The Phantom of the Opera (2005)
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33% of critics liked it
(165 reviews) -
86% of users liked it
(384,463 ratings)
One of the most popular stage musicals in the history of Broadway and London's West End makes its long-awaited arrival on the motion-picture screen in this lavish adaptation directed by Joel Schumacher. Christine (Emmy Rossum) is a beautiful and gifted young woman who longs to join the company of… More One of the most popular stage musicals in the history of Broadway and London's West End makes its long-awaited arrival on the motion-picture screen in this lavish adaptation directed by Joel Schumacher. Christine (Emmy Rossum) is a beautiful and gifted young woman who longs to join the company of the Paris Opera House. During rehearsals for one of the opera's grand productions, a backdrop falls and crashes to the floor, nearly crushing leading lady Carlotta (Minnie Driver). When several members of the company suggest this could be the work of the "Phantom of the Opera," a spectral presence said to haunt the building, Carlotta drops out of the show, and the fates permit Christine to step in as her replacement. Christine's performance is a triumph, and on opening night she becomes reacquainted with Raoul (Patrick Wilson), a former childhood friend who is now a wealthy and well-known nobleman. Christine soon finds herself smitten with the handsome Raoul, but the same evening she makes a startling discovery -- the story of the Phantom is not just a legend. A brilliant but horribly disfigured composer (Gerard Butler) lives deep in the depths of the opera house, and taken with the beauty of Christine's voice, he abducts her and brings her to his lair, where he offers to help her perfect her talents, offering to write an opera especially for her. As the terrified Christine is comforted by Raoul, the two fall in love, but the phantom sees her affection for Raoul as a tremendous betrayal, and the jealous phantom nearly kills Christine as he nearly killed Carlotta. When the phantom emerges to present the opera's management with the piece he has written for Christine, the singer is asked to put her life on the line in an effort to capture the mad genius once and for all. Andrew Lloyd Webber's musical version of Gaston Leroux's novel, which had already enjoyed several stage and screen adaptations in the past, opened in London in 1986 and has been a popular favorite around the world ever since; the show was still running in New York and London when the film version premiered in late 2004. ~ Mark Deming, Rovi
- Rating, Runtime
- PG-13, 2 hr. 23 min.
- Directed By
- Joel Schumacher
- Written By
- Ben Elton, Gaston Leroux, Andrew Lloyd Webber, Joel Schumacher
- Genres
- Drama, Horror, Musical & Performing Arts
- In Theaters
- Jan 21, 2005 Wide
- On DVD
- May 3, 2005
- Studio
- Warner Bros. Pictures
Critic Reviews
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Andrew Sarris, New York Observer
My own reaction to the current version fashioned by Mr. Schumacher is one of pure stupefaction.
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Anthony Lane, New Yorker
The plot is impressively free of anything that does not smell of unpasteurized melodrama.
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Stephanie Zacharek, Salon.com
Takes everything that's wrong with Broadway and puts it on the big screen in a gaudy splat.
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Richard Roeper, Ebert & Roeper
This guy's not the Phantom of the Opera, he's the Fashionably Scarred Stud of the Opera and that just doesn't work.
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Carrie Rickey, Philadelphia Inquirer
Joel Schumacher's film adaptation of Lloyd Webber's The Phantom of the Opera combines fingernails-on- blackboard audio agony with bamboo- under- fingernails physical torture.
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Owen Gleiberman, Entertainment Weekly
The movie version of Lloyd Webber's swooning 1986 horror operetta has been directed, by Joel Schumacher, as if Schumacher were the world's hardest-working upholstery salesman.
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Felix Vasquez Jr., Cinema Crazed
The whole production feels cut and pasted, and it doesn't translate well to the big screen...
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Cole Smithey, ColeSmithey.com
Fans of musical theater will work themselves into a lather over Joel Schumacher's by-the-book film version of Andrew Lloyd Webber's monotonous play, but most audiences will either fall asleep or hit the cinema doors running.
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Robert Roten, Laramie Movie Scope
Fantastic sets, costumes, great art direction and imaginative camera work make this a visually stunning film. The musical score, not so much.
