Das Leben der Anderen (The Lives of Others) (2006)

Featured Audience Ratings

• Bob S

  
  Reminded me of Terry Gilliams's Brazil but with none of the the fantasy elements. And a lot more somber. Somberer. (?) Any one else get that? Also, one of the best last lines ever.

• Daniel P

  
  A film with everything: natural, honest intrigue; freedom of speech questions; a heart-rending love story; a spooky soundtrack; fantastic acting (by Ulrich Muhe). I'll say more later, but simply put: this movie is excellent.

• paul o

  
  A modern-day perfection of The Conversation! The story is touching and strikes you with a back slap of emotion! Watch this if you're a fan of cinema in general!

• Jan Marc M

  
  The Lives Of Others is a film that mesmerizes with its excellent rendition of history pre-Germany and the intellectual resistance in East Germany. A surprising and insightful multifaceted political drama thriller that continuously rewards its audience with genius plot elements and… More
  The Lives Of Others is a film that mesmerizes with its excellent rendition of history pre-Germany and the intellectual resistance in East Germany. A surprising and insightful multifaceted political drama thriller that continuously rewards its audience with genius plot elements and development. A film crafted from wisdom and ideologies, The Lives Of Others is an intelligent masterful work of a genius. Extraordinary.

• familiar s

  
  Awfully awesome. I specifically liked the way the movie is set, and the performance of its lead character Wiesler. Of course, it has some minor flaws, but one should overlook that. After all, I can't be available for everyone everywhere all the time (yeah, even being omnipresent… More
  Awfully awesome. I specifically liked the way the movie is set, and the performance of its lead character Wiesler. Of course, it has some minor flaws, but one should overlook that. After all, I can't be available for everyone everywhere all the time (yeah, even being omnipresent doesn't suffice).

• Jim H

  
  An East German surveillance officer grows to question the GDR regime as he stalks a writer and his actress girlfriend. They say the highest form of flattery is imitation, but I think it's a pretty high compliment to quote someone. So, here is part of what aliceinpunderland wrote… More
  An East German surveillance officer grows to question the GDR regime as he stalks a writer and his actress girlfriend. They say the highest form of flattery is imitation, but I think it's a pretty high compliment to quote someone. So, here is part of what aliceinpunderland wrote about this film: "Ulrich Muhe's stone-face is so quietly complex. I love the scene in the elevator with the little boy. After the boy blithely mentions his father's hatred for the Stasi, Wiesler says, 'What's the name of your...ball?' subtly marking his moral and ethical turning point from stoic agent of Stasi surveillance - and in a sense, criminal justice - to impassioned man, in love with celebrated stage actress, Christa Sieland - both her person and what she represents: the freedom that comes with embodying someone else." I couldn't agree more. Muhle's subtle performance is the highlight of this political drama set a half-decade before the fall of the Berlin Wall. I thought it got a little slow in the second act, and perhaps it can be blamed on the language barrier, but I found some difficulty keeping up with Sieland's comings and goings and whom she was coming and going with (mostly coming). Overall, though, <i>The Lives of Others</i> is a tense, powerful drama, and you won't be disappointed.

• Mike S

  
  Dull in color, yet rich in compelling intrigues. On the surface, it looks like a pretty dreary film, but once you start watching, you'll soon discover that it's anything but. I don't know much about the politics the reigned in East Germany back in 1984, but it's… More
  Dull in color, yet rich in compelling intrigues. On the surface, it looks like a pretty dreary film, but once you start watching, you'll soon discover that it's anything but. I don't know much about the politics the reigned in East Germany back in 1984, but it's quite scary to think that, less than 30 years ago, they had a secret police that exercised torture and privacy-intruding surveillance. I'm thankful I've never had to live through anything like that, and I hope I never will. In any case, this is a splendid drama-thriller from Germany, with superb direction and constantly high suspense. So should you ever be in the mood for an engaging story, that wasn't penned in Hollywood, this is one such alternative I can strongly recommend. Wirklich sehr gut!

• Alice S

  
  An andante-paced thriller about sociopolitical headgames encroaching on intellectual property. Ulrich Muhe's stone-face is so quietly complex. I love the scene in the elevator with the little boy. After the boy blithely mentions his father's hatred for the Stasi, Wiesler… More
  An andante-paced thriller about sociopolitical headgames encroaching on intellectual property. Ulrich Muhe's stone-face is so quietly complex. I love the scene in the elevator with the little boy. After the boy blithely mentions his father's hatred for the Stasi, Wiesler says, "What's the name of your...ball?" subtly marking his moral and ethical turning point from stoic agent of Stasi surveillance - and in a sense, criminal justice - to impassioned man, in love with celebrated stage actress, Christa Sieland - both her person and what she represents: the freedom that comes with embodying someone else.

