Anita Sharp-Bolster, Doris Dowling, Frank Faylen

"I'm not a drinker--I'm a drunk." These words, and the serious message behind them, were still potent enough in 1945 to shock audiences flocking to The Lost Weekend. The speaker is Don Birnam (...( read more  read more... )Ray Milland), a handsome, talented, articulate alcoholic. The (best screenplay Oscar winning) writing team of producer Charles Brackett and director Billy Wilder pull no punches in their depiction of Birnam's massive weekend bender, a tailspin that finds him reeling from his favorite watering hole to Bellevue Hospital. Location shooting in New York helps the street-level atmosphere, especially a sequence in which Birnam, a budding writer, tries to hock his typewriter for booze money. He desperately staggers past shuttered storefronts--it's Yom Kippur, and the pawnshops are closed. Milland, previously known as a lightweight leading man (he'd starred in Wilder's hilarious The Major and the Minor three years earlier), burrows convincingly under the skin of the character, whether waxing poetic about the escape of drinking or screaming his lungs out in the D.T.'s sequence. Wilder, having just made the ultra-noir Double Indemnity, brought a new kind of frankness and darkness to Hollywood's treatment of a social problem. At first the film may have seemed too bold; Paramount Pictures nearly killed the release of the picture after it tested poorly with preview audiences. But once in release, The Lost Weekend became a substantial hit, and won four Oscars: for picture, director, screenplay, and actor. --Robert Horton

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86% liked it

6,225 ratings

Unrated, 101 min.

Directed by: Billy Wilder

Release Date: November 16, 1945

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DVD Release Date: February 6, 2001

Stats: 402 reviews

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Flixster Reviews (402)


  • July 22, 2009
    I'm not sure whether I should cheer or cry. Here we have Ray Milland in a performance for the ages and we don't see anything else like this from him before or since. Was it just a part he could really sink his teeth into or was he not given other chances to carry a significant fi...( read more)lm in a lead role? Yes, I know he appeared in many motion pictures before and after The Lost Weekend, but none of them showcased his talent the way this one did. If he'd had more movies like this one we would all be talking about Ray Milland the way we talk about William Holden or John Garfield. I don't think there is much to argue about when it comes to picking the best performance of Milland's long career - this is it!
  • January 12, 2008
    billy wilder adapts a much less moralistic perspective to interpret the tumultous mental odyssey of an achoholic in "the lost weekend" which gains the academy award of best actor for ray milland.

    the tale whirls around don (milland), a former burgeoning genius writer who cann...( read more)ot shake off his creative block, drowned in the bliss of binge without hopeful redemption despite his patronizing brother and selflessly nuturing girlfriend(wyman) are continuously reaching their aiding hands to him. now don is left alone in the weekend due to his drunken neglectance to partake in trip of rural holidays with his sibling. what would become of him then? in this seemingly tormenting long lost weekend?

    what differentiates "the lost weekend" is its audacity to reveal the brazen pleasure of being alcoholic, under the analytical description of an eloquently literate protagonist who bares his sins as if they're badges. as he remarks to the bartender, "please let me keep my vicious circle" which means the wet spot of a glass of liquor. this drunk has a deviant sense of humor to exhibit his reveries of booze life, and he even amuses himself with the assumption of publishing a book called "the bottle"...but he's also self-aware enough to perceive the severe guilt inside him, and he rebuffs everyone who shows a concern about him, especially his loving girlfriend, and selects the road of self-caused doom aloofly instead.

    don is a character who could arouse audience's emphathetic compassion. even as a degenerated drunk, he remains a dignity of his own, such as the scenario that he commit thievery to pay for his booze, he obtains just enough amount from the lady's purse and even replaces the partial lost sum with a carnation, footnoted with his comment "this is a flower for a kind lady"...also this naivety makes him an adorable character worthy of pity. the flick also takes a gloomily shady angle of macabre deliria brought by overdosed alcoholism by baring the merciless side of hospitalizing in the asylum, but don still insists on "no postcard to the family" for the sake of his residued pride. as don is haullucinating over a bat haunting over his apartment when his gf breaks in the door, the discomfiture climaxes to the most unbearable humuliation that leads him to the approach of suicide to terminate his sadly worthless life....so..the ultimate question would be...to be or not to be?

