The Keys to the House poster & wallpaper

Alla Faerovich, Andrea Rossi, Charlotte Rampling

The relationship between a physically handicapped boy and his parents as they struggle to carve out a normal life for the their son.

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73% liked it

826 ratings

Critics

80% liked it

25 critics

Unrated, 1 hr. 45 min.

Directed by: Gianni Amelio

Release Date: January 1, 2004

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DVD Release Date: June 28, 2005

Stats: 60 reviews

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Flixster Reviews (60)

  • limoradalloway
    October 12, 2007
    limoradalloway
    Exceedingly charming and poignant.
  • liveforward
    May 25, 2009
    liveforward
    I pulled this movie off the shelf of a rental store at random. I don't really know what compelled me to grab it, but I took it home for a little cinematic gamble. You never know - sometimes you strike gold. This time I did find a true gem. I can honestly say this is one of the be...( read more)st, deepest, and most profound films I have ever seen. The messages are so moving and so artfully communicated. I watched it over and over and over and showed it to my family and friends because this was a discovery that couldn't be kept a secret. It sticks in your mind and you find yourself running over the beautiful nuances of it again and again. One could write a book on everything that's not directly said in the film but lies just beneath the surface. What's more, all this artistry is somehow accomplished without resorting to any Hollywood-formula safety nets.

    As the film begins we are introduced to Gianni, who we later learn is about to come face to face with his tortured past. Fifteen years prior to where we come in, a much younger and less wise Gianni impregnated his young girlfriend. She dies tragically in childbirth, but the child survives, though he is severely handicapped. Gianni, no doubt, felt guilt-ridden and in despair - feelings which were only exacerbated by the anger, resentment, and blame he likely felt from the girl's family. The anguish and the guilt were too much for him and he fled, something for which we cannot really blame him, condemned to seek out atonement elsewhere in his new life, which he is determined to do the right way this time. The abandoned child is then taken in by the sister and brother-in-law of the girlfriend.

    Flash forward fifteen years where the doctors of Paolo (the child) think it would be beneficial for him to have his father in his life. Here we come in and watch these two struggle to be a family and make up for all those lost years. Gianni, now seeing Paolo for the very first time, feels an instant paternal bond to him. Not only is he confronting his original guilt, but it is now compounded by his fifteen year abscence. The whole while he is trying to prove himself as an able caregiver, but he is constantly reminded of his inadequacy. The irony here lies in Gianni's wizard-of-oz complex. He perceives himslef to be a failure when, in reality, he proves to be quite a fantastic dad.

    Paolo, on the other hand, has a very conflicting agenda. It is said in the course of the film that Paolo likely lacked the affection an infant needs early on. As a result he is very much in need of love as well as independence, probably due to his feeling alone during much of his formative years. The paradox, then, is that, due largely to his severe handicaps, Paolo can never be truly independent. The whole time, however, he tries to show that he can take care of himself as well as be vitally useful to everyone else. He keeps saying how he has so much to do and how busy he is and how they are needing him back home. The keys to the house, for Paolo, embody his need to be important and feel needed - not needy.

    As Gianni tries to take care of Paolo and Paolo tries to demonstrate his capability, we must sit back and watch the very real-life conflict play out. Charlotte Rampling's character, a mother of another handicapped girl at the hospital they go to, very appropriately tells Gianni that if he plans to be a part of Paolo's life and be close to him to expect suffering. Parenthood is certainly not easy, and their situation complicates it greatly.

    The film ends at a very moving crescendo that took me by surprise the first time, but as I've re-watched and contemplated it there is no other ending to be had. It is the most appropriate. It is beautifully simple and simply beautiful.
  • rocktastical895
    August 8, 2008
    rocktastical895
    great movie... and he's really hot
  • renatopetrovic
    February 20, 2008
    renatopetrovic
    The relationship between a physically handicapped boy and his parents as they struggle to carve out
  • lawlessart
    February 16, 2008
    lawlessart
    It's worth a watch but definitely not a film for everyone.
  • kiminreggio
    September 6, 2007
    kiminreggio
    Almost too realistic to watch at times, this is a heartbreaking look at one man's attempt to atone for his mistakes. Kim Rossi Stuart is a wonder to watch in this, and so is Andrea Rossi as his severly handicapped son, Paolo. Truthful to a fault, the depiction of life with a hand...( read more)icapped child is something to watch with one hand over your heart.
  • mon3emabdoun
    September 6, 2007
    mon3emabdoun
    great grear greeeeeeeeeeeeeeeeeeeeeat
  • WaterNymph
    July 27, 2007
    WaterNymph
    It was alright, but it had potential to be better. The story of a relationship between a father and son had direction but I felt it lacked something to drive the emotions. The plot shows the frustration and embarassment of parenting a mentally retarded child that he had out of we...( read more)dlock. We see the father grow to love him and they get along. He thinks everything will be fine after that and begins rushing into things, but right before a supposed happy ending, he begins to get frustrated with his son again. I like the ending because it's a bit vauge but we make assumption that he begins to realize that the relationship takes longer time and more patience.
  • Michael9636
    December 27, 2006
    Michael9636
    Any movie staring Kim Rossi Stuart is bound to be outstanding.

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