Critic Reviews
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Tom Huddlestone, Time Out
A flawed but decidedly promising first movie.
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Bill Goodykoontz, Arizona Republic
Keaton builds the tension nicely. Payoffs aren't as important to him as establishing a mood, a tone (mostly bleak). Patient, at times to a fault, he allows the characters to build over time.
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Tom Long, Detroit News
Michael Keaton the actor should work with Michael Keaton the director more.
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Jeff Shannon, Seattle Times
As an actor and now as a promising first-time director, Keaton's keen instincts serve him well.
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Desson Thomson, Washington Post
With just a few tweaks, The Merry Gentleman could have made a wickedly funny parody of the over-earnest, lyrically hard-edged indie movie. But it's too late for do-overs.
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Steven Rea, Philadelphia Inquirer
A sly and surprisingly sublime little noir romance, which marks the directing debut of Michael Keaton.
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Adam Lippe, Examiner.com
It is a slow film, which could work, if it eventually became intriguing, but all we get is a showcase for annoying people who would have nothing in their lives, if they weren't already in a movie.
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Edward Porter, Sunday Times (UK)
The subdued relationship that develops between the two characters is out of balance with the fanciful contrivances that bring them together.
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Philip French, Observer [UK]
There are undercurrents of a Catholic kind about grace and redemption.
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Angie Errigo, Empire Magazine
Despite memorable scenes, the narrative's aim is never clear: is this a crime drama, dark comedy or a May-December romance?
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Kevin Maher, Times [UK]
The film never quite convinces as anything other than a puff-piece for Keaton, but it is bolstered by another deeply empathetic turn from Macdonald.
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Xan Brooks, Guardian [UK]
[Michael Keaton is] the pained and taciturn star of a pained and taciturn drama.
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Tim Robey, Daily Telegraph
In a word: awful.
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Josh Winning, Little White Lies
Keaton the director wisely draws a leaf from Clint Eastwood's book. Keeping the framing neat, his style is the kind of unobtrusive classical filmmaking that is a dying breed in contemporary Hollywood.
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Ben Rawson-Jones, Digital Spy
The only merriment that The Merry Gentleman delivers is through Michael Keaton's masterful direction and the performances of the two leads. It's perfectly watchable, but the story lacks the content and incident to deliver an emotional punch.
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Kevin Harley, Total Film
Part tastefully muted, part plain morose, Keaton's direction styles this as a character study of hearts in winter. But it doesn't wash.
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Derek Malcolm, This is London
We are never quite sure whether this is a thriller or a dark romance, but Keaton conjures up some excellent scenes and allows Macdonald the chance to shine.
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David Aldridge, Radio Times
MacDonald's perky performance is a distinct plus, especially because Keaton's character is so enigmatic he's unfathomable, while the movie's lack of pace is only partly offset by some very subtle camerawork.
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Nigel Andrews, Financial Times
Keaton is good, McDonald with her spooky equanimity and still-waters profundity even better. Sartre's Huis Clos? Forget that. This is hell, as moodily atmospheric as low-budget screen infernos get.
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Anthony Quinn, Independent
Michael Keaton's directorial debut is a low-key character study which just about survives its odd shifts of tone.
Read all 23 critic reviews
Featured Audience Ratings
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Frank Logan: You find presents under a tree. I found a girl.
Kate Frazier: You must have been a very good boy.
"A man with a secret. A woman with a past."
Despite its flaws, I really liked The Merry Gentleman because of its uniqueness and because it was one of the oddest… More
Frank Logan: You find presents under a tree. I found a girl.
Kate Frazier: You must have been a very good boy.
"A man with a secret. A woman with a past."
Despite its flaws, I really liked The Merry Gentleman because of its uniqueness and because it was one of the oddest emotional movies I have seen in awhile. It was oddly emotional because the characters don't show too much emotion, but Michael Keaton's direction dictates the emotional feeling of the film. Everything about the movie had a feeling of dreariness.there really was no cheerfulness to be had and I think that's what made the relationship between Kate and Frank all the more emotional.
The movie revolves around two people. A sweet young woman Kate, and a killer, Frank. Kate sees Frank on top of a roof after killing someone but doesn't see his face. She is questioned by police about the incident, but she can't really give the anything because he was to far away. Then the two actually meet and begin to become friends. There's no real plot to begin with, but the movie does do some great things with the characters. I love the way Keaton played with the viewer about Kate's past and her black eye. She would always give a different answer, but everyone really knows what it is.
I liked Keaton as an actor and as a director with this film, but what really sold me on it was Kelly MacDonald. I loved her performance. She was so subtle with all the large emotions that were going on in her characters life and made the movie all the more effective. The relationship between her character and Keaton's was oddly believable. Now that I really think about the movie, everything was odd. It isn't like a normal crime drama, because it isn't really about the crime.
It is easy to see why this movie is hard to like. It is slow, it is bleak the actors show no emotions, and the ending doesn't really feel like an ending. But Keaton didn't set out to make a movie that would be easy to like. He did a great job with a movie that is character driven, with two less than exciting characters. I don't know how he did it, but he did.
