The Other Woman (2011)
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39% of critics liked it
(44 reviews) -
46% of users liked it
(13,410 ratings)
Natalie Portman (BLACK SWAN, STAR WARS) lights up the screen in this frank, funny, and heart-wrenching adaptation of bestselling author Ayelet Waldman's novel about life, loss, and family, "LOVE AND OTHER IMPOSSIBLE PURSUITS." Emilia (Portman) is a Harvard law school graduate and a newlywed, having… More Natalie Portman (BLACK SWAN, STAR WARS) lights up the screen in this frank, funny, and heart-wrenching adaptation of bestselling author Ayelet Waldman's novel about life, loss, and family, "LOVE AND OTHER IMPOSSIBLE PURSUITS." Emilia (Portman) is a Harvard law school graduate and a newlywed, having just married Jack (Scott Cohen, THE UNDERSTUDY), a high-powered New York lawyer, who was her boss - and married - when she began working at his law firm. Unfortunately, her life takes an unexpected turn when Jack and Emilia lose their newborn daughter. Emilia struggles through her grief to connect with her new stepson William (Charlie Tahan, I AM LEGEND), while also trying to overcome a long-standing rift in her relationship with her father caused by his own infidelity. But perhaps the most difficult obstacle of all for Emilia is trying to cope with the constant interferences of her husband's angry, jealous ex-wife, Carolyn (Lisa Kudrow, FRIENDS, ANALYZE THIS). Ultimately, Emilia's and Charlie's playful and sometimes tender exchanges help Emilia to open her heart. Can Emilia rediscover her own capacity for love in time to salvage her failing marriage, mend fences with her parents and build a family from the wreckage? Directed by Don Roos (THE OPPOSITE OF SEX) from his own screenplay, this tearful, terrific tale proves that even with a pursuit like love, nothing is impossible... -- (C) IFC Films
- Rating, Runtime
- R, 1 hr. 59 min.
- Directed By
- Don Roos
- Genres
- Mystery & Suspense, Drama
- In Theaters
- Feb 4, 2011 Limited
- On DVD
- May 17, 2011
- Studio
- IFC Films
Critic Reviews
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Richard Corliss, TIME Magazine
It's a kind of unofficial sequel or sibling, three decades later, to Robert Benton's Oscar-winning Kramer vs. Kramer.
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William Goss, Film.com
Often mistakes hollow hysterics for gripping drama.
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Richard Roeper, Richard Roeper.com
One of the bigger challenges in Natalie Portman's career, and she responds with sublime work.
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Kathleen Murphy, MSN Movies
Soap opera for the bourgeoisie, The Other Woman is the kind of movie Lifetime audiences would gush over as sensitive and wise.
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Dana Stevens, Slate
Natalie Portman may have the black swan and the white swan down, but she's still working on the gray.
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Stephen Whitty, Newark Star-Ledger
While Natalie Portman and Lisa Kudrow do some terrific work, it's hard to care about these awful characters.
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James Luxford, The National
although it is a little more glossy than the novel it is based on, Love and Other Impossible Pursuits is a mature and thoughtful look at the dynamics of the 21st-century family unit.
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Nathaniel Rogers, Film Experience
a picture that doesn't know itself: vague whenever it needs to be specific, bloats whenever it needs to trim.
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Annlee Ellingson, Moving Pictures Magazine
Don Roos' movie demonstrates Natalie Portman's range, but it leans too heavily on her bad behavior, ignoring the growth the character experiences in a schizophrenic third act.
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Frank Swietek, One Guy's Opinion
For a picture that really isn't much more than a high-toned soap opera...surprisingly effective.
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Andy Klein, Christian Science Monitor
Resembles a number of recent Woody Allen pictures, except without the quality of jokes that leaven even Allen's worst explorations of this turf.
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Armond White, New York Press
Right now, Portman commands the cineplexes as surrogate for misguided, self-pitying filmmakers.
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Ignatiy Vishnevetsky, Ebert Presents At The Movies
The film tacks on a lot of issues and then it never quite follows any of them through.
