Cary Grant, James Stewart, John Howard

When a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself.

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92% liked it

39,574 ratings

Unrated, 113 min.

Directed by: George Cukor

Release Date: December 1, 1940

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DVD Release Date: September 10, 1997

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Flixster Reviews (2,510)


  • June 25, 2009
    What exactly does it mean when they say "They don't make 'em like that anymore"? Usually it's in reference to movies of the 30s, 40s and 50s, movies like "Casablanca", "The Maltese Falcon" or "The Philadelphia Story". This movie is, simply, one of the great comedies. The dialogu...( read more)e is electric, immensely funny and moving. I've recently had a chance to revisit this film on the big screen and couldn't have asked for more. It's also an example of perfect casting.

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  • September 16, 2008
    The Philadelphia Story, is one of my favorite MGM comedies of the 40's. A dream cast consisting of Katherine Hepburn, Cary Grant, James Stewart, Ruth Hussey and more. Have to love the studio system back in the day where they could get the best of the best in every role be a star ...( read more)studded film.....gotta love a very smart, well acted, funny, and great actors to watch in there prime....comedy at it's finest!!!
  • August 25, 2008
    ''The time to make up your mind about people is never.''

    When a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself.

    Cary Grant: C.K. Dexter Haven

    Katharine Hepburn: ...( read more)Tracy Lord

    James Stewart: Macaulay Connor

    Philadelphia Story is a hilarious comedy, starring Cary Grant, Katharine Hepburn, and James Stewart. With that cast, along with a great script and inspired direction, make this movie a treat to watch.
    The three stars are obviously the Story at work here, but minor characters also play an influential part. To the extent in which the older adult members of Hepburn's family have no clue as to what is transpiring, while the child clearly does, is most amusing. It ought to be said that Philadelphia Story is far from all that humourous. The sense of humour is more of the clever and fleeting kind of variation. Most of it arises either from Grant's splendid persona, with his wry, charismatic tones, or Hepburn's flighty, beguiling, enchanting mannerisms. I would say that Grant is to a degree under used in his role, as there are very large stretches of the picture where he is not on screen. Stewart is however excellent, playing a sensitive, artistic type who understandably is somewhat taken by Hepburn's Tracy Lord. All three stars are much in their element and they bask in it's glory, with accents as remembered by all, and a fitting social setting.

    As has been said by some other film scribe, "a strong case is being made as to the sheer irresistibility of the film's female star". Katharine Hepburn is shown at her most statuesque and in a beautiful disposition. Her character has an impressive array of fine lines to deliver also, and is treated with dignity and understanding by the effective script. It is in some ways a voyage of self discovery for Hepburn's Miss Lord. Ranging from a rejection of her anointed goddess status, a rejection of marriage for mere hierarchical gain and a deeper understanding of the meaning of love.

    The film's about-face ending is quite charming really, mixing the conservative with the progressive. Conservative in that marriage is seen to have to take place, and in the characters returning to earlier relationships. It could indeed be argued that not enough had been made of Stewart's relations with Ruth Hussey's character. Progressive it could be said, in that events have been very quickly turned upside down, and love over society is championed. Also, perhaps most tellingly, the drunken indiscretion of Hepburn is not just forgiven, but seen as part of her self-discovery. This film in its treatment of a liberated woman such as Hepburn, must be praised for its sensitivity and liberal understanding. All too often, Hollywood allowed the reactionary and the puritanically conservative to lazily dominate its films.

    We are presented with an upper-middle class milieu, with contrasts provided by Grant's hard-bitten aristocratic dandy and John Howard's dullard "man of the people" politician. There is nothing staggering about the film's assertion that the upper classes can be perfectly charming and noble, whilst those of the lower classes, like Howard, can be lacking charm and appear materialistic. It seems merely to be making a point of its very balance, and is almost a fig leaf to those who would have expected a simplistic socialist line.

    Need it be mentioned that Cukor's direction is excellent? Making an art form of the unobtrusive, he lets the camera just take in the performances and the script, without distraction. He captures Hepburn in a radiant and sensitive light that I suppose slightly overshadows the male leads. There are artistic shots at times, that evoke occasional counterpoint to the usual images of the starts. One lingering shot of the precocious child watching from out of her window the night's events, is a good example of this working to great effect. An effect of establishing a wider, but still near-motionless canvass to the story.

    Philadelphia Story is cleverly and entertainingly written, and delightfully well acted by all involved. It's hard to imagine anyone finding it dull or beneath them, but apparently some people can find anything beneath them. Indeed their defeat. If you haven't seen this, please do. If you haven't seen it in a while, give it another viewing. You won't be disappointed. It's standards and assumptions are a bit dated, but the humour, wit, and heart are certainly not.
  • July 20, 2008
    this was a very good film. the writing was stellar, especially the very clever diologue, and the performances were charismatic and well done. the story reminded me somewhat of 'guess whos coming to dinner?', although i liked that film better, this one had a charm to it that few...( read more) films achieve. i do feel that this film had two glaring mistakes, and i got a little bored by the story in the middle, but the end could not have been more perfect. great movie.
  • June 30, 2008
    A ton of fun, and one of the better screwball comedies ever made (the best being It Happened One Night).

    The chemistry and acting in this film is some of the best ever committed to celluloid. The dialog is quick witted and expertly delivered.
  • November 14, 2009
    Smart romantic comedy with Katharine Hepburn, Jimmy Stewart and Cary Grant.
  • October 19, 2009
    good stuff. few things are better than a drunk jimmy stewart.
  • October 17, 2009
    Hilarious and clever word fight between a top-class cast. Unbelievably clever.

    87/100
  • September 27, 2009
    A great cast featuring Hepburn, Stewart, and Grant brought a lot of appeal, but I was sadly disappointed with this love triangle movie from the 40's. "The Philadelphia Story" revolves around high-class snob Tracy (Hepburn) and her soon to be marriage that becomes foggy when her ...( read more)ex-lover (Grant) and a charming reporter (Stewart) enter the picture. It sounds like a pretty good story on paper, but I felt uninterested in the beginning because there wasn't a whole lot going on, aside from the amusing skirmish between Grant and Hepburn to start the film. Once Grant and Stewart get on screen together, there is some excitement, and it's enjoyable to see how they play off each other, because of their character and acting disparities. The main problem with this film to me is the character developement between the leads. I just didn't feel like the love was genuine or that the friction between Hepburn and her fiancee was prominent. Without ruining the ending, I won't say much other than I wasn't impressed with it...there was no natural build up to that moment. This was just a mixed bag in my opinion, an unsatisfying balance of dullness and fun.
  • September 12, 2009
    James Stewart is hilarious.

    Macaulay Connor: This is the Bridal Suite. Would you send up a couple of caviar sandwiches and a bottle of beer?
    Margaret Lord: What? Who is this?
    Macaulay Connor: This is the Voice of Doom calling. Your days are numbered, to the seventh son of the se...( read more)venth son.
    Margaret Lord: Hello? Hello?
    Tracy Lord: What's the matter?
    Margaret Lord: One of the servants has been at the sherry again.

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  • espionage64
    November 11, 2006
    An amaZing film...i loved Dinah ~~~ she's so annoyingly sweet! (The welcoming scene to 'Juniors' friends)

    However i've gota say i love the scenes between Katherine Hepburn and James Stewart the most! ~~~ they're so so so very funi! Especially the 'Drunk' scenes...

    'When she hit the water, the drink hit her...'

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The Philadelphia Story Trivia


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