Cynthia Stevenson, Fred Ward, Greta Scacchi

Griffin Mill (Tim Robbins) is a Hollywood producer with a studio executive girlfriend Bonnie Sherow (Cynthia Stevenson). Mill's job is to hear story pitches from screenwriters and decide which films h...( read more  read more... )ave the potential to get made and which films get rejected. His job is suddenly in danger, though, when up-and-comer Larry Levi (Peter Gallagher) begins work at the studio. Rumors swirl that Griffin may be replaced soon by Levi. Griffin has also been receiving threatening postcards, presumably from a disgruntled writer whose pitch he rejected. Griffin delves through records and surmises that the disgruntled writer is David Kahane (Vincent D’Onofrio), who had previously pitched a script to him. Griffin calls Kahane's home and is told by a woman, June (Greta Scacchi), that Kahane is at a movie theatre. Griffin goes to the theatre in Pasadena and offers Kahane a scriptwriting deal, hoping this will stop the threats. However, Kahane gets intoxicated and rebuffs Griffin’s offer. He denies that he sent Griffin any postcards. Kahane pushes Griffin in the parking lot and the two men scuffle. In a rage, Griffin accidentally kills Kahane. Thinking fast, Griffin makes the death look like a robbery gone wrong. The next day at work, he receives another postcard, confirming that his stalking writer is still at large. Griffin attends Kahane’s funeral and connects with Kahane’s girlfriend, June. Studio chief of security Walter Stuckel (Fred Ward) confronts Griffin about the murder and says that Pasadena Police know Griffin was the last one to see Kahane alive. Pasadena detectives Susan Avery (Whoopi Goldberg) and DeLongpre (Lyle Lovett) suspect that Griffin is guilty of murder. They question him and DeLongpre starts to keep an eye on Griffin. The stalking writer leaves a rattlesnake in Griffin’s car, causing a near-death experience that makes Griffin realize how he has sudden and deep feelings for June. With his girlfriend Bonnie out of town, Griffin takes June to a Hollywood awards banquet and their relationship grows. Meanwhile, with Levi ever encroaching on his job, Griffin sees an opportunity to save his position. He hears a pitch idea from two writers about a film called Habeas Corpus and instantly recognizes huge problems with the downbeat story. However, he manages to convince Levi that the pitch is golden and the movie will be a guaranteed Oscar contender. Griffin plans to let Levi shepherd the film through production and have it flop miserably. Then Griffin will step in at the last moment and suggest some basic changes to salvage the film’s box office potential, letting him reclaim his position at the studio. The Pasadena detectives call Griffin in for a lineup after a witness to Kahane’s death comes forward. Griffin catches a big break when the witness identifies the wrong man, Detective DeLongpre, who was placed in the lineup with the other suspects. One year later, studio power players are watching the end of Habeas Corpus with its tacked-on upbeat ending. Griffin’s plan to "save" the movie worked like a charm and he is now a studio executive. While driving home, he gets a pitch over the phone from a man who reveals himself as the postcard writer. The man pitches an idea about a studio executive who kills a writer and gets away with murder. Griffin recognizes the pitch as blackmail and immediately agrees to give the writer a deal. The writer’s title for the film is The Player. The movie ends by showing that June is now Griffin's wife and pregnant with his child.

Flixster Users

85% liked it

14,225 ratings

Critics

98% liked it

47 critics

R, 2 hrs. 4 min.

Directed by: Robert Altman

Release Date: April 10, 1992

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DVD Release Date: July 16, 1997

Stats: 722 reviews

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Flixster Reviews (722)