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Jesse Cataldo, Slant Magazine
As good as it is at times, The Other Woman never nears greatness; it lacks the mettle and focus to push beyond well-groomed melodrama.
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Robert Levin, Film School Rejects
Espouses smart and meaningful insights into the challenges of falling in love with the "wrong" man and joining a family in which one might not be the most natural fit.
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Nora Lee Mandel, Film-Forward.com
More affectingly honest about contemporary, complicated parenthood than a traditional chick flick love story. Kudrow pulls off the [most] difficult, crucial scene.
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S. Jhoanna Robledo, Common Sense Media
Slow-moving but mature drama looks at aftermath of affair.
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Frederic and Mary Ann Brussat, Spirituality and Practice
Poignant portrait of a mother dealing with her grief over the death of her infant daughter and struggling with the need to wall herself off from those closest to her.
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Mark Keizer, Boxoffice Magazine
What happens when a film director falls for a novel crammed with Incredible Moments of Heartbreaking Emotion and turns it into a movie crammed with Incredible Moments of Heartbreaking Emotion
Critic ratings and reviews powered by RottenTomatoes.com
Fresh (60% or more critics rated the movie positively)
Rotten (59% or fewer critics rated the movie positively)
Featured Audience Ratings
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Alice S
Very well-paced melodrama in that everything happens when it needs to for optimal emotional impact. This film reminds me of Like Dandelion Dust - predictable and manipulative but not without some really good scenes. At first, all the characters are types - the upstanding husband… More
Very well-paced melodrama in that everything happens when it needs to for optimal emotional impact. This film reminds me of Like Dandelion Dust - predictable and manipulative but not without some really good scenes. At first, all the characters are types - the upstanding husband (Scott Cohen from The 10th Kingdom HOOOWWWWLLL!!!), the bitchy ex-wife (a surprisingly icy Lisa Kudrow), the precocious, bratty stepson, and the other woman cum new wife who carries the burden of not measuring up. I can't quite put a finger on Emilia's character. She's supposed to be kinda young or punky or sarcastic, but I don't think NaPo quite hits those points. The best scene is compliments of Lisa Kudrow (the other half of Romy & Michele, coincidental in that Mira Sorvino is the one who gives the best scene in Dandelion) when Carolyn gives medical evidence to Emilia, absolving her of her baby's death. Her delivery is cold, almost begrudging, but ultimately kind. -
Chris W
This film is based on a book called Love and Other Impossible Pursuits, and it started out with that title, but was for whatever reason changed to the more bland one it is now known by. They should have kept the original title. It's much snappier and memorable. The story… More
This film is based on a book called Love and Other Impossible Pursuits, and it started out with that title, but was for whatever reason changed to the more bland one it is now known by. They should have kept the original title. It's much snappier and memorable. The story concerns a Harvard Law graduate named Emilia who begins with a relationship with her married boss Jack that results in her getting pregnant. After a swift divorce and a swift marriage, their daughter is born, only to tragically die three days later. Waht follows from there is Emilia's attempts to deal with her grief, as well as trying to win over her difficult and resentful stepson William and fend off Jack jealous and bitter ex-wife Carolyn. Not the most unique story in the world, but it works...mostly. The film has some really good performances (albeit some occasional inconsistencies) but is dragged down by the fact that tonally it is all over the map, and isn't completely successful at coming together by the end. Had the tone been more consistent, and the jumps from romantic comedy to heartwrenching drama not been so jarring, I think I could have gotten more into things. It's not a bad movie, just one