Critic Reviews
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Derek Elley, Variety
Bone-crunching action triumphs over story and, uh, character development.
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Reece Pendleton, Chicago Reader
Pretty tough to sit through.
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Robert K. Elder, Chicago Tribune
Exactly like an elephant, mostly slow and lumbering -- but with great menacing charges of excitement.
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Marc Bernardin, Entertainment Weekly
It's silly, at times laughable, sure, but Jaa has a reckless, bone-cracking grace that transcends the film's triviality. For fight fans, he's worth the price of admission.
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Dana Stevens, Slate
When you've got a male lead who can break heads like Tony Jaa, a little bit of story line goes a long way.
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Jeff Shannon, Seattle Times
As a breathtaking follow-up to 2003's Ong-Bak: Thai Warrior, it's a whole lotta fun.
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Joshua Starnes, ComingSoon.net
Truly, the best martial arts film about elephants yet made.
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Cole Smithey, ColeSmithey.com
In the realm of fresh martial arts movie stars, no one holds a candle to Tony Jaa.
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Joshua Tyler, CinemaBlend.com
You have to wonder why they even bothered with the subtitles. It's not like they make much difference.
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Todd Gilchrist, IGN Movies
Tony Jaa leaves Bruce Lee wannabes in the dust with this terrific Thai martial arts film.
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Cynthia Fuchs, Common Sense Media
Violent martial arts action; older teens and up.
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Anton Bitel, Eye for Film
a no-brainer, but also an extravaganza of inventive, visually stunning brutality (by the trunkload).
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Urban Cinefile Critics, Urban Cinefile
If you like you martial arts action tough, gritty and fast, Tony Jaa is your artist, as he proved on his debut with Ong Bak (2003). This is Muay Thai, a form of aggressive martial arts that makes the others look tame.
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Rob Gonsalves, eFilmCritic.com
If a video game allowed you to do what Tony Jaa does, it would be the bestselling video game in history.
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Brian Tallerico, UGO
It's tremendously refreshing to see a film that relies solely on the choreography of its athletic star to make the action work.
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Daniel Eagan, Film Journal International
Resurrects the bad acting and absurd plotting of old-fashioned kung fu movies, as well as their exhilarating stunts and action choreography.
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Brent Simon, FilmStew.com
Moments later, we're in a muddy river enjoying the exact sort of cathartic speedboat chase that this summer's somber Miami Vice really should have had.
Read all 17 critic reviews
Featured Audience Ratings
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A much hyped fight film from Muay Thai expert Tony Jaa with many many excellent stunts and chase sequences, the only problem is we have now seen all this before from various other martial arts experts.
The film itself is fine but its not really too original in any aspect, a simple… More
A much hyped fight film from Muay Thai expert Tony Jaa with many many excellent stunts and chase sequences, the only problem is we have now seen all this before from various other martial arts experts.
The film itself is fine but its not really too original in any aspect, a simple revenge plot as usual and Jaa showing his skills yet again. Its very spectacular but I personally didn't get too engrossed, the most impressive thing about the whole film is the MMA fight sequences, mainly the fight between Jaa and Capoeira fighter Lateef Crowder.
This one fight sequence is the most impressive fight I've seen in years, its fantastic, Crowder is amazing and almost too good to be true with his moves. Add to this the following fight between Wushu expert John Foo and then a one off battle against wrestling strong man Nathan Jones which is impressive merely to see the size differences, think Bruce Lee v Kareem Abdul Jabbar.
To be honest the film is worth seeing for those three fights, apart from that its business as usual with this action film.
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The story and script are weak, and the acting is pretty wooden, but then again, those are not the reasons to see this. This film about a man tasked with protecting elephants who goes off to save a pair of them from an international crime syndicate feels less like a movie and more like… More
The story and script are weak, and the acting is pretty wooden, but then again, those are not the reasons to see this. This film about a man tasked with protecting elephants who goes off to save a pair of them from an international crime syndicate feels less like a movie and more like an excuse to show off some crazy stunts and awesome fight scenes.