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Cast: Michael Keaton, Kelly Macdonald, Tom Bastounes, Bobby Cannavale, Darlene Hunt, Guy Van Swearingen, William Dick, Jay Disney, Randall Jones, Debbi Burns
Director: Michael Keaton
Summary: Kelly Macdonald stars as a young wife who escapes an abusive marriage to begin a new… More
Cast: Michael Keaton, Kelly Macdonald, Tom Bastounes, Bobby Cannavale, Darlene Hunt, Guy Van Swearingen, William Dick, Jay Disney, Randall Jones, Debbi Burns
Director: Michael Keaton
Summary: Kelly Macdonald stars as a young wife who escapes an abusive marriage to begin a new life on her own. But when she finds herself a witness to a murder, she develops an unusual bond with a glum hit man. Beloved actor Michael Keaton makes his directorial debut with this quirky drama from a script by Ron Lazzeretti.
My Thoughts: "It was a quiet slow paced film. Not much action as I had thought there might be considering the film is about a hit man. But I still enjoyed it. Didn't really have much of any character development, but you kinda got a feel of their background by some of the remarks they make. It was an odd romantic film. Don't know if I liked the ending or not.. But it was worth the rental, and I think Michael Keaton did a great job on his first time directing a film. He was good in the movie as well. It's worth a watch."
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Frank Logan: I found a girl under a Christmas tree.
I managed to catch a commercial for this film randomly and saw a chance to support Michael Keaton at the theater. Not only does he star in this little indie film, but he served as director as well. Its a drama concerning a man with… More
Frank Logan: I found a girl under a Christmas tree.
I managed to catch a commercial for this film randomly and saw a chance to support Michael Keaton at the theater. Not only does he star in this little indie film, but he served as director as well. Its a drama concerning a man with a secret profession and a woman with a dark past finding each other.
Keaton plays Frank Logan, a suicidal hit man with a nasty cough. The film is set in the big city during Christmas season, and its very apparent that Frank doesn't enjoy his life. Frank's activities bring him into the life of Kate, played by Kelly Macdonald and using her Scottish accent for a change, a woman new to the city with a black eye.
One night, Kate spots a man about to possibly jump from the top of a building. She screams, he doesn't. The next day a couple of detectives question her about a murder that took place in her building, opposite the one with the man on the roof. Soon after that, Kate and Frank stumble upon each other, eventually forming a relationship of sorts.
The story turns into a sort of love triangle between these two characters and a detective. Its a different kind of drama that applies the awkwardness of human interaction with a deadly streak underneath it all. The movie very much downplays any thriller aspects that could emerge from Frank's profession. Instead, its a slow burn that applies real human drama to the situations.
The movie is very well made as well as offbeat, but its limited opening is certainly a sign that this movie wont be for everyone. That being said, I'm a fan of Michael Keaton and it would be nice to see him get larger film roles in the future. Both he and Macdonald are great in this film.
Kate Frazier: You may be the sweetest man I've ever met.
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In "The Merry Gentleman," Kate(Kelly MacDonald) has a black eye and has just started work as a receptionist. During the holidays, she spots Frank(Michael Keaton, who also directed) on a ledge. Thinking he is about to jump, she yells out, which almost does the job but he… More
In "The Merry Gentleman," Kate(Kelly MacDonald) has a black eye and has just started work as a receptionist. During the holidays, she spots Frank(Michael Keaton, who also directed) on a ledge. Thinking he is about to jump, she yells out, which almost does the job but he falls backward to safety, instead of forwards. What she does not know is that he is a tailor with a side job as a hit man and had just killed someone when she saw him. When they finally meet, it is his job to save her when she is trapped underneath a Christmas tree.
"The Merry Gentleman" is a frustrating movie that even Kelly MacDonald's immense charm and a superb turn from Bobby Cannavale cannot save, as the movie puts all of its cards on the table from the start. Whereas Michael Keaton is a very skilled actor, his talents do not apparently extend to directing, as the movie suffers from more than its share of tonal problems, as it is nowhere near as dark and brooding as it should be considering the subject matter. However, the holiday setting does set up some interesting thoughts on the possibility of redemption but does not consider why some people and not others.
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Reminiscent of the superior Last Lullaby, Merry Gentleman is beautifully shot, with Keaton giving a very nuanced performance. Its' biggest drawback, however, is a significant one; the pace is best described as glacially slow.
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Micheal Keaton's The Merry Gentleman, was a movie for Lifetime Television. Kelly McDonald's role was a silly one, and her character did not do any good to get the audience to like her. Michael Keaton played a professional hit-man, though we never knew for who, or why,or even… More
Micheal Keaton's The Merry Gentleman, was a movie for Lifetime Television. Kelly McDonald's role was a silly one, and her character did not do any good to get the audience to like her. Michael Keaton played a professional hit-man, though we never knew for who, or why,or even anything about his targets. All we know was that he appeared to be sad about what he was doing. There was never enough of anyone's life to really dig into and the look and tone of the movie was just messy.The result was, it turned into a mixture of different styles that belong in different movies.It looked like the movie did not know what it wanted to be, a drama, sometimes a comedy,or a thriller?
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A reasonable movie with shortcomings. It is not bad but is missing in natural flow in communication and movement. The background people eating and talking in restaurants and other places in the background were better actors at times. Keaton as director tried to create a weird… More
A reasonable movie with shortcomings. It is not bad but is missing in natural flow in communication and movement. The background people eating and talking in restaurants and other places in the background were better actors at times. Keaton as director tried to create a weird atmosphere by being slow and sleepy.
It started slow and got better towards the end. It had interesting surprises next to being predictable as well.
Liked the way it ended very much, last scene suited the movie very well, really in touch with the present moment.
I have seen a lot worse by directors with bigger reputation.
Read all 7 featured audience ratings
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