• Jameson W

  
  A superb, brilliant, magnificent, masterpiece of a film. One of the best I've ever seen. A brilliant story about an East German secret policeman who gets transformed by "The Lives of Others" he is supposed to be monitoring, and in the end he gives up his career in an… More
  A superb, brilliant, magnificent, masterpiece of a film. One of the best I've ever seen. A brilliant story about an East German secret policeman who gets transformed by "The Lives of Others" he is supposed to be monitoring, and in the end he gives up his career in an attempt to spare them from their inevitable fate. I went into this film not knowing anything about it. What I found was a truly remarkable and touching story. Ulrich Muhe as Wiesler and Sebastian Koch as Dreyman stand out as part of the brilliant cast. Also, the music in this film was absolutely fantastic, some of the best music i've heard in any film. It really adds to the intense moments of the film. <br/> <br/>I'm a huge Pan's Labyrinth fan and was very dissapointed that it didn't receive the Oscar for Best Foreign Language Film in 2006, but after viewing this film, I was blown away. This film deserved every amount of praise it got. You absolutely MUST see this film!

• Jason R

  
  So tough to pull off long sustained periods of tension in a movie but The Lives of Others does it over and over again. The performances of the primary actors are so real and believable against the period piece landscape that it's impossible to dissociate the dramatic storyline… More
  So tough to pull off long sustained periods of tension in a movie but The Lives of Others does it over and over again. The performances of the primary actors are so real and believable against the period piece landscape that it's impossible to dissociate the dramatic storyline from a time & place that's easy to forget this side of the Berlin Wall. It's dark, it's deep, and it's sexy. Open up netflix in another tab, I'll wait.

• Randy T

  
  "It is easier to live through someone else than to complete yourself" -Betty Friedan (Doesn't Ulrich Mühe remind you of Kevin Spacey?) <i>The Lives of Others</i> chronicles one man's awakening and his transition from Stasi loyalist to compassionate… More
  "It is easier to live through someone else than to complete yourself" -Betty Friedan (Doesn't Ulrich Mühe remind you of Kevin Spacey?) <i>The Lives of Others</i> chronicles one man's awakening and his transition from Stasi loyalist to compassionate human being. Director Florian Donnersmarck, along with such contemporaries as Oliver Hirschbiegel and Wolfgang Petersen, continues the trend of German film makers who are proving themselves enormously apt at honest self-reflection. This is one gutsy and remarkable film.

• Dan S

  
  A masterfully constructed, expertly acted, and completely enamoring story of a Stasi officer in East-Germany before the fall of the Berlin Wall and how he puts his career on the line for an up-and-coming artist who is suspected of dealing with the West. Not for all tastes, but if… More
  A masterfully constructed, expertly acted, and completely enamoring story of a Stasi officer in East-Germany before the fall of the Berlin Wall and how he puts his career on the line for an up-and-coming artist who is suspected of dealing with the West. Not for all tastes, but if you're an art-house film fan, this is definitely for you. Ulrich Muhe (who died shortly after this movie was made) gives what is required of him, which is a subtle but gripping performance. Not many actors can go two and a half hours and say so little but still have your attention throughout (Richard Jenkins' performance in "The Visitor" comes to mind), but Muhe's character is completely convincing. One of the best films of 2006 without question (although admittedly I still think "The Departed" and "Children of Men" are slightly better films), and one that should definitely be seen.

• Robert C

  
  Sure it's "East Berlin" before the wall came down, but it's 1984! Call me nieve but it really blew my mind that this type of thing was going on still at that late date. But I guess it's still going on (to some extent) in many countries. An… More
  Sure it's "East Berlin" before the wall came down, but it's 1984! Call me nieve but it really blew my mind that this type of thing was going on still at that late date. But I guess it's still going on (to some extent) in many countries. An interesting peek at the seedy underbelly that always seems to taint the otherwise idealistic fundamentals of Socialism and a gentle reminder of just how much we (Capitalists) took/take for granted. This was a really good story told in a very subtle (yet powerful) way, by an exceptional cast and director. Having said this...I still think that Pan's Labyrinth was the more (all around)impressive film (of that year) and more worthy of the Oscar win.