that's a little shy from hitting the mark. There are some nice moments, and the film starts off on the right foot by opening to what just so happens to be my favorite song by the Flaming Lips, but from there kinda fumbles, mostly because it likes to jump around with flashbacks, which probably worked better in the book, but not so much here. Like I said though, the performances are mostly pretty good, and Natalie Portman has a tough role, but she mostly ges through it. She does well with playing cold and distant, but she's not as good at hitting the warmer moments. Lisa Kudrow is quite nice though as Carolyn, and it made me happy to see Lauren Ambrose and Anthony Rapp show up in small supporting roles. All in all, it's okay. It has it's moments, but I think it should have not tried to be both a somber drama and a lighter romance film. That sort of thing can work, but it just seemed too clashing the way it was done here. You can see this if you want, but it's okay if you don't. The cast have put in terrific work elsewhere so if you miss this you can still see them impress in those other films. -
Unknown H
I have to say this film missed the mark for me. Although the performances of both Portman and Kudrow were superb, not exempting Cohen who also delivered well, no level of acting ability or scripting skills could have made these characters likable. Hard to relate to, this film takes… More
I have to say this film missed the mark for me. Although the performances of both Portman and Kudrow were superb, not exempting Cohen who also delivered well, no level of acting ability or scripting skills could have made these characters likable. Hard to relate to, this film takes you to the edge of sadness but pulls you away before you can get to involved. Without a final climax of breaking down or breaking up, this film left me feeling tense and frustrated at the potential of such a brilliant story line not being portrayed cohesively enough on screen. A worthwhile film, that unfortunatley left one too many strings untied. Acceptable, but definitely a one watch wonder. -
Nicki M
Definitely not the light romantic comedy I was expecting from the cover! (The cover we had here in Australia, that is... also, over here the film was titled "Love and other impossible pursuits", which sounds more of a feel-good than this title... this is definitely the more… More
Definitely not the light romantic comedy I was expecting from the cover! (The cover we had here in Australia, that is... also, over here the film was titled "Love and other impossible pursuits", which sounds more of a feel-good than this title... this is definitely the more fitting one for the movie). Natalie is very good here. She plays Emilia, a woman who falls in love with a married man at work, a bit older than her who has a young son. When Emilia finds out she is pregnant, Jack leaves his wife, Carolyn, (Lisa Kudrow - playing one of the bitter women she does so well!), for her and they get married. Emilia's own child dies at only four days old and the movie mainly deals with her grief, the strained relationships she has with Jack and her stepson and Carolyn's resentment. It is definitely not a nice little chick flick to chuck on for a bit of light amusement! I enjoyed this (if enjoy was the right word), but I certainly can't see myself wanting to sit there and watch it again anytime soon. Even though I am not overly sentimental about babies and kids (i can imagine this would be a regular weep fest for a lot of people!), I still found this sad and quite moving. The small fault is that Natalie looks a little too young for the role (even though she is a married mother herself in real life), I guess she can't help being young faced! -
Cynthia S
Ok so... critics hated this, I liked it alot. Critics loved Black Swan..me, not so much. Go figure. In my opinion, this is a great movie about real life situations, and about how messy our lives can really be. Natalie Portman was wonderful, as usual. The entire cast was exceptional,… More
Ok so... critics hated this, I liked it alot. Critics loved Black Swan..me, not so much. Go figure. In my opinion, this is a great movie about real life situations, and about how messy our lives can really be. Natalie Portman was wonderful, as usual. The entire cast was exceptional, and the script was very moving. What was not to like? I have no idea.... -
Jake .
