The Man Who Wasn't There

The Man Who Wasn't There

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The Man Who Wasn't There

Billy Bob Thornton, Frances McDormand, Michael Badalucco, James Gandolfini, Katherine Borowitz

A laconic, chain-smoking barber blackmails his wife's boss and lover for money to invest in dry cleaning, but his plan goes terribly wrong.

Id: 10833187

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Recent Reviews


  • November 24, 2009
    More great period detail and jargon from the Coen Brothers. McDormand and Shalhoub stand out. Johansson and Jenkins are wasted. Shalhoub's lawyer brings up the post-modern uncertainty principle, so it shares something with A Serious Man, which I loved. However, I didn't get t...( read more)he deep meaning of men's hairstyles and cutting hair. Thornton is too stone faced and monosyllabic to build any interest in his character. The conflicts do not ramp up enough as the story progresses.
  • September 3, 2009
    The Coen's most beautifully directed film, hands down. The smooth black and white finish is sublime. Thornton is fantastic, in what I believe to be his best role to date (Just beating his character in sling blade). The whole cast are on top form and for me, this has my favourite ...( read more)Coen film ending.
  • October 25, 2008
    When I saw The Man Who Wasn't There in the theater I was incredibly disappointed. Not enough of the Coens' trademarked weirdness and way too much wayward boredom. Since 2001 I've grown a whole new appreciation for film noir (which The Man Who Wasn't There pays homage to almost pe...( read more)rfectly) and thought I might have a whole different perspective on the film.

    Unfortunately not.

    The Man Who Wasn't There bored me to tears just as badly as it did in its initial run I'm sorry to say. The story is still too quiet and subdued for me to see how anyone can possibly be interested in it, but Roger Deakins' photography is nothing short of brilliant and breathtaking.
  • August 12, 2008
    a little work of art. first of all brilliant acting from the whole cast even though it's not even needed when you've got a story as powerful as this one. second of all i was waiting ages hoping that one day i'd see a coen brothers film that lived up to the standards of fargo. thi...( read more)s was just as good! forget the newer no country for old men. this is much much better
  • May 25, 2008
    Slow, odd and morose neo noir, with a unusually quiet, restrained but remarkable performance by Billy Bob Thornton. Roger Deakins' cinematography, although too flashy for my taste (in the context of the story) is a undeniably strong point.
  • December 10, 2009
    peace_1oneil@yahoo.com
    Hello!!!
    My name is peace,i saw your profile today at site çwww.flixster.com/ and became intrested in you,i will also like to know you the more,and i want you to send an email to my email address so i can give you my picture for you to know whom i am.Here...( read more) is my email address (peace_1oneil@yahoo.com) believe we can move from here!I am waiting for your mail to my email address above.(Remeber the distance, colour or language does not matter but love matters alot in life.
  • November 26, 2009
    The more Coens films you watch, the more you start to realise how they're all interconnected. Each one a new piece to add to the jigsaw. And when I finally complete the jigsaw, it'll be a picture of a man having a wank.

    Also, the Coens discovered that there's something irrefut...( read more)ably creepy about filming scenes in hotel rooms. Fair play to them.
  • November 7, 2009
    A tribute and homage to film noir and classic cinema. Billy Bob Thornton's narration makes this depressing, dark humor film something very extraordinary. The movie is idea-driven (on existentialism of a modern man) and not plot-driven which may explain its slow pacing. Music scor...( read more)e is perfect for the film's tone. Not Coen's best but definitely the most underrated film from the brothers.
  • October 13, 2009
    Et voila - homage to Film Noir Coen-style. Bold lighting gives the viewer a pallet of shadows and textures in a visual treat which draws them into a black and white world of complex yet understated characters through which complications within relationships are explored. In true ...( read more)Coen fashion, the story appears simple and straightforward on the surface but quickly morphs into a progressively convoluted series of events, which mirror the chain reaction set off by Ed Crane's initial lie. Thornton's low-key performance as Ed speaks volumes and can easily be ranked as amongst his best, while Frances McDormand perfectly fills Doris Crane's sassy stilettos. Whereas the ending may appear bleak to most, it's important to put it in context of Ed's character arc which, though ambiguous at first, revolves around his detached attitude towards Doris. Initially unable to communicate his feelings to her, or even himself, he comes to realize that he truly does love her, and in true existential manner, finds his final moments uplifting with the notion of being able to finally spill his heart to her face-to-face.
  • October 5, 2009
    One of the Coens most underrated films. A perfect homage to the Film Noir. From the visuals, to the score, to the impeccable cast, this film is perfect. Completely understated and utterly hilarious. Billy Bob Thornton is frighteningly watchable. Seeing this film again, makes me r...( read more)ealize that there isn't a wasted moment in the entire movie. In fact, that's one of the greatest trademarks of the Coens' greatest films: EVERY scene is dynamite. Just when one great little sequence ends, yet another gem appears. How do they do it? Pure genius.

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