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David Noh, Film Journal International
Without a proper Phantom, the entire enterprise sags monumentally, and, unfortunately, Butler is a disaster here.
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Russ Breimeier, Christianity Today
Most fans are bound to be disappointed to some degree, and non-aficionados of musical theater will find it tedious and silly. Do yourself a favor and see this on stage
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John J. Puccio, Movie Metropolis
I can't complain about the movie's visual appearance on this high-definition HD-DVD. The elaborate sets and costumes are more scrumptious than ever. (HD-DVD Edition)
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, Empire Magazine
A lavish affair with some engaging performances.
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Timothy Knight, Reel.com
A two-hour-and-twenty-one minute endurance test.
Critic ratings and reviews powered by RottenTomatoes.com
Fresh (60% or more critics rated the movie positively)
Rotten (59% or fewer critics rated the movie positively)
Featured Audience Ratings
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Zach B
Andrew Lloyd Webber. What can be said about him? He has created some of the most memorable musicals in modern day, helped make Sarah Brightman the singer she is, and recreated the complete enjoyment of musicals. But he has also been someone you will either love or hate. Love due to… More
Andrew Lloyd Webber. What can be said about him? He has created some of the most memorable musicals in modern day, helped make Sarah Brightman the singer she is, and recreated the complete enjoyment of musicals. But he has also been someone you will either love or hate. Love due to his investment in musical theater. Hated due to how overrated he is. My opinion is that he is talented and he does create rather good musicals. I have never, as I am writing this review, seen any of his musicals in person, but from what I have seen via internet and read, I know he is fantastic. The only main problem is with how people transition his work to the screen. Just, something is lost. In some respects, this is the case with The Phantom of the Opera. Now, my introduction to this adaptation came from the legions of fans that go to my school who adore this film to no end. And by adore, I mean they know every line, every movement, and fall in love every time Gerard Butler is on screen (oh, don't worry. I will get to him). When I first saw the film, I was not impressed with anything. Yes, I like the musical arrangements, but nothing Schumacher done impressed me with the transaction with the story unto the screen. The exception would be the set designs. Watching this film, I had the same feeling I did when I saw Interview With The Vampire: complete aw. The sets in this film are stunningly beautiful and well crafted. But, while I adore the sets and musical arrangements, what saddens me is that you can tell that the budget went to the look of this film and nothing more or less. And, well, that is what lead me to give this film the rating I will. I will be open: I can't sing, and I know people who sing: the people in this film can not sing at all. EVEN more Butler. I mean, other then the obvious auto-tuning, he just is not impressive. Actually, I have no idea why they cast him in the role. I have asked people about their opinion on him, and the main reaction I get is that they love him for the sex appeal in this film. Okay, let me make this clear: The Phantom is NOT suppose to be a sex symbol! He is suppose to be a creature of horror whose face makes women faint and men angry to the point they want to put him out of his misogyny. Not to satisfy the sexual desires of people. Plus, he is not that much of a Phantom with how the mask is worn. The mask is meant to cover the face due to what is underneath. Not worn as a fashion item. Basically, the Phantom in this film is terrible. I hate this Phantom. The rest of the cast is okay, but not all that good. To me, it seemed like they knew that this film was going to make money no matter what and they are all: to hell with good acting. We are all going to be getting our paychecks regardless. Well, for me, with no believable acting, I just got bored. I know that this review looks like I hate this film. I don't. I just don't like the cast. What I do like is the glamour of the film and how beautiful the sets are and the instrumental aspects of the soundtrack. If you want to see beauty, watch this film. If you want to see a true Phantom, watch the original with Lon Chaney. If you want to see a true Phantom with the beauty, watch the stage play (original footage with Michael Crawford and Sarah Brightman). -
