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Motown music combines with action as a shy karate champion fights off bad guys who are threatening a beautiful disc jockey (Vanity).
A remake could bring more cohesion to a film with an identity crisis. But it also might not strike the funky, daffy sweet spot in which "The Last Dragon" takes an inner-city poke at the hero's journey without ever taking the piss out of it.
Michael Schultz continues his losing streak as a director with this derivative dud.
Howlingly goofy artifact from the silliest part of the 1980s.
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