Carl Frank, Erskine Sanford, Everett Sloane

Legend has it that Orson Welles more or less conned studio boss Harry Cohn over the phone into making this movie by grabbing the title from a nearby paperback. In any case, The Lady from Shanghai...( read more  read more... )I> is one of Welles's most fascinating works, a bizarre tale of an Irish sailor (Welles) who accompanies a beautiful woman (Rita Hayworth) and her handicapped husband (Everett Sloane) on a cruise and becomes involved in a murder plot. But never mind all that (the aforementioned legend also claims that Cohn offered a reward to anyone who could explain the plot to him). The film is really a dream of Welles's driving preoccupations on- and offscreen at the time: the elusiveness of identity, the mystique of things lost, and most of all the director's faltering marriage to Hayworth. In the tradition of male filmmakers who indirectly tell the story of their love affairs with leading ladies, Welles tells his own, photographing Hayworth as a deconstructed star, an obvious cinematic creation, thus reflecting, perhaps, a never-satisfied yearning that leads us back to the mystery of Citizen Kane. --Tom Keogh

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84% liked it

6,684 ratings

Unrated, 87 min.

Directed by: Orson Welles

Release Date: June 9, 1948

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DVD Release Date: October 3, 2000

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Flixster Reviews (405)


  • November 15, 2009
    Citizen Kane may have been Orson Welles' biggest blessing but it was also his biggest curse. Having such a masterpiece as your very first film is a hard thing to follow-up. It's understandable that everything Welles did post-Kane was a step down. The problem is, at leas...( read more)t in my estimation, that Welles sometimes tried too hard. He wanted all his characters to be interesting and what resulted was often surreal. Here, his narrated and self-portrayed main character was supposed to be a sap, a sucker, but he's so insightful and introspective that I have a hard time understanding how he falls for such an obvious set-up. Without giving too much away, the Welles character is framed for murder in a plot that has about as much subtlety as an oncoming freight train. Strangely, watching Welles play the patsy for a beautiful woman made me appreciate Fred MacMurray (Double Indemnity) even more.

    Having said all that, I still feel that The Lady from Shanghai is a work of art and a landmark in classic noir cinema. The climatic final scene in the deserted fun house is pure Wellesian genius, even if it is a bit of style-over-substance.
  • October 17, 2009
    great twist at the end! Orson Welles with a Irish accent is HOT!! sooo sexy! ;)
  • February 11, 2009
    Extremely short but entertaining none the less. The film is almost a grand scale love letter from Welles to Hayworth.Even without her trademark red hair now cropped short and dyed blond Hayworth dazzles and the camera just loves her.
    I'm stil not quite taken on Welles Irish acce...( read more)nt but it's only a small complaint.
    Welles plays Michael O'Hara an Irish seaman who on a a chance encounter with Elsa(Rita Hayworth) and some initial flirting, sees the woman of his dreams ride of into the distance only to meet her again moments later saving her from a mugging.
    Again sparks fly but turns out Elsa's married to one of the greatest criminal defense lawyers in the country, Bannister, who is also a cripple.
    Bannister hires O'Hara to captain his yacht, and the movie starts to unfold into a who dunnit murder mystery, trial and all. Featuring a beautifully directed and rather famous ending involving the mirrors, while not Orsons best it's definitely worth checking out to see him and the then Mrs together.
  • February 10, 2009
    ultimately this film doesnt really hold up under the closest scrutiny, but it is still very well done. rita hayworth was never more beautiful and the plot was formulated to provide great intrigue until the end. a solid addition to the wells filmography.
  • June 26, 2007
    with this low budget noir gem Welles shows his guts once more, by giving it his essential expresionistic style, and also because he cut and dyed the hair or the gorgeous Rita Hayworth. marvelous.
  • November 23, 2009
    Such a great mess of a movie. So many moments. Such a ride. It's jarring both by design and by default, as it was recut without Welles, but the wild almost stream of conscious, rambling of tricks, exaggerated cliches, and moments of brilliance, add up to a great experience. It...( read more)'s an approach that Welles perfected in Touch of Evil.
  • September 18, 2009
    Stunning direction and a suspenseful story in this awesome Orson Welles' film-noir.

    85/100
  • August 17, 2009
    Jul 09 - It becomes theatrical at times but the characters are very powerful. The mystery is not played out well but the noir atmosphere is fantastic.
  • June 28, 2009
    The story lost me after a certain point, but it's full of style and constantly inventive. I still couldn't get used to Welles' accent though...
  • June 19, 2009
    wow umn just seen this movie 4 the 1st time n think that this is a good movie 2 watch...its got a good cast of actors/actressess throughout this movie....i think that rita hayworth, orson welles, louis merill, glenn anders, gus schilling, harry shannon, everett sloane, erskine sa...( read more)nford, carl frank play good roles/parts throughout this movie.,...i think that the director of this black n white/thriller/murder.mystery movie had done a great job of directing this movie because you never know what 2 expect throughout this movie its a good black n white classic movie 2 watch

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The Lady from Shanghai Trivia


  • Orson Welles attempted an Irish accent with questionable results in which movie?  Answer »
  • Orson Welles co-starred alongside his wife, Rita Hayworth, in which of the following films?  Answer »
  • What colour was Rita Hayworth's hair in The Lady from Shanghai?  Answer »
  • She starred in: The Strawberry Blonde (1941) Cover Girl (1944) The Lady from Shanghai (1947) Poppies Are Also Flowers (1966)   Answer »

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