a child to look after, but instead, the man's mother. Samantha excepts the job, but may have to work harder than she thought...to stay alive. Dun dun duh. The film takes a familiar formula involving the babysitter in trouble and completely gives it a fresh spin. Not necessarily in terms of its story, but the way the film basically acknowledges that it knows what it is without ever having to wink at the camera. By this I refer to how expertly crafted the film is in establishing all the action that takes place in the house. The way this film creeps along, mostly following one character, building upon the suspense throughout, is wonderfully handled. I can easily expect many people used to this generation's type of horror film to not accept or enjoy how this film is presented, but for anyone that can appreciate this style, they will be in for a treat. Again, the use of 16mm cameras, a fitting soundtrack, and even down to the basic dress of the characters, all literally give this film the look of something that came out 20 years ago. Its not an over-the-top homage like Grindhouse was, the film just literally seems like you could have dug it up out of your VHS collection. Good retro styled horror flick. Megan: I feel a little weird dropping you off here, in the middle of wherever we are...

• Lorenzo v

  
  <i>"Talk on the phone. Finish your homework. Watch T.V. DIE!"</i> In the 1980s, college student Samantha Hughes takes a strange babysitting job that coincides with a full lunar eclipse. She slowly realizes her clients harbor a terrifying secret; they plan to use… More
  <i>"Talk on the phone. Finish your homework. Watch T.V. DIE!"</i> In the 1980s, college student Samantha Hughes takes a strange babysitting job that coincides with a full lunar eclipse. She slowly realizes her clients harbor a terrifying secret; they plan to use her in a satanic ritual. <center><font size=+2 face="Century Schoolbook"><b><u>REVIEW</u></b></font></center> Chillingly affective homage/valentine to cheapie indie horror films of the'80s, filmmaker Ti West evokes echoes of Carpenter, Raimi and Corman in this spooky haunted house tale about a pressed-for-money co-ed (plucky Everywoman Donahue who comes across as a gorgeous amalgam of Jessica Harper, Karen Allen & Brooke Adams) who answers an ad on campus for a babysitting gig that turns out to be more than what it actually is soliciting. West's shrewd, topsy-turvy, skewed camera angles (wonderfully concocted by cinematographer Eliot Rockett), sharp editing skills and a truly nerve-shredding scored by Jeff Grace keeps the scary atmosphere at full-throttle even by its predictable final act of bloody good genre jolts. A true find and flair for the game of showing less-is-more-journeyman film-making and also what you don't see is far-more unsettling than what is shown.

• Drew S

  
  This is my shit, right here, and if any of you self-professed horror fans didn't like this movie, then take your coat and get out. Your opinion no longer means anything. I understand that the slow pacing may be indefensible to most, especially the first half an hour where… More
  This is my shit, right here, and if any of you self-professed horror fans didn't like this movie, then take your coat and get out. Your opinion no longer means anything. I understand that the slow pacing may be indefensible to most, especially the first half an hour where she's not actually at the house, but it adds to the bizarre mystery of the movie. Seeing the icy creep that is Samantha's life makes the circumstances she finds herself in all the more horrifying...knowing what she's thinking, that she'd never in a million years have imagined herself in this situation, really deepens the terror that she portrays. Jocelin Donahue is also an effective conduit for the movie's unusual buildup - striking, but also rather spacey, she says it best when she describes herself as "out to lunch." This combination produces a bubble of a movie, small and wonderful in its own way, and liable to pop at any time in a moment of simultaneous excitement and disillusion. Sweetening the deal further are the fantastic performances by the rest of the cast, even the charming but anachronistically shaky Greta Gerwig, and the incredible shooting and soundtrack. The barely-there pianos scoring Samantha's journey through the house and the unusual command of light (sometimes you wonder where it's actually coming from, but it creates some awesome shots nonetheless) make the experience seem even more delicate. Ti West has put together a corker of a film, one that turns its minimalism into something truly admirable. As both a time capsule and a work of legitimate craftsmanship, House of the Devil absolutely delighted me; I understand a casual horror fan not appreciating it like they thought they would, but if you have even a slight background in 80s horror, there's no reason NOT to love this. I've probably overhyped it for anyone bothering to read this, which may not be the right attitude to approach the movie with; it really isn't a SIGNIFICANT FILM, but it felt personal and warm to me, as if I've been watching it for the last five years of my life. A horror film of considerable value.

