Marjorie Yates, Leigh McCormack, Anthony Watson, Nicholas Lamont

The Long Day Closes is the story of eleven-year-old "Bud." A sad and lonely boy, Bud struggles through his days. With cinema as his main source of solace, he haunts the local movie-house. All the whil...( read more  read more... )e, his family looms large in our peripheral vision as do the menacing bullies of his school, but Bud is the center of attention both from the camera's angle and from his doting family. With a gray background, the film fuses clips and audio from classic movies into Bud's dreary childhood and brings it to life with an elegance Bach would bring to your home movies. The overall effect is a montage of memory which seems to ignite flashes of recognition in the viewer.

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89% liked it

200 ratings

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67% liked it

6 critics

PG, 1 hr. 22 min.

Directed by: Terence Davies

Release Date: September 12, 1992

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Flixster Reviews (39)


  • January 16, 2009
    Continuing with the autobiographical memoir of Distant Voices, Still Lives, this is even more poetic and abstract remembrance of Davies' childhood. While it abandons the stream of conscious structure of DVSL, and focuses only on one character, it is no less formally impressive. D...( read more)avies was clearly a fan of classic Hollywood and this is his ode to it. He uses a lot of sound clips creatively from films like The Magnificient Amberson, Meet Me in St. Louis, but since I haven't seen them I do not always get how cleverly he uses them. Also I was not as emotionally moved as DVSL because the characters are held as arm's length. It's more of an impressionistic series of scenes than any sort of narrative, filled with lyrical, even surreal moments.
  • December 8, 2007
    A follow up to the excellent 'Distant Voices, Still Lives' and, for me, an even better film.
    I haven't seen either film for many years but both films left a profound emotional effect on me. The Long Day Closes (as with Distant Voices) has quite a loose narrative structure and h...( read more)as no plot as such. It's more a kind of meditation on memory, especially of childhood and working-class family life and it is quite heavy with nostalgia. In some sequences there is very little happening, becoming more abstract. But that's the beauty of it - it's deeply cinematic and it draws you into it's spell and I find it deeply moving.
    Terence Davies has only made a handful of films, I have only seen three and they are magnificent. The other film of his I have seen, The House of Mirth, he gave us a performance by Gillian Anderson that was so incredibly moving it made me realise how much she has been wasted all the years she was tied to playing Dana Skully in The X Files!
    I just wish Davies would make more films!
  • October 6, 2009
    This film, the sequel to Distant Voices, Still Lives, takes up the story of director Terence Davies' childhood in 1956, a few years after the death of his father. Compared to the earlier film, it is a much lighter, more optimistic work (one need only contrast the Hollywood-fantas...( read more)y Christmas dinner with the analogous scene in Distant Voices), but still Bud, Davies' alter ego, is a lonely child, isolated in a fantasy world constructed out of popular songs, snatches of movie dialogue and faintly homoerotic Catholic iconography.

    The style of the film is a fascinating blend between an unwavering naturalism in the performances, and a suggestively unreal stylisation in much of the mise-en-scene, as when church becomes cinema in a memorable overhead tracking shot. These allegorical leaps allow the film to escape the confines of strictly historical and autobiographical authenticity, and attain a near-mythological universality - this is the childhood not just of Terence Davies, but of anyone who has ever sat in a cinema, anyone who has ever dreamed.

    EUFS
  • July 11, 2009
    Another great movie by Terence Davies. It's too bad he makes so few movies.The cinematography is brilliant. Apparently this movie got a 10 minute standing ovation when it opened at the Cannes Film Festival. I can see why.
  • February 17, 2009
    The Long Day Closes, directed by Terence Davies is a slow affair and carries a still feel throughout the film. The film is part autobiograhical and despite there being not much dialogue or words spoken in this film every thing is described through the imagery, camera angles and c...( read more)arefully selected music for the sound track. It recalls childhood very well. This will definitely not cater to everybodies taste but will be rewarding and thoughtful to those of the right matureity for the film.
  • January 23, 2009
    well umn just seen this movie 4 the 1st time n think that this is a good movie 2 watch...its got a good cast of actors/actressess throguhout this movie...i think that marjorie yates plays a good part throughout this movie i think that the director of this kids/family/drama movie ...( read more)had done a good job of directing this movie because you never know what 2 expect throughout this movie its a really powerful movie 2 watch but its a good movie 2 watch n its enjoyable thorughout this movie
  • October 22, 2008
    A hallucinatory synaptic journey that finds breathtaking realism in surrealism. The film is constructed like a series of memories, where music acts as a bridge that defies space and time. It is instantly more realistic because of it's extreme stylization. Must see for all seri...( read more)ous film lovers.
  • July 31, 2008
    Truly wonderful film. At last now out on dvd. Cinema doesn't get any better than this.

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