I wish I had reviewed this sooner. There were various things that seemed interesting when watching the film, but now I'll be damned if I remember what they were... Overall, is it profound? No, but it at least dabbles in thought and conflict. A lot of the film revolves around what… More
I wish I had reviewed this sooner. There were various things that seemed interesting when watching the film, but now I'll be damned if I remember what they were... Overall, is it profound? No, but it at least dabbles in thought and conflict. A lot of the film revolves around what defines family. It is an interesting line of thought, especially when you consider divorce, step-siblings, etc. However, the conclusion here comes out a bit cheesy. Essentially what we're left with is an oversimplified, even a bit cliched, idea that those-you-love-are-your-family. I guess, I can agree with that, but somehow it just doesn't seem that relevant when presented with the cheery bravado of a greeting card. Another theme throughout the film was grief. I really liked the way it was explored. Can we control our grief and sorrow? It certainly doesn't feel like a personal choice, but at the same time, it's rather empowering to think that it is something that can be controlled. Idk, overall, I enjoyed the film. It does what it does and does it well enough. It's a fine enough film to pass the time. -
Steven C
Don Roos' film "Happy Endings" is one of my favorite films. I keep viewing his work hoping that someday he will recreate the fun, the depth and the nuance of that earlier film. Unfortunately this has not yet happened. "The Other Woman," starring Natalie… More
Don Roos' film "Happy Endings" is one of my favorite films. I keep viewing his work hoping that someday he will recreate the fun, the depth and the nuance of that earlier film. Unfortunately this has not yet happened. "The Other Woman," starring Natalie Portman as a frank, grieving stepmother is emotionally schizophrenic and loosely plotted. There seems to be no real rhythm to the pattern of flashbacks or emotional reveals. The films construction is distractingly haphazard. Portman is trying to navigate the tricky waters that need to be human, darkly comic, and emotional but she alone cannot steer this ship. The one saving grace is Lisa Kudrow, who is a Roos staple, and is continually surprising as a dramatic actress. Her volcanic ex-wife is the best part. Also look for a nice performance from Charlie Tahan (who was great in the inept "Charlie St. Cloud"). "The Other Woman" is an aimless, confused picture with very few redeeming qualities. -
Manu G
It was a good movie with some controversial material meaning that it was meant to be a depressing film and have a normal story and not a great one. You can't expect alot from this film since Natalie Portman doesn't have alot of help on this one and still her character in her… More
It was a good movie with some controversial material meaning that it was meant to be a depressing film and have a normal story and not a great one. You can't expect alot from this film since Natalie Portman doesn't have alot of help on this one and still her character in her role is tranquile and soft which you can't observe on the naked eye her true talents as an actress. Aspiring Lawyer Emilia Greenleaf (Natalie Portman) thought she knew what she wanted when she went after the sexy, married Senior Partner, Jack Woolf (Scott Cohen) . However, she didn't count on getting pregnant and married, and she certainly didn't plan on having to forge a relationship with her highly strung 5 year old stepson, William.. -
Corey W
"The Other Woman" is one of the most dramatic, emotional films I've seen since last year's "Rabbit Hole". With a plot almost similar, the two movie's have plenty of differences. This film makes me appreciate all my stepmother has done for me in the… More
"The Other Woman" is one of the most dramatic, emotional films I've seen since last year's "Rabbit Hole". With a plot almost similar, the two movie's have plenty of differences. This film makes me appreciate all my stepmother has done for me in the past, and it makes me very guilty for the way I've treated her as well. With a script that complicates the bonds between a stepmother and stepson, "The Other Woman" stands as the best film of 2011 thus far. The film may seem like it has a little storyline, simple enough, but it grasps enough backround of all of the characters to make it a bit more complex. The movie works in a line of switching between past moments and present moments showing us how the characters got to the point where they are. Meet Emelia, she's married to Jack, a divorced man with an eight-year old son, William. William is just as complicated as Jack's annoying ex-wife Carolyne and Emelia does all she can to win the affection of William, even though it always turns out bad. With that complicated situation in Emelia's life, she also faces a recent trajedy, the death of her and Jack's newborn baby Isabel, who only lived for three days. With a struggle to find love from William, it only complicates Emelia