    the existence of don's patient girlfriend with enormous maternal love (also his fatherly brother) is a sign of alcoholic profile in freud psychology, and another sign is don's apparently pleasant temperant. he combines the traits of infantile fixation over parental depedence and people-pleaser compliance....this is just incidental but wilder's direction makes it more of a repentant freewheeling diaries than a preachy melodrama on alcoholism despite this issue is dated since people nowaday are too hectic on resisting much more violatile substances. there's also something unique about the music score, everytime when the demon of alcoholism possesses don, the background tune goes eerie with a jarring monotonic melody which is very adequately applied.

    "the lost weekend" is another conquered territory for billy wilder after he makes the legendarily noirish "double indemnity"...this flick is a firmly steady proof of wilder's brillaint versatility.
  • October 18, 2007
    These social issue movies from the 40's really impressed me. Maybe it's cause I'm kinda naive and as I watched these award winners in roughly chronological order, it was as if I was viewing it with the eyes of the original 1945 audience. The topic and its portrayal was shocking...( read more) and powerful, whereas by today's standards it would be tame. Someone had to deal with alcoholism back then though so we could get to the point we are today (and deal with today's issues). The filmmakers presented it very well in my opinion.
  • July 10, 2007
    A stunning film that has just as much of an impact now as it probably did back in 1945. Ray Milland is phenominal in the lead role and Billy Wilder adds yet another great film to his LONG list of accomplishments. One of my top 25 films. Everyone needs to see this.
  • May 2, 2007
    An alcoholic's terrifying weekend alone with a bottle. Ray Milland won an Oscar for this and deserved it.
  • November 1, 2009
    It is mentioned, in the short review of "The Lost Weekend" by Robert Horton that Ray Milland's got under the skin of the alcocholic Don Birnham in order to play the leading character. His award winning performance has it's way of getting under yours, too. The honesty of the scrip...( read more)t gives the story an immediacy that's startling and it makes the film feel relevant even by today's standards. For a motion picture that won 4 Oscars, it sure carries a lot of baggage; the fact that it still delivers, justifies the weight.
  • September 24, 2009
    I am not drunk but the world is drunk...........
  • September 17, 2009
    Really depressing film about a weekend in the life of a drunk. The thing is, I like depressing and felt this was overall a very well acted and well written film. I liked the idea of a writer who never writes anything, but the great thing about Ray Milland's towering performance (...( read more)Come here!) is that you actually believe that if this guy actually took the time, sat down, and wrote something, it would probably be pretty good. And this is one of the first films that I have seen in a long time that deals with this struggle very well. I do have to say that the whole bat attacking the rat bit was hard to watch without laughing. Mostly because of how it looked so cheap, but also because I was shit faced.
  • September 7, 2009
    A very dark movie, especially for its time. It explores the struggles of an alcoholic. Ray Milland's performance was good, but besides his alcoholism, there really isn't much else going on here. It's a straight-forward storyline, with all the other characters being 1-dimensional,...( read more) seeming to be there only to serve the plot of Milland's alcoholism.
  • August 24, 2009
    Frightening film featuring an amazing performance from Milland.

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The Lost Weekend Trivia


  • Who directed the The Lost Weekend?  Answer »
  • The following movies were nominated for an Academy Award for Best Motion Picture in 1945. Which movie won the Oscar? HINT: you might find it at Bernie's  Answer »
  • Which of these films, nominated in 1946, took home the Oscar for Best Picture?   Answer »
  • When alcoholic Ray Milland starts suffering from the DTs in The Lost Weekend, what creatures does he imagine he's seeing?  Answer »

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