• Jeremy S

  
  The Lives Of Others is stunning! A film not to be missed, one of the best of 2006.

• Anthony L

  
  A fantastic film! Easily the best I?ve seen in a long time. Everything about this film is sublime, its perfect! The ending has to be in my top 10 best of all time. Highly recommended!

• Pierluigi P

  
  Writer/director Florian Henckel von Donnersmarck chose the perfect year to start his film, the Orwellian 1984, in the last gasps of the east german apparat. Somber, deeply moving, full of anxiety and with an incredibly subtle and engaging performance by Ulrich Mühe.

• E.J. B

  
  I can't think of an espionage thriller that is more tense and well-balanced than this almost pitch perfect film from Germany.

• Bruce B

  
  A good film, true story??? But it shows how the GDR was like before the wall came down. Great acting, Had to pat attention and read the subtitles. Glad I rented it, didn't like it at first as it was slow, but after about 45 min I was stuck to the TV.

• Lorenzo v

  
  <i>"Before the Fall of the Berlin Wall, East Germany's Secret Police Listened to Your Secrets"</i> A man who has devoted his life to ferreting out "dangerous" characters is thrown into a quandary when he investigates a man who poses no threat in… More
  <i>"Before the Fall of the Berlin Wall, East Germany's Secret Police Listened to Your Secrets"</i> A man who has devoted his life to ferreting out "dangerous" characters is thrown into a quandary when he investigates a man who poses no threat in this drama, the first feature from German filmmaker Florian Henckel von Donnersmarck. It's 1984, and Capt. Gerd Wiesler (Ulrich Mühe) is an agent of the Stasi, the East German Secret Police. Weisler carefully and dispassionately investigates people who might be deemed some sort of threat to the state. Shortly after Weisler's former classmate, Lt. Col. Grubitz (Ulrich Tukur), invites him to a theatrical piece by celebrated East German playwright Georg Dreyman (Sebastian Koch), Minister Bruno Hempf (Thomas Thieme) informs Weisler that he suspects Dreyman of political dissidence, and wonders if this renowned patriot is all that he seems to be. As it turns out, Hempf has something of an ulterior motive for trying to pin something on Dreyman: a deep-seated infatuation with Christa-Maria Sieland (Martina Gedeck), Dreyman's girlfriend. Nevertheless, Grubitz, who is anxious to further his career, appoints Weisler to spy on the gentleman with his help. Weisler plants listening devices in Dreyman's apartment and begins shadowing the writer. As Weisler monitors Dreyman's daily life, however (from a secret surveillance station in the gentleman's attic), he discovers the writer is one of the few East Germans who genuinely believes in his leaders. This changes over time, however, as Dreyman discovers that Christa-Maria is being blackmailed into a sexual relationship with Hempf, and one of Dreyman's friends, stage director Albert Jerska (Volkmar Kleinert), is driven to suicide after himself being blackballed by the government. Dreyman's loyalty thus shifts away from the East German government, and he anonymously posts an anti-establishment piece in a major newspaper which rouses the fury of government officials. Meanwhile, Weisler becomes deeply emotionally drawn into the lives of Dreyman and Sieland, and becomes something of an anti-establishment figure himself, embracing freedom of thought and expression. A major box-office success in Germany, Das Leben der Anderen (aka The Lives of Others) received its North American premiere at the 2006 Toronto Film Festival. <b><u>Review</u></b> The Lives of Others can only be described in one word: <b>Hervorragende </b>, which is 'outstanding' in German, I think. Set five years before the fall of the Berlin Wall, the Stasi (or Secret Police) listened to all your secrets, no one is spared. But when a Stasi officer is put to the test, he must decide if whether he must put his job on the line to do what really is right or be lost in the corruption in a poisoned society forever. The authenticity of the film was top notch which I found very satisfying and top to that a very engaging script and a grim mood & atmosphere. The impressive acting sealed the deal for me with stellar performances from veteran German actors Ulrich Mühe, Martina Gedeck and Sebastian Koch. Ulrich Mühe, who looks a lot like Kevin Spacey, captivates the audience with his ice steel character and commanding presence. If you're into films from around the world and such, then this is a must-see.

• Lady D

  
  A powerful film, but one I feel needs the knowledge of politics in Germany during the 80?s (something I?m not really up to date on). My lack of knowledge on the subject, made this film quite tough to follow until parts were revealed at the end. Strong storyline and performed well.

Read all 20 featured audience ratings