Matheus C
Com o início de uma nova década, parecia que o filme musical havia caído novamente nas graças do público. Com as eventuais exceções, como "Grease' (1978) e "O Show Deve Continuar" (1979) e os musicais Disney nos anos 90, o gênero estava dormente desde a metade dos… More
Com o início de uma nova década, parecia que o filme musical havia caído novamente nas graças do público. Com as eventuais exceções, como "Grease' (1978) e "O Show Deve Continuar" (1979) e os musicais Disney nos anos 90, o gênero estava dormente desde a metade dos anos 60. Provavelmente o público havia se tornado cínico demais para aceitar os enredos geralmente ingênuos e simplistas dos musicais, e foi necessário um diretor visionário como Bazz Luhrmann para injetar nova vida ao formato. Fazendo um melange de sucessos da música popular com uma edição ágil e moderna, seu "Moulin Rouge" (2001) criou uma verdadeira sensação, sendo até mesmo indicado ao Oscar de Melhor Filme. No ano anterior, Dançando no Escuro já havia recebido atenção em meio aos fãs de cinema. Já em 2002, a adaptação cinematográfica do sucesso da Broadway Chicago gerou uma das maiores bilheterias do ano, e a produção conseguiu a proeza de ser o primeiro musical a levar o Oscar desde Oliver! (1968). Infelizmente, os filmes que pareciam ter sido o renascimento do gênero logo mostraram ser outras exceções. Em 2004 chegou às telas O Fantasma da Ópera, baseado no popular musical de Andrew Lloyd Webber. Apesar do grande pedigree (cujo show bateu o recorde de tempo em cartaz na Broadway), o filme foi duramente criticado e sua bilheteria não fez jus à lucrativa propriedade. Apesar de Os Produtores de 2005 também não conseguir dar continuação à onda de sucessos, Dreamgirls se consagrou como um dos maiores filmes de 2006. Já adaptado anteriormente para o cinema (a versão mais popular continua sendo a de 1925, com Lon Chaney como o Fantasma), O Fantasma da Ópera tem início na Paris de 1919, em um leilão na abandonada Paris Opera House. Graças a um flashback, voltamos a 1870, onde o teatro estava em seus anos áureos. Ensaios estão acontecendo para Hannibal de Chalumeau, apresentando a estrela da ópera Carlotta Giudicelli (Minnie Driver). Quando a cantora sofre um "acidente" (causado na verdade por uma figura misteriosa), a corista Christine Daaè (Emmy Rossum) a substitui na peça, e recebe grande aclamação do público. Na sua noite de estréia, ela reconhece na platéia Raoul (Patrick Wilson), o seu romance de infância. Mas Christine é assombrada por sonhos de uma figura que ela acha ser seu falecido pai, e que se apresenta para ela após sua estréia. O homem misterioso logo se revela na figura do Fantasma da Ópera (Gerald Butler), que tenta fazer o máximo para levar Christine ao estrelato. Logo, esta sua relação se transforma em obsessão, e a jovem se encontra no meio de uma disputa entre o Fantasma e Raoul. O Fantasma da Ópera foi dirigido por Joel Schumacher, o homem responsável por transformar a franquia do Batman em um desfile de cores e carros alegóricos com Batman Eternamente (1995) e Batman & Robin (1997). Sendo este um musical suntuoso, Schumacher parece se sentir em casa com cenários e figurinos extravagantes e opulentos. De fato, o filme faz jus às suas indicações ao Oscar, pois, com suas luxuosas roupas e sua belíssima fotografia, é um dos filmes mais belos visualmente dos últimos anos. As canções de sucesso são as mesmas do musical da Broadway, das quais se destacam as memoráveis "The Phantom of the Opera" e "All I Ask of You". Com tantos ingredientes que fazem um musical de qualidade, é uma pena que a construção da história não faça justiça ao conjunto total. A história de amor e obsessão está presente, mas sem a paixão e o medo que se poderia esperar. Isto pode ser culpado à falta de desenvolvimento dos personagens que, pulando de um número musical para outro, não conseguem demonstrar muito a relação existente entre si. Deste modo, o triângulo amoroso entre Christine, Raoul e o Fantasma é enfraquecido, pois parece não haver tempo o bastante para os personagens se apaixonarem. O Fantasma da Ópera sempre foi um dos mais interessantes personagens da literatura, sendo um gênio que descabe a loucura graças à sua paixão pela sua amada. Podemos traçar as origens da história ao conto original de A Bela e a Fera, da alma torturada e deformada que implora por amor. Graças aos números musicais o Fantasma consegue expressar seus conflitos internos, mas ainda assim sentimos que mais poderia ter sido feito com o personagem, apesar da