Agnes Moorehead, Anne Baxter, Dolores Costello

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88% liked it

4,560 ratings

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96% liked it

23 critics

Unrated, 1 hr. 28 min.

Directed by: Freddie Fleck, Orson Welles, Robert Wise

Release Date: July 10, 1942

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Flixster Reviews (282)


  • January 31, 2007
    Boring, pretentious, and overblown, the Magnificent Ambersons is a film that is heralded as all time great, but the arguement wanes at constant points. The plot for this film, while conceptually acceptable, becomes muffled in a film that makes the growing of grass seem like a mor...( read more)e interesting way to spend a few hours. But, why is this film so highly regarded, you are asking? Because of Orson Welles, who remains in the bosoms of so many film critics. His direction in this piece is good, no doubts there, but all other aspects of the film deteriorate swiftly, and ironically, in this piece. I may need another, more in-depth, viewing to make final judgements, but this film is a big dissapointment.
  • November 3, 2006
    Stunning visuals and camera angles. Possibly the most boring and least driven story ever.
  • September 29, 2009
    Classic film. Wells at his best here.
  • September 25, 2009
    Has it's share of flaws, but overall it's a solid effort from Welles.
  • September 19, 2009
    While this didn't grab me as completely as Citizen Kane, it's still an engrossing saga of a wealthy family brought low, interesting even if our window into said family is through the spoiled douche-baggery of the only son Georgie. He begins the film a petulant child, and grows i...( read more)nto a selfish man who is hellbent on keeping his widowed mother single in spite of the love she truly feels for another man.

    Well worth a look, and one must lament that Welles' true vision for the film was never realized.
  • September 12, 2009
    Orson Welles' first film following Citizen Kane is, as the title suggests, magnificent. The atmosphere is remarkable, the period detail is flawless, superb cinematography, editing and art direction. Stylish and way ahead of its time. Fascinating screenplay. The entire cast is gre...( read more)at, especially Agnes Moorehead. I do think better casting would have put it in the same league as Citizen Kane.
  • June 16, 2009
    The sheer ambition of Orson Welles projects is always exciting to witness, and this film is a prime example of bold ideas. It's a picture full of intricate character relationships and conflicts imbedded into an engrossing story, but unfortunately the interference of studio execut...( read more)ives prevents it from being the masterpiece it deserves to be. RKO chopped off a substantial amount of the film's content, and it is very noticable. The film moves more briskly than it should, and doesn't provide enough emphasis at times. It does do some damage to the overall effect, but it doesn't prevent it from being a remarkable feat. Welles gives the story a glossy appearance with his trademark technical mastery, and almost any film buff will relish some of the things he achieves with a camera.
  • June 1, 2009
    story has not aged well but many scenes of technical brilliance.
  • April 9, 2009
    The flawed masterpiece. Not so much Welles' fault but rather the studio that intervened. Still, what remains is undeniably impressive and hugely ambitious.
  • January 25, 2009
    Excelente. Mejor incluso que CITIZEN KANE. Una película hecha con inspiración, aún cuando RKO reeditó la película a su manera. / Excellent. Even better than CITIZEN KANE. A movie made with inspiration, even if RKO later reedited it in its own way.

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The Magnificent Ambersons Trivia


  • Citizen Kane was the first film Orson Welles made, but what was his second?  Answer »
  • Who directed the movies Citizen Kane, Touch of Evil and The Magnificent Ambersons?  Answer »
  • ***Of Which Film Did Orson Welles Say, "The Studio Are Cutting My Movie With A Lawnmower***  Answer »
  • After "Citizen Kane", what was the only movie that Orsen Welles was nominated for an Oscar?  Answer »

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