The Killing Reviews and Ratings



  • September 8, 2008
    Sterling Hayden plays Johnny Clay, and sets up a brilliant plan - to rob a racetrack. That's all you need to know. Watch this and feel your jaw drop....ending could have been better.
  • September 8, 2008
    if you think kubrick can only make "artsy fartsy" movies, then you need to see the killing. a great heist movie, i can easily see this being the summer hit of 2008 with george clooney and brad pitt.
  • September 8, 2008
    Exhilarating crime caper. Hard boiled characters.
  • September 8, 2008
    You can always count on Sterling.
  • September 8, 2008
    a master work as only Kubrick can tell
  • September 8, 2008
    Deuxième long métrage d'un jeune Kubrick alors âgé de 28 ans et faisant déjà montre d'un immense talent de réalisateur. Mise à part la narration un peu caricaturale pour un public contemporain, le film a très bien vieilli. Photographie très esthétique et léchée. La progression de...( read more) l'intrigue et du suspense est accrocheuse et certaines scènes se démarquent comme modèles du genre. Un bijou de film noir, supérieur à mon avis à beaucoup des oeuvres plus connues de Kubrick.
  • September 8, 2008
    Kubrick used to be a genius from young ages .
  • September 8, 2008
    A Filmmaker is born!
  • September 8, 2008
    Interesting. Brutal. Black and White. Since I do not know what a Director actually does, I dont know what to look for, but this was Kubrick's first or at any rate early. Nice depiction of small time people in off the main road Califorinia. I recall a scary killing scene.
  • September 8, 2008
    I just re watched this film and it is bad ass. I mean it's awesome a heist film where things don't go as planned.
  • September 8, 2008
    The narration is annoying, but otherwise, this is a thrilling and often very surprising heist flick.
  • September 8, 2008
    Great caper movie heavily influenced reservoir dogs.
  • September 8, 2008
    Got a bit dull by halfway through, which is a shame.
  • September 8, 2008
    One of the best heist films of all time. Kubrick's fractured storytelling really helps this gritty story and I remember thinking back in 1993 that it could've influenced Reservoir Dogs. A must see, if you're a Kubrick fan and haven't seen this you really owe it to yourself.
  • September 8, 2008
    Certaines images encore gravées en tête.

    Par contre, c'est loin de signifier que The Killing atteint la même notoriété que la majorité des autres réalisations de Kubrick. Il s'agit là d'un film policier typique des années 1950-1960, sauf peut-être qu'il s'agit là d'un des pionni...( read more)ers en matière de préparation pointilleuse d'un coup d'éclat, qui a donc accouché de films comme Danny Ocean.

    C'est donc dire que l'intrigue est excellente et qu'on embarque dans ce lot de criminels en espérant qu'ils parviendront à leur fin et que leur fameux plan sera couronné de succès. Les acteurs ne sont pas mal non plus, mais c'est réellement l'histoire qui fait la force du film.

    Je me laisse beaucoup moins impressionner par The Killing parce qu'en fait, Kubrick n'a pas eu réellement à mettre sa touche dans ce qui fut son premier long-métrage, puisque tout était déjà écrit dans le roman et que, au fond, la réalisation n'est pas si incroyable que ça, loin de là.
  • September 8, 2008
    better than that remake.
  • September 8, 2008
    Not my type of film.
  • September 8, 2008
    My favorite Kubrick. One of the best hiest films of all time. Sterling Hayden is a god.
  • September 8, 2008
    Nicely wound story with lovely little characters. Kubrick got game.
  • September 8, 2008
    This is another classic must see before you die film.
    How they planned all that, I'll never know!
  • September 8, 2008
    Not the best, but definitely my favorite Kubrick film. There is nothing wrong with this film whatsoever. I remember thinking Tarantino was a hack after originally seeing this but then again, the kind of genius contained within this film is going to escape eventually.
  • September 8, 2008
    early Kubrick film shows signs of his future greatness...well done crime thriller
  • September 8, 2008
    I put this off for awhile, cause I thought it would be dated. Big mistake. This film is way ahead of it's time and now I see it's obvious influence on todays films. It's very short compared to Kubrick's later projects, but the story is tight. One of the best endings ever. A ...( read more)must see for any movie buff.
  • August 9, 2008
    Beautiful tension, beautifully lit, as if I needed more proof of Kubrick's genius.
  • July 26, 2008
    Another Kubrick classic.
  • July 16, 2008
    Maurice: You have my sympathies, then. You have not yet learned that in this life you have to be like everyone else - the perfect mediocrity; no better, no worse. Individuality's a monster and it must be strangled in it's cradle to make our friends feel confident. You know, I've ...( read more)often thought that the gangster and the artist are the same in the eyes of the masses. They are admired and hero-worshiped, but there is always present underlying wish to see them destroyed at the peak of their glory.