boa interpretação de Gerald Butler. Alguns fãs do musical original podem discordar, mas ele possui a presença e a voz para o personagem. A verdadeira estrela do filme, no entanto, é a bela Emy Rossum (de O Dia Depois de Amanhã e Sobre Meninos e Lobos), que ilumina a tela todos os momentos em que aparece. É impressionante que ela tinha apenas dezesseis anos durante a produção, pois ao mesmo tempo em que transparece uma inocência necessária para a personagem, demonstra grande segurança no papel, especialmente no que diz respeito a sua voz. O elo fraco do elenco é o inexpressivo Patrick Wilson, que torna o desfalcado triângulo ainda menos verossímil. Apesar das necessárias adaptações, O Fantasma da Ópera parece ser mais fiel às suas origens teatrais do que a maioria dos musicais. Assim como nos palcos, parte dos diálogos é cantada ao invés de recitada, o que pode incomodar alguns espectadores menos acostumados com o formato. A história é contada através de um flashback, e Schumacher comete o erro de nos trazer para fora deste em momentos inoportunos e desnecessários ao meio da narrativa, como se subestimasse que o público fosse esquecer o prólogo inicial (explicado na última cena). Apesar de tais deficiências, o filme ainda consegue agradar por sua grandiosa trilha sonora e fantásticos valores de produção. Provavelmente espectadores menos exigentes apenas se deixarão levar pela história de amor e pelas canções, e talvez não percebam suas limitações. Fãs do musical também deverão ficar satisfeitos ao ver seus momentos favoritos personificados na tela, especialmente os que não tiveram a chance de assisti-lo no palco. Ainda assim, é uma pena que entre um número e outro e entre tantas trocas de roupa, os produtores tenham esquecido de dar maior alma aos personagens. -
Jeff "
Considering that this is a film by Joel Schumacher, The Phantom of the Opera is a surprising effort from a somewhat mediocre director. I had a chance to catch the musical in Toronto a while ago, and I loved it. This film on the other is quite good, and it's not as bad as everyone… More
Considering that this is a film by Joel Schumacher, The Phantom of the Opera is a surprising effort from a somewhat mediocre director. I had a chance to catch the musical in Toronto a while ago, and I loved it. This film on the other is quite good, and it's not as bad as everyone says it is. Granted, it's nothing like the real thing, but for what it is, it's a stunning looking film with great visuals, and pretty good acting. The music is stunning, the talent involved is great, and really I don't see why the film has gotten so many bad reviews. Yes, it was made by Joel Schumacher and yes, it doesn't have the same effects as the real musical. Seeing Phantom of the Opera live is of course something special that can't be duplicated. However Joel Schumacher has a good attempt at bringing the play to the screen. The result is a film that is beautifully filmed with the great soundtrack that we come to love from The Phantom of the Opera. I enjoyed this film, and I thought that everyone involved delivered good performances, and it was a wonderful musical with horror overtones. The films negativity may attributed by the fact that "it doesn't beat the Andrew Lloyd Webber version" and it doesn't, but this theatrical adaptation is still very good nonetheless. One of Joel Schumacher's redeeming efforts along with Phone Booth and Blood Creek. An underrated film that fans of the Webber production should give a shot before judging too harshly. -
Alexander D
First and foremost, the Broadway musical production is (ha!) SO much better than this. Not to say that it was a bad adaptation: Gerard Butler sure did a fantastic job as the titular character. The main thing that really angered me about this is that a lot of the scenes were scrapped… More
First and foremost, the Broadway musical production is (ha!) SO much better than this. Not to say that it was a bad adaptation: Gerard Butler sure did a fantastic job as the titular character. The main thing that really angered me about this is that a lot of the scenes were scrapped and/or changed--some of which would have even made more sense on camera than onstage, such as the graveyard scene where the Phantom throws fireballs at Raoul. Some of the altered scenes, I can say, were clearly done to make it appear as a film rather than a direct copy of a Broadway musical, such as the opening scene and the final scene (neither of which I will give away, because the majority of the film is in a flashback, so technically, giving away the beginning would be partially giving away the ending). Cinematically, though, THE PHANTOM OF THE OPERA is captivating and brilliant, if, as noted above, flawed. -