• Creep F

  
  80's is, in my opinion, up on the top 3 of the best decades for horror movies. The 70's, 80's, and 90's schooled horror. I always wished, starting around the late 90's, that they would make a horror film that had the feel to an 80's horror movie. And by… More
  80's is, in my opinion, up on the top 3 of the best decades for horror movies. The 70's, 80's, and 90's schooled horror. I always wished, starting around the late 90's, that they would make a horror film that had the feel to an 80's horror movie. And by "feel" I mean the whole package. The graininess/or watered down color, the faint audio sound, clothes, props, and stage design. The typical slasher score, followed by an 80's retro or rock soundtrack. And how can it be 80's horror without that cheesy dialogue? And don't forget the shabby performances and the big breasted virgins hiding in all the wrong places. Yes, those were the feel good frights of the 80's. The full on package of a great slasher film. Of course we've been greeted to some good horror which takes place in such a decade, along with some 80's stylized ingredients, but in the end it didn't feel like it was anything more than just a movie from the now. And the answer as to why is pretty simple, really. Those period horror flicks were missing two main factors. One being the important quality of color temperature, which can be dealt with when using older film stocks, even using a 16mm can help matters, as The House of the Devil did. Another factor are the audio tracks. Even in movies predating the 80's, more so in the 1900's (of course) through the 70's, you can hear a sort of scratchiness over the crisp blend of ambience. A visual doesn't always give the feeling of a different time and place in your surroundings, and for the most part you always know your position. But for a movie like The House of the Devil, the way it's shot, and if you're a die hard fan of 80's horror, it goes beyond the point of reminiscence and places you, mind and body, three decades back when horror was at it's prime. And it isn't because you're watching a fantastic, and almost flawless horror film, that's centered around the 80's. It's because, and as odd as this may sound, but for it's genius integrity behind the film, you are in fact watching a horror film from the 80's. As if time travel were possible for a film, and The House of the Devil holds the key. A lot of people have complaints about the movie's ending. The ending didn't bother me, but it didn't excite me either. To tell you the truth at that point, being that it was at the last two minutes of the movie, it could have ended any way for me. The last two minutes, heck, even less than that, wouldn't change the fact, nor would it put a dent, in how damn near perfect this film was. It really just opens things up for a sequel. Not that I'm anxious to see a sequel. And yes, it's sad to say, it'll probably blow in comparison, but who knows? Plus the more horror movies the better, at least that's how I see it. Or maybe it was that people were complaining about the last 20 minutes, when the killers come into play. I'm not really sure on which ending people were referring to. If that's the case than I totally disagree on that one. When the secrets of the mysterious family were revealed I found it fascinating, and it stirred some action into the mix, with great, gripping tension. You also have to keep in mind, it's exactly like a horror flick from the 80's, every damn inch of it, and the way I see it this should be compared with other horror films of the 80's. And I'll also add on that note, the "ending" here is no less interesting, no in fact, IT IS just as entertaining as many other horror films of the 80's. And as I make many comparisons to this film with horror from the 80's, and treat it like one for that matter, I'm sure director Ti West would be proud that some people, like myself, are comprehending his movie's vision. Everything before the somewhat violent finale is a creep fest. The tension just builds, and builds, and builds. It's not jaw dropping scary, but this film sure is a fun little spook fest to watch on a dark and stormy night. I would say it's like When a Stranger Calls meets Rosemary's Baby meets Halloween, but all set in the early 80's. Like I said before, this film has that part down pack. From the clothes, the hairdos, cars, scenery, you name it? The House of the Devil is a work of pure genius. It's one of my favorite horror films of 2009. <img src="http://i294.photobucket.com/albums/mm89/JDHallowEEn/Horror/TheHouseoftheDevil.jpg"> "*** The film may provide an introduction for some audience members to the Hitchcockian definition of suspense: It's the anticipation, not the happening, that's the fun." - Roger Ebert "The House of the Devil deserves merits for its outstanding writing and filmmaking style, relying more on suspense rather than all out blood and gore. It is one of very few horror films this year that I can wholeheartedly recommend." - The Horror Review "The House of the Devil is the best -things that go bump in the night- genre film in a long time. By all means go and see it at the theatre if you can, but I think it would be every bit as good (or maybe even better) to see it at home, at night, alone, which is something I'll be doing as soon as I can get my hands on a copy of this amazing flick." - Dread Central "The House of the Devil is easily Ti West's most accomplished work to date and it's a film that both West and Dark Sky Films/MPI should be very, very proud of." - Bloody-Disgusting "It's an unpretentious film which asks the audience to go on a ride that downshifts from the in-your-face approach that's so in vogue these days-and rewards them with a good case of the creeps." - Fangoria "An excellent thriller that will surely deservedly gain a cult following in years to come." - Oh, the Horror!

• A.D. V

  
  A slow simple tale of a babysitter having a really bad night that builds up to a nicely violent and bloody climax. Some movies attempt to imitate the 80's flavor (or lightly spoof it) but this one lovingly captures the best of that time dead on in every way. I swear it feels,… More
  A slow simple tale of a babysitter having a really bad night that builds up to a nicely violent and bloody climax. Some movies attempt to imitate the 80's flavor (or lightly spoof it) but this one lovingly captures the best of that time dead on in every way. I swear it feels, looks and sounds like it came straight out of 1980. I'm not of a fan of Ti West's previous films but this one has made me take notice and see him in a different light. If you only see one babysitter movie this year then see this devilishly good time.

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