and Jack's relationship more and she soon finds herself alone in her emotions. Natalie Portman does it again! Her performance as Emelia is just as fantastic as her latest performance was in "Black Swan", if not better. In the past two months, Portman has released three different films, "Black Swan", "No Strings Attached", and this. She never seems to disappoint in any performance and there is no differance here. This is why Portman stands as one of the best actresses' of our time. Yes, I stand by that statement. Portman's character, Emelia, is as real as they come. Emelia's broken, but watching her trying to stand strong through the entire movie is heartbreaking. "The Other Woman" is a film in which actually does a great job with the crafting of each charac ter, all having a point, all having a situation they can't seem to solve.Lisa Kudrow ("Friends") plays a role unlike her usual genre. Normally playing the goofy, obnoxious type here she plays Carolyne, while still obnoxious but very serious about everything as well. Before seeing the movie I never imagined Kudrow to do as well as she did and I'm happy she proved me wrong. Charlie Tahan, playing eight-year old William reminded me of the kid from "The Switch" in every scene he was in. His bright, know-it-all character with Portman's character was great and their chemistry was fantastic. Scott Cohen as Jack, Emelia's husband, also gives a solid performance. I'm not too familar with anything he's done from the past, but, I'd like to see him do more in the future. Don Roos wrote and directed this film based off the novel by Ayelet Waldman. With a story that seems simple, Roos crafts it into something much more complicated than it could have been, which makes it much more marvellous. His skill with the dialog between Emelia and William is great and his mellow-dramatic scenes can be breath-taking. As for the direction, I loved Roos' shots of the city. His zoom-in shots were perfect and I loved his idea of having one scene in particular in split-screen using one frame for the past, present, and future. It made it all the more emotional and realistic. If your interested in other works from Don Roos, he directed 2005's "Happy Endings" and wrote 2008's "Marley and Me". The film does a great job balancing humor with drama. It places dry-humor when most needed especially in the scenes between William and Emelia. While their scenes can sometimes be over-dramatic, they can also be hilarious, as well. I loved Emelia's sarcastic-wit to most of William's comments, being hilarious each time. It normally takes alot for me to learn something from a movie. A lesson, I mean. Having growing up with a stepmother myself, "The Other Woman" did a fine job making me feel guility for the ways I treated mine growing up. My family didn't have the complications of getting through a newborn's death, but, like William, I'd do all I could to get my stepmother in trouble with my father and never care at all. Before watching this movie I'd never think it'd take a toll on my childhood and had me thinking of something I'd never think I'd care about today. Overall, "The Other Woman" is a fantastic little movie that stands as the best film of 2011 thus far. It's fantastic script brings out the best of each actor in the film making it feel more real. This is a movie that doesn't deserve to be looked away from and it not getting a wide-release is a mistake because I know it could have sucedded more. It sure deserved it. -
Walter M
In "The Other Woman," Emilia Greenleaf(Natalie Portman) is a newly hired lawyer, fresh out of law school. However, she soon gets sidetracked when she begins an affair with Jack Woolf(Scott Cohen), a senior partner at the firm. That eventually turns into marriage where… More
In "The Other Woman," Emilia Greenleaf(Natalie Portman) is a newly hired lawyer, fresh out of law school. However, she soon gets sidetracked when she begins an affair with Jack Woolf(Scott Cohen), a senior partner at the firm. That eventually turns into marriage where Emilia gets to share custody of William(Charles Tahan), Jack's precocious ten-year old son from a previous marriage, with his first wife Carolyn(Lisa Kudrow), through her proxy/nanny Sonia(Mona Lerche). At least, William tries to be helpful by suggesting the selling of unneeded possessions on eBay. On the surface, there is no reason why "The Other Woman" should not work. It has a good leading performance from Natalie Portman, a different point of view and some interesting thoughts about family. Sadly, a lot of that is undone by an odd story structure that renders the movie narratively inert by suggesting that the characters have already lived through their most important moments, with nothing left for them but going through the motions, like the movie. And then there is the unseemly feeling that Emilia might be just working out her daddy issues in her relationship with Jack while not exploring her giving up the law and her career. Yes, it is nice that the movie is not interested at all in dispensing blame, wisely suggesting in fact that we would all be better off in being less judgmental. But can I still blame Lisa Kudrow for her shrill performance which puts the movie unevenly in Emilia's favor? -