Lady D
I hadn't heard great things about this film, however I do believe that Musicals are a required taste and most of the viewer's who enjoy Musicals tend to know a little about the stories, characters and music beforehand. I, myself have seen the production on stage and of… More
I hadn't heard great things about this film, however I do believe that Musicals are a required taste and most of the viewer's who enjoy Musicals tend to know a little about the stories, characters and music beforehand. I, myself have seen the production on stage and of course nothing substitutes a live performance and the atmospheric feel of a theatre particularly with the Phantom as being part of the audience is being part of the show. Having said this, I do feel that the film was put together qs well as possible with the film, in the casting, the costumes, the colour, the scenery, which came across well on screen. The controversial part of course was the Actors miming to trained voices, which had put off of watching the film, but having now seen it, I can see it works perfectly well. The film was drawn out and it's a bit of a love-hate one for me! -
Sajin P
A visually stunning and emotionally rich musical. Maybe a slight drawback of the movie could be the absence of a horrifying monstrous version of the Phantom. Another thing that gutted me a little was Gerrard Butler's singing. Though it's not that bad, it makes you feel… More
A visually stunning and emotionally rich musical. Maybe a slight drawback of the movie could be the absence of a horrifying monstrous version of the Phantom. Another thing that gutted me a little was Gerrard Butler's singing. Though it's not that bad, it makes you feel like something is missing.. (Ok. just being nice here. On second thought.... his singing sucks) But he does compensate for that with some very powerful acting peformance, especially towards the final quarter of the movie. -
KJ P
The Phamton of the Opera is a slowpaced version of the original play and does not succeed in giving ever fan what they want. I saw the play in theatres, and it is much better than this film tries to be. I like it for what it tried to do, but it's just nothing special! -
Cynthia S
Gerard Butler can sing! Who knew?? Me, that's who...one of my faves. -
Chris W
The sets, costumes, staging, and camera work are pretty good, but I think that Schumacher was the wrong choice as far as directing goes. I'm not one who thinks everything he does sucks, but still, this doesn't fit in with the rest of his filmography. There's nothing… More
The sets, costumes, staging, and camera work are pretty good, but I think that Schumacher was the wrong choice as far as directing goes. I'm not one who thinks everything he does sucks, but still, this doesn't fit in with the rest of his filmography. There's nothing inherently wrong with trying to branch out though; it helps to do it well though, so let me just be kind, give this a "Gentleman's C" (or slight C+), and call it a noble failure. Emmy Rossum is quite attractive, and has some actual singing talent, so that helps the movie, and, even though I applaud Butler for trying his best to do his own singing, I must say that it doesn't work. He can't really pull it off. I mean, it is difficult part anyway, so even though he's so-so with the acting, his faults with the music kinda bring the rest of it down too. Perhaps this may find lsuccess as a camp classic? It certainly has all the trappings for it, no doubts about that. If you want a great movie musical adaptation from the 2000s though, stick with Sweeney Todd. -
Spencer S
Creepy, full of grandeur, and music that is both dramatic and operatic. -
John H
Very impressive! I've always loved the Phantom of the Opera and this movie was just an extension of that. this comes close to the amzment and true magic that the broadway performance had offered. it was a thrilling experience. so much detail was put ...(read more)into this. the… More
Very impressive! I've always loved the Phantom of the Opera and this movie was just an extension of that. this comes close to the amzment and true magic that the broadway performance had offered. it was a thrilling experience. so much detail was put ...(read more)into this. the songs and lyics were transfered perfectly. the acting at times was a bit disapointing. however, the beauty and passion that this film brought was enough to keep you entertained throughout all of this. another visually entertaining movie. I highly recomend this. -
Richard C
B+ -
Jennifer D
Egregious music, but visually stunning. -
