Shooting up the Guggenheim - wow!! But there's so much more to this film than that now famous scene, including a very intelligent script and a subtle yet very timely message about the power and amorality of banks.
There is a certain dissconnect and waste of Naomi Watts who… More
Shooting up the Guggenheim - wow!! But there's so much more to this film than that now famous scene, including a very intelligent script and a subtle yet very timely message about the power and amorality of banks.
There is a certain dissconnect and waste of Naomi Watts who plays a fed agent who laisons with interpol's Clive Owens. She's all over the map on this one, but the rage that she shares with Owens over how govm't regulations and inter country relationships make it easy for the banks (and others) to easily work in the shadows without fear of reprecussion.
There are so many scenes here that are close to brilliant, yet don't quite pull it all off, just making it all so frustrating - and I guess perhaps that was the intention - letting the audience feel all the anguish as normal people uphold the wrong ideals and spout empty laws that no longer fit the 21st century.
The wonderful part of the script comes when Owen confronts the "advisor" to the bank, who was captured (at great price) by the NYPD. A true look into everyone's soul as the German tells Owen that the only way to take down the bank will involve some serious colateral damage. He knows who he has gone to bed with - and knows that he will probably be killed, just as the killer he was "handling" was sanctioned by the bankers.
I personally dislike the use of "titles" to show where we are in a film - it works on TV (more or less), but here shows a laziness, which is odd when the rest of the script is so deep and profound.
Still, there are so many "conveniences" that keep this from being a truly wonderful film - again, I have to chalk that up to juggling all the many plot points and keeping the story moving, but oh, what could have been!! The shoot em up in the Guggenheim was epic and the intelligent, no holds barred parts of the script and the very poetic ending, with the Interpol agent, finally having enough of the bankers getting their way, stalks the head banker through Istanbul (nice scenery here, by the way), and finally can't pull the trigger (even though the banker is goading him to try, by saying he hasn't the "authority" to kill an evil man - only to be saved by... well I'm not going to say, as that would give away too much.
Suffice it to say - the ending resolves nicely and let's you forgive some of the rather odd scenes that come before it.
In all, an intelligent thriller, where the violence seems for a purpose and not simply gratuitous.