Sol C
Natalie Portman's performance is the best reason to see this film. She gives another great performance. I don't understand why the studio didn't do a better job of promoting the film when it came out. It should have come out in November or December for Oscar… More
Natalie Portman's performance is the best reason to see this film. She gives another great performance. I don't understand why the studio didn't do a better job of promoting the film when it came out. It should have come out in November or December for Oscar consideration but it came out in February. Charlie Tahan was also really good in this film. I definitely recommend this film. -
Panta O
Though post-production wrapped in 2009, the movie was shelved until 2011, probably due to star Natalie Portman's victory as Best Actress for the 2011 Academy Awards for her internationally praised performance in the 2010 film Black Swan. And, I have to say, this movie IS Portman!… More
Though post-production wrapped in 2009, the movie was shelved until 2011, probably due to star Natalie Portman's victory as Best Actress for the 2011 Academy Awards for her internationally praised performance in the 2010 film Black Swan. And, I have to say, this movie IS Portman! Without her the review would be negative! I enjoyed her performance and the ease she performed very complicated character of Emilia Greenleaf's who's life is turned upside down when she gets pregnant with a married man's baby... After a quick divorce and a quick wedding, it is revealed through a series of flashbacks that her baby girl died of SIDS. Subject which is not easy to cover but they somehow made it in this movie! -
Ryan M
3.7/10 If you plan on watching "The Other Woman"- and there's really no reason to why you should want to- prepare yourself. The film features a lot of crying and shouting; both done, in excess, by the film's star; Natalie Portman. I suppose… More
3.7/10 If you plan on watching "The Other Woman"- and there's really no reason to why you should want to- prepare yourself. The film features a lot of crying and shouting; both done, in excess, by the film's star; Natalie Portman. I suppose if you want a melodrama, then by god, you've got one. However, that's far from my personal recommendation. "The Other Woman" tries ever-so-hard to be a good movie, and deep down, it doesn't offend and it doesn't mean to hurt anybody. It's not particularly insulting to my intelligence, and it's far from the worst of melodramas, but if I see another one of these boring, excessive pictures, I'm going to have to sail far, far away from such dramatic territories. I wouldn't have a problem with the story if it didn't feel so darned dry...and bleak...and boring. The film centers on a woman, Emilia (Portman), her relationship with a then-married-man (Scott Cohen), and her relationship with this man's son (Charlie Tahan). Emilia is having much trouble getting over the loss of a recent child; whose cause of death I shall not spoil. Unfortunately, this film doesn't care much for human relations. Portman's character tries to connect better with the kid, in spite of the fact that the Emilia is a mean, profane, disgusting mother-figure; and the kid is one of those generic wise-ass youngsters. You see, drama needs sympathy; and I can't feel sympathy for these characters. Casual movie-goers might do more than TRY to feel the pain that Amelia is going through, but it's hard to care when the film itself is so uninvolving. The script isn't smart, intoxicating, or interesting. The story I could care less about. The direction is uninspired and mediocre. Simply put, this is not a well-made film; and it's not a stupid one either, but it's most certainly bad none the less. And I hate to say this too. I don't hate "The Other Woman", but it bored me. There was nothing to follow, nothing to care about, and no reason to invest. The film doesn't care how it's shot, how it's told, how it's directed, or how good it actually is. This bothers me, and it will bother anyone who at least appreciates essential decency in cinema. The only thing I can truly say for "The Other Woman" is that it wasn't god-awful, it didn't insult me, and I wouldn't call it "unpleasant". But pleasant...that's a word for another day. And then there's Portman. Look, I like Natalie Portman. Hell, I loved her in "Black Swan"; which has landed her plenty of Hollywood roles recently, and none of them have seemed to truly pay off. I suppose it's my duty to base Portman's performance, as an actress, based on her character and craft, also as an actress. This is what I'll do here. Sadly, Portman is just decent in this role. I wouldn't call the performance note-worthy, and I wouldn't call it trashy. I just despise the character that Portman is playing, but this has happened before with the actress, and sadly, it shall happen again. Look; "The Other Woman" may appeal to some people, and as I said, casual movie-goers might like it for the drama that it is. But I've seen movies like this one; and I've had enough. "The Other Woman" is a sad, pathetic, and almost effortless attempt at realistic drama. It fails in just about every way, and lacks the ability to be even mediocre. Maybe it gets close, but alas, no dice. I'd say it's almost indefinitely worth a miss, because there's nothing that can possibly be worth seeing here. I won't call the film disappointing, because I didn't have high hopes to begin with, but "The Other Woman" still needs to feel, you know, more fulfilling. Too bad it does not. -