Wahida K
How nice of Hollywood to make movies based upon books. I heard the Book was exciting. -
Carlos M
The fantastic sets, costumes, art direction and cinematography make for a wonderful visual spectacle, even though the songs are not altogether great and Butler is a terrible singer. -
Thomas B
andrew lloyd webber is an absolute genius. plain and simple. emmy rossum, playing christine, is sumptuous, however, it is her counterpart, gerard butler, who is the real focus of the piece. surprisingly adept at singing, butler makes the hair all over your body stand on end when he… More
andrew lloyd webber is an absolute genius. plain and simple. emmy rossum, playing christine, is sumptuous, however, it is her counterpart, gerard butler, who is the real focus of the piece. surprisingly adept at singing, butler makes the hair all over your body stand on end when he goes from beautiful falsettos to incredible full bodied sound. a masterpiece. -
Mike S
To be perfectly honest, I've never been a big fan of either musicals, nor musical-inspired movies. This, however, was a magical and spellbinding exception. The songs are wonderful and so is the cinematography and acting. Not many movies of its kind have had the ability to impress… More
To be perfectly honest, I've never been a big fan of either musicals, nor musical-inspired movies. This, however, was a magical and spellbinding exception. The songs are wonderful and so is the cinematography and acting. Not many movies of its kind have had the ability to impress me, but this one did in more ways than one. It's actually completely changed my view on musicals in general. And that's certainly no small compliment coming from me :-) -
Cassie H
This movie if I had to put it in one word....beautiful. The actors were beautiful and so was the actors beautiful singing and the music. Definetely recommend this to movie lovers that love movie art!!! -
Sarah G
I absolutly adore this film! Fabulous musical, wonderful cast and score -
E.J. B
It's sort of like the shot-for-shot remake of Psycho. What's the point? This is just a clumsy, tedious, and altogether inferior version of the great Andrew Lloyd Webber musical.
Cast
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Gerard Butleras The Phantom -
Emmy Rossumas Christine Daae -
Patrick Wilsonas Vicomte Raoul de Chagny
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Minnie Driveras La Carlotta -
Miranda Richardsonas Madame Giry -
Simon Callowas Gilles Andre
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Ciarán Hindsas Richard Firmin -
Jennifer Ellisonas Meg Giry -
James Fleetas Lefevre
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Victor McGuireas Piangi -
Kevin McNallyas Buquet -
Murray Melvinas Reyer
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Paul Brookeas Auctioneer -
Laura Hounsomas Young Mme. Giry -
Chris Overtonas Young Phantom
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Imogen Bainas Carlotta's Maid -
Miles Westernas Carlotta's Wigmaker -
Judith Parisas Carlotta's Seamstress
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Halcro Johnstonas Passirino -
Oliver Choppingas Porter -
Alison Skilbeckas Nun/Nurse
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Lee Sellersas Chauffer -
Ramin Karimlooas Christine's Father -
Annabel Porteras Young Meg
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Max Thomas -
Gavin Leeas Masquerade Dancer -
Graeme Crowtheras Swordmaster
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Duane Lee Chapman Jr.as Candelabra Holder -
Carlos Oteroas Flamenco Dancer -
Adam Pudneyas Masquerade Dancer
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Mark Carrollas Opera Chorus -
Ashley Wallenas Masquerade Dancer -
Chris Jarvisas Ballet Boy
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David Langhamas Fops -
Jesika Cannonas Young Christine -
Lucy Cassonas Ballet Tart
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Lorraine Stewartas Ballet Tart -
José Luis Tiradoas Principal Male Dancer -
Jonathan D. Ellisas Fop
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Margaret Preeceas Confidante -
David Arneilas Opera Chorus -
Annalene Beecheyas Opera Chorus
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Valerie Cutkoas Opera Chorus -
Tricia Deightonas Opera Chorus -
John Griffithsas Opera Chorus
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Mandy Hollidayas Opera Chorus -
Sophie Louise Dannas opera chorus -
Jackie Marksas opera chorus
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Graham McDuffas opera chorus -
Brian Wheeleras opera chorus -
Julia Worsleyas opera chorus