  • July 26, 2009
    never have i seen so many mainstream actors/actresses as extras. it actually had a very simple plot which i found drawn out. it almost tries to be too clever for itself. i didn't really see or get the point of it. maybe it was meant to be witty which is fair enough, but was it re...( read more)ally entertaining? amusing but never funny
  • August 8, 2008
    Fantastically intelligent satire on the Hollywood system without ever disappearing up its own arse. The opening shot alone pretty much sums up the irony of the film which extends to the overall thriller narrative. All the stars excel in their cameos and the ones who are acting su...( read more)ch as Robbins, Ward and Goldberg really are sensational. The scenes at the police station are unlike those from any other film and the "Hollywood" ending of both the film and the film within a film are hilariously spectacular. Robbins is always likable despite mostly being a little shit, it's the sympathy he brings with the roll that works so well. It's witty, smart and best of all accessible.
  • February 22, 2008
    even if you absolutely hate altman's movies, just watch the extremely long first take that opens the movie...then do whatever you want...turn it off, leave, burn the movie, whatever....but that opening take is worth the price of admission alone
  • July 30, 2007
    A novel approach to behind-the-scenes Hollywood scriptwriting society. It's black comedy with a lot of cool cameo appearances by the contemporary stars of the time. It has some nice commentary on the film industry. I wouldn't call it brilliant however.
  • June 1, 2007
    Larry Levy: I'll be there right after my AA meeting.
    Griffin Mill: Oh Larry, I didn't realize you had a drinking problem.
    Larry Levy: Well I don't really, but that's where all the deals are being made these days.

    A very good Hollywood satire portraying the early 90s movie cultu...( read more)re. This is a movie that goes right along as a companion piece with American Psycho, another satire focused on 80s culture. Both of these films are darkly hilarious.

    Tim Robbins stars as a studio executive who's job is to say yes or no to movie pitches. He starts to receive death letters from a screenwriter he has rejected and attempts to take matters into his own hand. What follows is a mix of Hitchcock thriller and satirical plays the life of someone involved in Hollywood.

    Hitchcock isn't the only clear reference hear, director Robert Altman takes cues from all sorts of movies. First example comes in the opening shot of the movie, which is a very long and has actors coming in and out discussing other films with long, continuous shots.

    The supporting cast, which includes Fred Ward, Peter Gallagher, and Whoopi Goldberg among others are all very good as well. This movie is also a who's who of early 90s popularity, as it features over 50 celebrity cameos, all of whom improv their presence on screen.

    A lot of the dialogue throughout the movie is improvised, and a lot of it is very funny. Though some of the humor is very subtle, it is easily a movie that I can watch again soon because it is very enjoyable.

    Andy Civelli: Griffin, you move in mysterious ways, but I like it! I like it!
  • November 4, 2009
    De un excelente director, vean su filmografía!
  • October 24, 2009
    Fuck you Hollywood, The (happy) End.
    super Fine (not the adjective any English readers out there).
  • October 21, 2009
    well done., hard to watch
  • September 18, 2009
    A sarcastic view to Hollywood's world of film-making. And yes, it has funny moments, an effectively unusual plot and several references throughout.

    80/100
  • September 16, 2009
    wow.,a masterpiece that i didn't see coming! first of all,i really not into robert altman.his previous movies that i watched (SHORTCUTS, GOSFORD PARK) is just an OK for me.secondly,.when talking about altman,it looks like that everybody has in mind is M.A.S.H,or nashville,or Mcca...( read more)be and mrs miller.i don't recall hearing THE PLAYER that much.,well,i haven't yet to seen those three movies,but at least,this one is supposedly on par,.movie couldn't get better than this.this is a perfect thriller,and also a perfect satire about the hollywood system.,add in the great performance of tim robbins,playing as the most jerkest protagonist i've ever seen,this is truly a gem.and having a great tracking opening shot didn't hurt either.oh and it got Jeremy Piven pre-Ari Gold (in a movie about hollywood??haha,what a coincidence!)

Critic Reviews


October 23, 2004
Roger Ebert, Chicago Sun-Times

A movie about today's Hollywood -- hilarious and heartless in about equal measure, and often at the same time. full review

June 6, 2001
Peter Travers, Rolling Stone

[Altman] sticks it to every target, himself and us included, with a wicked zest that hurts only when you laugh. full review

View more The Player reviews at RottenTomatoes.com

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The Player Trivia


  • Who was a rich pizza boy....a 30 yr old 2nd grader......a son of the devil......a football player....and a dad  Answer »
  • This movie is a satire of Hollywood establishment, concerning the consequences of blind ambition.  Answer »
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