    A great film noir from Stanley Kubrick. Its a familiar story involving a heist gone wrong, but the way it has been made is what makes it effective, along with the final twenty minutes, which are fucking awesome.

    Sterling Hayden, among others, stars as a career criminal on his last big score, involving an expertly planned heist at a racetrack. This particular heist will employ the work of many, all with their own parts to play. The first half is setup, the second half is the heist.

    The camera work, the structure, and the dialog are all expertly handled here. True to Kubrick form, their are long tracking shots, along with some tricky setups that are well done. The structure is non-linear, which is appropriate for describing the roles of the various people involved, and has clearly served as influence for among others, Tarantino, not to mention several other moments that have been clearly used in other films. Then you have the dialog, which is fast paced and perfectly modeled after old pulp novels.

    I'll again mention the ending, which is awesome. The way everything plays out completely pulled me in, and that's all I'll say about that. Very well done.

    Johnny Clay: You'd be killing a horse - that's not first degree murder, in fact it's not murder at all, in fact I don't know what it is.
  • July 6, 2008
    Classic noir thriller. Any heist flick you've ever seen owes this great film a huge debt.
  • June 21, 2008
    This was a great classic Kubrick film about a bank robbery gone wrong. Sterling Hayden is marvelously tough as the leader of the group and Elisha Cook Jr. as jittery and great as ever as the husband of the femme fatale. I'm a big fan of film-noir and this film is one of the great...( read more) efforts in that genre of heightened shadows, moral ambiguity and sexual motivation.
  • June 18, 2008
    This movie is all around great. Plenty of memorable moments and fun to watch. The movie gets real crazy really fast.
  • June 18, 2008
    meticulous, tightly-woven nonlinear plotline years ahead of its time. some of the narration seemed a little unnecessary, but the camerawork and sound synchronization from point of view to point of view was brilliant. the ending is especially poetic because all the taut structur...( read more)e and intense planning literally blows haphazardly away in the wind. excellent film.
  • April 30, 2008
    Flawless early Kubrick.
  • April 24, 2008
    Second official Kubrick's feature, "The Killing" is a decent noir starring Sterling Hayden as a tough, highly motivated ex-con who sets up a last bank heist before the classical settling down. Heavily influenced by John Huston's nicely done "Asphalt Jungle", "The Killing" is the ...( read more)first true proposition from Kubrick's catalog. An entertaining proposition.

    The true treasure here is dialogue, delivered exactly how is suppose to be: smart-ass, fast, snappy and funny. 28 years-old Kubrick's direction is impressive here, just a year after his debut, "Killer's Kiss". The tempo of the plot is perfectly balanced with relations of the characters and even though non-linear storytelling takes away some of the tension, it's engaging till the end.

    Why Kubrick decided to make this picture? It doesn't feel like a Kubrick's choice for a movie. Despite storytelling, there's nothing fresh in this story. What's more: when you want to make a movie, the last movie you want to make is a movie that everybody makes around you. Well, the best guess then would be that he simply wanted to make a picture formally fine, without any flaws, a picture that would be fun to watch from beginning to the end.