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Sebastien Torkiaas Ballet Boy -
Greet Bottermanas Ballet Girl -
Elena Budaas Ballet Girl
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Tess Cunninghamas Ballet Girl -
Liesl Dowsettas Ballet Girl -
Pia Driveras Ballet Girl
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Kathryn Dunnas Ballet Girl -
Sophia Hurdleyas Ballet Girl -
Amy Lawsonas Ballet Girl
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Lucy Potteras Ballet Girl -
Kirsty Tappas Ballet Girl -
Richard Baylissas Opera Populaire Orchestra
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Ralph Broadbentas Opera Populaire Orchestra -
Cameron Alexanderas Opera Populaire Orchestra -
Paul Costinas Opera Populaire Orchestra
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Matthew Draperas Opera Populaire Orchestra -
Ben Gantas Opera Populaire Orchestra -
Jonathon Hillas Opera Populaire Orchestra
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Timothy Kiplingas Opera Populaire Orchestra -
Jonathan Kitchenas Opera Populaire Orchestra -
Tristan Keyteas Opera Populaire Orchestra
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Michael Mansbridgeas Opera Populaire Orchestra -
Jeff Mooreas Opera Populaire Orchestra -
Julian Pooleas Opera Populaire Orchestra
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James Pullmanas Opera Populaire Orchestra -
Robert Purvisas Opera Populaire Orchestra -
Dave Toshas Opera Populaire Orchestra
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Chris Worseyas Opera Populaire Orchestra -
Andrew Charles Corbettas Flamenco Dancer -
Sarah Frascaas Flamenco Dancer
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Pascal Langdaleas Flamenco Dancer -
Damien Lee Stirkas Flamenco Dancer -
Isabel Lestoas Flamenco Dancer
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Remy Martynas Flamenco Dancer -
Sandra Ramirezas Flamenco Dancer -
Beth Sheatheras Flamenco Dancer
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Annika Strandbergas Flamenco Dancer -
Stephen Berkeleyas Masquerade Dancer -
Rod Buchananas Masquerade Dancer
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Deborah Bundyas Masquerade Dancer -
Philip Catchpoleas Masquerade Dancer -
Nathan Clarkeas Masquerade Dancer
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Blake Clayfieldas Masquerade Dancer -
Dawn Collinsas Masquerade Dancer -
Gem Collingwoodas Masquerade Dancer
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Casper Cornishas Masquerade Dancer -
Rachael Crockeras Masquerade Dancer -
Janine Davisas Masquerade Dancer
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Leigh Danielsas Masquerade Dancer -
Simone De La Rueas Masquerade Dancer -
Miles Elkingtonas Masquerade Dancer
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Joanna Ernestas Masquerade Dancer -
Candice Evansas Masquerade Dancer -
Guilia Florimoas Masquerade Dancer
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Ben Garneras Masquerade Dancer -
Clinton Goldsmithas Masquerade Dancer -
Claire Goodmanas Masquerade Dancer
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Juliet Goughas Masquerade Dancer -
Georgina Hagertyas Masquerade Dancer -
Maddy G. Harrisas Masquerade Dancer
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Damien Jacksonas Masquerade Dancer -
Ryan Jenkinsas Masquerade Dancer -
Caroline Lynnas Masquerade Dancer
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Alec Mannas Masquerade Dancer -
Paul Michaas Masquerade Dancer -
Luis Gallo Mudarraas Masquerade Dancer
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Marilena Nicolaonas Masquerade Dancer -
Gabriel Nobleas Masquerade Dancer -
Melanie Perksas Masquerade Dancer
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Maryam Pourianas Masquerade Dancer -
Pippa Raineas Masquerade Dancer -
Lorena Randias Masquerade Dancer
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Michael Smallas Masquerade Dancer -
Aaron Sillisas Masquerade Dancer -
Lisa Stevensas Masquerade Dancer
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Tom Tanscyas Masquerade Dancer -
Marcus Teschas Masquerade Dancer -
Stephen B. Whiteas Masquerade Dancer
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Gavin Wilkinsonas Masquerade Dancer -
Scott Wyeras Masquerade Dancer -
Joanna Woodliffeas Masquerade Dancer
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Rebekah Dobbinsas Candelabra Holder -
Ruben Halseas Candelabra Holder -
Lee Jerovaas Candelabra Holder
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Damian Jonesas Candelabra Holder -
Vanessa Perroncelas Candelabra Holder -
Terry Kellyas Opera Chorus


