Richard Chamberlain, David Gulpilil, Olivia Hamnett

Nominally a supernatural thriller, Peter Weir's third feature resonates with the director's underlying fascination with the collision between the modern, rational world and the primordial mysteries of...( read more  read more... ) older belief systems. In The Last Wave, the keys to an enigmatic murder, as well as baffling disturbances in the weather, are gradually revealed to an Australian lawyer (Richard Chamberlain) within the shadowy, nomadic culture of aborigines living in and around Sydney who until now were presumed to be assimilated into its modern--and white--social fabric. In the process, Weir brings us toward an apocalyptic climax that is foreshadowed with a haunting series of events that cohere around water imagery, from an improbable drowning on dry land to downpours from cloudless skies, sudden hailstorms on the sere Australian land, and ghostly invasions of frogs.

The film's power (as well as what skeptics might regard as its pretension) emanates from Weir's stately, deliberate pace. Violating most of the conventions of suspense, he unravels his mystery with an unsettling calm underscored by its sparse soundtrack, which replaces conventional orchestral cues with the low, brooding rattle and hum of the didgeridoo. Instead of sudden camera movements or quick cuts, Weir circles his subjects almost diffidently. The stillness of that approach only amplifies the mounting unease Chamberlain's character, David Burton, feels as he steps for the first time beyond the bland safety of his privileged life and into the mystical world of the native Australians. Taking on the defense of the aborigines suspected of murdering the drowned man through tribal magic, his own beliefs are tested by the suspects' evident, intuitive connections to nature.

Chamberlain's Anglicized performance seems fussy and epicene, which only heightens the quiet intensity and watchful grace conveyed by the two aborigines, Chris Lee (David Gulpilil) and the shaman, Charlie (Nandjiwarra Amagula), who give Burton his first glimpse of their culture's "dreamtime" and the potent symbolism it contains. --Sam Sutherland

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15 critics

PG, 1 hr. 46 min.

Directed by: Peter Weir

Release Date: December 1, 1977

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DVD Release Date: November 13, 2001

Stats: 153 reviews

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Flixster Reviews (153)


  • February 22, 2009
    Eerie apocalyptic thriller based loosely on Aboriginal mythology and with a none too subtle commentary on man's treatment of the planet.
    Weir's best film besides Fearless (no not the Jet Li movie).
  • November 14, 2008
    Peter Weir is known for some excellent Hollywood commercial films such as Witness, The Year of Living Dangerously and Master and Commander, but earlier in his career he made more challenging films in his native Australia. The Last Wave gives a perspective on law we don't find in ...( read more)Hollywood films.

    Richard Chamberlain gives a great performance as David Burton, a lawyer hired to defend a group of aborigines accused of murder and is drawn into a nightmarish world of customs and folklore, history and the supernatural.
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  • January 7, 2007
    From the director of picnic at hanging rock. well made supernatural thriller, exploring aboriginal dreamtime prophocy
  • October 2, 2009
    Peter Weir explores the mysterious realms of the aboriginals in this intriguing film. Richard Chamberlain stars as a lawyer who becomes involved in defending an aborigine and soons finds himself getting in way over his head.
  • July 25, 2009
    The beginning is what I expected and wanted: creepy, tense, morbid otherworldly behavior from the imagery and mood. The rest is kind of a basic thriller which carries on with its mystery plot and the soundtrack is added in rather cheaply. Substantial, but not evocative as it was ...( read more)crafted to be.
  • March 5, 2009
    1977 Australian lawyer tunes in to aboriginal tribal culture. His dreams predict things, including a massive tidal wave that may destroy his city. Can he prevent the disaster? Watch and see.
  • January 26, 2009
    One of Australian screen culture's greatest achievements- most likely buried and overlooked for it's social and political tilt. Poetic, magical and unsettling.
  • January 25, 2009
    Excelente atmósfera y una trama muy intrigante, pero el personaje central carece de la fuerza interior necesaria. / Excellent atmosphere and intriguing plot, but the central character lacks the inner strength required.
  • December 14, 2008
    A bizzare, dark movie that is interesting , but also a little confusing. The driving force behind the story seems weak at times. I like the overuse of water to drive the theme of the film, but I can't help but think about how much it would have sucked to work on.
  • December 10, 2008
    no thanks not my kinda thing

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  • Which popular actor from the 1970's has NOT become a parody of himself after a wave of embarassing roles in the last decade?  Answer »
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