Beth M
This film was nothing like I had expected. The storyline felt like it was a little confused with itself as it kept jumping back and forth. Lisa Kudrows performance as the ex-wife was played very well and Natalie Portman was also outstanding, as you'd expect from an Academy Award… More
This film was nothing like I had expected. The storyline felt like it was a little confused with itself as it kept jumping back and forth. Lisa Kudrows performance as the ex-wife was played very well and Natalie Portman was also outstanding, as you'd expect from an Academy Award winner. But, all of this just didn't make this film good enough to be anything special. It was however, a good insight on what mothers really go through when losing their children and how they blame it on themselves. The ending wasn't neccesarily happy, but you don't really understand what happens between the two characters at the end. Like I said, nothing really that special about this and not Natalie Portmans best film. -
Angel G
Well casted love story, with fine performances by Natalie Portman and Lisa Kudrow, also with family drama, prevents the most closes clichès, but truly a great love story, with a perfect lead. -
Andreia C
Dramatic and intense, it shows us the grief of a woman who has just lost her baby and is trying to win her stepson love. Natalie Portman is great as always, she never disappoints in any role she takes part on. It's depressing, but it all ends well at the end. -
Alec B
Natalie Portman and Lisa Kudrow are very good, but the melodrama becomes less and less bearable or believable as it progresses. -
Christopher H
The Other Woman, I fear, is simply drama for dramas sake. Needless paths are taken to create drama and though drama is what makes up any plot, none of this appeared unique or even relevant at times. With frankly too much yelling and constant melodramatic conflicts, Portman does her… More
The Other Woman, I fear, is simply drama for dramas sake. Needless paths are taken to create drama and though drama is what makes up any plot, none of this appeared unique or even relevant at times. With frankly too much yelling and constant melodramatic conflicts, Portman does her best in the role, but with everyone's character dropping their convictions at a dime, it is hard to invest in the emotions. There are films that have handled this concept much better. However, it is always great to see Natalie Portman. -
Philip P
Natalie Portman has been a busy woman these past few months. Having won her Oscar for the December release "Black Swan" and following it up with the new to DVD "No Strings Attached" as well as the flop that was "Your Highness" and the current box office… More
Natalie Portman has been a busy woman these past few months. Having won her Oscar for the December release "Black Swan" and following it up with the new to DVD "No Strings Attached" as well as the flop that was "Your Highness" and the current box office champion "Thor" you could say she has averaged out pictures pretty well. That is until we get to "The Other Woman". This somewhat out of left field project enlists Portman as the woman the title is referring to and a producer on the film. Portman plays a Harvard Law grad who decides shes gonna sleep with her older and very married boss. This leads to an affair which leads to a pregnancy which leads to a marriage all of which is swept over as we are fast-forwarded to the present day where Portman has settled into the marriage and is having trouble getting along with her new step-son. Their is really no one to like or root for in this film. The entire time I never felt sorry for Portmans character even though she had suffered a tragedy that lightened the blow of the realization of what kind of person she really is for having done what she did. While the film offers some insight into the world of family dynamics and how divorce and all that mess plays into defining what a family really is the film never gets past the fact that this is really just a Lifetime movie dressed up with credible actors. -
Jason R
Sadly, there is nothing special about this movie. Natalie Portman gives a great performance. But it is lost in an underwhelming story, that never quite comes full circle.
Cast
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Natalie Portmanas Emilia -
Scott Cohenas Jack -
Lisa Kudrowas Carolyn
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Charlie Tahanas William -
Lauren Ambrose
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