    And that's exactly what it is.
  • April 13, 2008
    Splendid film noir by Kubrick, The Killing is one of the best crime dramas i have seen, Kubrick's direction was superb and the movie was brilliantly acted. The Killing is utterly captivating with its supersonic pace.
  • April 7, 2008
    Amazing direction.. This is how crime thrillers should be.. Short and sweet with no added fat on it..

    This is about a well planned race-track heist involving a group of non-professionals with clean records & picturized from the point of view of these characters with no linear...( read more)ity.. Somethin tht was very innovative for its age..

    Acting was very functional. But camera-work & editing was just awesome.. I just loved it.. Grt watch..

    Last words: I'm getting addicted to Kubrick's filmmaking!!! :)
  • February 25, 2008
    good plot well made movie fast pace love the editing and direction
  • February 12, 2008
    Though not bad, shows how far he went after this simple, basically-made film.
  • February 7, 2008
    I love to hate that woman.
  • January 26, 2008
    This is scary. It is also probably the rarest Kubrick film.
  • January 10, 2008
    Stanley Kubrick first "official" film is something of a curiosity. Light years ahead of its time (as Kubrick would be for most of his career), this film combined elements of 50's film noir and the upcoming post MPAA period that would explode in the 1970's. Sterling Hayden (one ...( read more)of the most underrated stars ever) turns in a sick performance as the brutal bank robber who will sacrifice anything and anyone to pull off the heist he has planned. The dialogue is pure 50's noir. The characters are pure 50's noir. But the sensibilities of how it is shot and put together flashes forward to an era filmmakers hadn't experienced yet. Quentin Tarantino's "Reservoir Dogs" has been compared to this film...and rightly so.
  • January 6, 2008
    Impressed, but what else should I expect from Kubrick?
  • November 22, 2007
    You have not yet learn that in this life you have to be like evryone else.
    The perfect mediocrity. No better, no worse. Individuality is a monster and it must be strangled in its cradle...
  • November 14, 2007
    The final 20 minutes make the first hour worth it... Tarantino, eat your heart out: this is a dark caper movie, well-acted and to the point. Stark and stunning.
  • September 21, 2007
    Damn badass, one of the best heist movies I've seen, very strange how the guys always get caught or have it all turned out bad but my heart was literally off the hook.
  • September 18, 2007
    The first feature length outing for one of cinemas most poignant and identifiable directors proves to be a film of intrigue, class, entertainment and works as a fitting proclamation on the potentials of it's maker. The Killing is a tight piece of deception, mistrust, violence and...( read more) style, and in many ways acts as the sayonara to the atypical film noir as it gestures in the era of more provocative and experimental filmmaking.

    What sets The Killing apart from many other pieces in this director's arsenal of variety comes through it's characterisation. The screenplay of the film involves much more dialogue than subsequent films of Kubrick, and through this we are given insight into the character's through the portrayal of the actor's, rather than the camera (as is the case with Kubrick's long winded style). However, what also sets The Killing apart from many other films in this genre is it's unwilling nature to adhere to a formal pacing and linear narrative. Time interchanges become entangled with cleverly written plot points and turns as we are thrust into the intermingling of entertainment with intricate concepts.

    However, as different as this film may feel, it is still highly distinguishable as the work of Mr. Kubrick, handled through complex tracking shots and meticulous framing that assures itself in coaxing the audience to absorb the surroundings that these characters so oftenly interact with. Characters that create the perfect heist without a glitch gone wrong, but find the simplest of barriers blocking them all from the final prize. The film works well in noting the pitfalls of a pefectly capered plan - improvisation is a necessity as the planned checkpoints of any routine more often than not will be struck down due to the retaining mistrust between crew members.

Summary


The Killing Summary