Adelaide Klein, Barry Fitzgerald, Don Taylor

Attractive blonde model Jean Dexter is murdered in her apartment and homicide detectives Dan Muldoon and Jimmy Halloran take on the case. Their investigation ties the model's death to a string of apar...( read more  read more... )tment burglaries.

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78% liked it

2,106 ratings

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92% liked it

12 critics

Unrated, 1 hr. 36 min.

Directed by: Jules Dassin

Release Date: March 4, 1948

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DVD Release Date: March 20, 2007

Stats: 204 reviews

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Flixster Reviews (204)


  • June 27, 2009
    Modern film-goers take much for granted - our cinemas are so packed with high-octane exercises in special effects and pyrotechnics that an explosion or two seems to be a guarantee for the price of a ticket. But, in a limitless world of film, it's easy to overlook some of the grea...( read more)t advancements in cinema history. "The Naked City", directed by Jules Dassin, is an important film in that it's credited as one of the first to ever use all on-location shooting. Prior to it's release, most films would be shot in controlled environments to overcome issues such as sound recording - location shooting was awkward, and a bit of a last resort. The effect is a documentary-style look at New York, a love-letter so romantic that it's as if Woody Allen lended his efforts to this standard police procedural.

    The film is narrated by producer Mark Hellinger, who died before the film was released. He tells us that this is a film unlike anything we've seen before (we've seen plenty since). We get short vignettes of city folk - from radio DJ's to street sweepers, and finally we get another glimpse into the life of a woman being murdered. We see the two criminals drown her prior to one of them killing the other for being an unreliable drunkard.

    Lieutenant Dan Muldoon (Barry Fitzgerald) is the veteran detective assigned to the case alongside an upstart, James Halloran (Don Taylor). The plot unfolds like every episode of a television crime drama you've ever seen - the wily detective tracks clues, follows leads that take him nowhere, and interviews suspects who can't get their stories straight. One of them is Frank Niles (Howard Duff), a spoiled son who blatantly lies to Muldoon and is called out on it. While Muldoon is fixed on Niles, Halloran begins his own sort of investigation that leads him to a former professional wrestler by the name of Garzah (Ted de Corsia), a thug with a criminal record.

    The performers who stand out are the two villains, Duff and Corsia. Duff, playing a criminal in-over-his-head, is convincing and, as oblivious and flat-out stupid as he is written on the page, he retains some level of believability. Corsia is larger-than-life, an intimidating figure with a tremendous presence on screen. The confrontation between Garzah and Halloran in Garzah's apartment is one of the best of the film.

    Although the plot may have been unique for it's time, we've seen similar police procedurals hundreds of times since this film's release. That being said, however, it's still a highly worthwhile picture for some beautiful cinematography (including a stunning chase sequence in the finale) and a cleverly constructed script.
  • October 2, 2008
    excellent! great street scenes of 40's new york, many shot with hidden camera. the narration gets a bit silly and barry fitzgerald is kind of odd but dassin compensates with an awesome climactic chase on the williamsburg bridge! a huge influence on tv police dramas. 8 million...( read more) stories...
  • August 7, 2008
    There are 8 million stories in the naked city, we are told. This is one of them. A fairly standard plot, The Naked City pieces together an ensemble of cops navigating the labyrinth murder investigation of a young model. Lies are told, people are not who they seem. It's a real who...( read more)dunnit, a real heavy case, as they say. Rookie homicide detective Jimmy Halloran (Taylor) is paired with the veteran Irish cop, Dan Muldoon (Fitzgerald). Together the two, along with the rest of the homicide squad slowly put the pieces together.
    The film is set in a semi-documentary style, going on to inspire police procedurals from High and Low to NYPD Blue and various other cop and criminal tv shows. That is an immense credit to the film. Oddly though, the film is narrated, by we are told, the producer. He describes, among other things, that the film is directed by Jules Dassin. The narration is quite strange, and at times silly and off-putting. At other times it works brilliantly.
    Even by 1940s standards, The Naked City contains some very hammy acting and writing, that can be very frustrating and almost sent me into fits from time to time. Nevertheless, the film works despite itself, because of itself. Jules Dassin, one of the great film noir helmers, creates a visual representation of New York City that is not only breathtaking, but relentlessly nostalgic today. I found myself thinking about what a shame it is that the city is no longer looks this way to be captured on film anymore. Thankfully there are a multitude of other classic films which can appease my appetite for nostalgia. Few however, have managed to capture the city in such elegant a fashion as Dassin does here.
    All in all, The Naked City is an admirable film, for its visuals, its hardboiled story, and for its remarkable finale. As a product of its time, its at once a great success, though the years may have not treated this one well. The acting, the narration, and some of the dialogue is almost self parody at times now. But nevertheless, The Naked City was a unique offering, one that has been so highly influential.
  • January 30, 2008
    "the naked city" is a story about one gorgeous blonde murdered in her own bathtube that triggers the police force doing the hide-and-seek of all the suspects involved, narrated in first-person voice over, but the identity of the narrator is mytically absent.

    this flick is uniq...( read more)uely done with the ominiscient narration as the voice of the city. it settles from the dissected perspect of policeman crime-interspecting. the audience's attention is strung with each move of the coppers, thus we sense the hard effects of collecting evidences, and also realistically depicted to objectify every character as secondary except the naked city, new york itself. it demonstrates the labourous process of those trivial crime scenes on news paper that is destinated to dismiss into oblivion circularly, saturated within the existentialistic carthesis.
  • January 7, 2008
    Crazy cool Weegee-esque 1947 New York exteriors. This movie begins where most film noirs end. Slightly humdrum police procedural but at the time it was a real breakthrough, since imitated by Dragnet and a hundred Jerry Bruckheimer TV shows. There are eight million stories in t...( read more)he naked city and this one ends with a stunning chase sequence on the Williamsburg Bridge.
  • October 29, 2009
    Avant que quelqu'un ne le demande: oui, ils sont dans la même famille, c'est son père. Joseph est Français, mais Jules est né aux États-Unis, de parents russes. Il a réalisé plusieurs films noirs importants en sol américain, parmi lesquels "The Naked City" dont on se souvient pri...( read more)ncipalement pour une chose: il est tourné à 100% dans les rues de New-York, aucun décor, aucun figurant, aucune rue bloquée; comme un documentaire.

    Ce qui est super intéressant sur papier... l'est tout autant sur pellicule. C'est la force du film; sa direction photo (oscarisée d'ailleurs...) est succulente. C'est un hommage à New York aussi vibrant que "Manhattan" de Woody Allen. Mais malheureusement, le scénario est assez prévisible, les acteurs sont très moyens et la narration en voix-off est extrêmement maladroite. Le film noir et le néo-réalisme se rencontrent, mais bien que le mélange soit intéressant, il n'est somme toute pas tout à fait concluant
  • August 17, 2009
    The narration can be bothering a bit but the view of the Manhattan and the masterhood of Jules Dassin in making a noir make an excellent movie.
  • August 6, 2009
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  • April 5, 2009
    Has gotta be the first great cop film ever. With such insight into the goings on of a case, and with action way ahead of its time, spectacular movie.
  • March 15, 2009
    A little noir film with fantastic views of classic NYC. I couldn't help but wish that I too could be on those streets, day and night, living that life. The movie is full of witty banter, but also, surprisingly gripping. Its silly and over the top, but thats part of the fun. Class...( read more)ic styling all around.

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  • In "Chasing Liberty", in which European city did Mandy Moore say, "I want to swim naked in the Danube!"  Answer »

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