That's okay with me. Against my better judgment I'm giving this film a mild recommendation because...damn..what this film gets right, it gets it right in spades. Going for the Jackie Chan style of doing everything practically and with no CGI, the action in this movie is balls to the wall incredible. The highlight, for me is a masterfully executed long take in which Jaa's character fights his way up several flights of stairs in order to confront one of the villains in a restaurant. The choreography and sets are one thing, but the fact that it was done as an unbroken long take just really takes the cake as far as impressiveness is concerned.
Aside from the action, this is just a blah and predictable movie. It's enjoyable, but could have been great if everything was as strong as the fights and stunts.
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there is no doubt that tony jaa is a legit action star. his martial arts work is stellar and the stunts were exciting, however, he has nearly no dialogue in the film, and other than knowing that he protects elephants we know nothing about him. some of the action sequences were fun,… More
there is no doubt that tony jaa is a legit action star. his martial arts work is stellar and the stunts were exciting, however, he has nearly no dialogue in the film, and other than knowing that he protects elephants we know nothing about him. some of the action sequences were fun, but some were way too over the top, like johnny the crime boss calling hoods from all over the city through the loudest horn ever built in a torn down little warehouse. There was also a fight scene at the end that was the scene that never ends, where jaa must have fought half of the population of australia. the film was fun, but also carries the distinction of being the movie that features the only major crime syndicate in the world to possess thugs in the thousands without a single one of them owning a gun. jaa with a more creative storyline - lets hope.
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<i>Kham: "Where the hell is my elephant?"</i>
On the eve of presenting a pair of prized elephants to the King of Thailand, a young martial arts expert and his father are shocked to discover that the beloved creatures were stolen by an international mafia… More
<i>Kham: "Where the hell is my elephant?"</i>
On the eve of presenting a pair of prized elephants to the King of Thailand, a young martial arts expert and his father are shocked to discover that the beloved creatures were stolen by an international mafia syndicate, and now the determined fighter must travel to Australia to get his animals back in this adventure from the team behind the international action hit Ong Bak. To Kham (Tony Jaa) and his father, the elephants that they were about to present to the King of Thailand were not simply pets, but members of the family as well. When Kham learns that the criminals who stole his elephants have taken them back to their home base in Australia, the fearsome fighter vows to brave the strange new land and bring his animals back safely no matter what the cost. Upon arriving in Australia, Kham enlists the aid of Thai Police Sergeant Mark (Petchthai Wongkamlao) and pretty slave Pla (Bongkuch Kongmaili) in taking on down notorious crime boss Madame Rose (Jing Xing) and locating the animals he loves before it's too late.
<b><u>Review</u></b>
The heir apparent to the Jackie Chan, Jet Li mantle has done it again. Breathless action sequences that have to be seen to be believed including an extended fight sequence with about twenty gang members and a restaurant fight that will leave you with a breathless feeling. Story such as it is revolves around Tony Jaa setting off after some elephant poachers and following them to Sydney, Australia to regain custody of said elephants to give to the King of wherever he actually resides. As with Ong Bak, the story is just an excuse to get Mr Jaa into as many stunt filled fight scenes as possible and once it gets started it never really lets up for even a moment allowing our hero to do many wild and crazy things in the pursuit of his elephant friends. If you're a fan of non stop action movies give this a whirl I guarantee you won't be disappointed.
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The plot is predictably typical, but the action and fight scenes are absolutely crazy!! The stunts this guy can do is amazing and well worth the watch. And it's always nice to see Nathan Jones pop up in these movies too....
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A little less authentic and a little more Hollywood than Ong-Bak. Some amazing fight scenes throughout and many impressive stunts. The storyline, I felt was a little weak, however, it's definitely worth watching if you are a fan of Martial Arts.
Some great scenic shots too… More
A little less authentic and a little more Hollywood than Ong-Bak. Some amazing fight scenes throughout and many impressive stunts. The storyline, I felt was a little weak, however, it's definitely worth watching if you are a fan of Martial Arts.
Some great scenic shots too and comical moments too.
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It redifines spectacular action. Incrediable fight scenes unlike anything you have seen. Stylish, cool and exhilerating. A fast-paced story that gets to the point. A wickedly entertaining and adreniline-pumping non-stop action.
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Movie was a letdown in my opinion compared to Ong Bak. Fighting is amazing as usual but everything else drags. Highlight scene is Jaa verse a capoeira fighter, in my opinion emulating a live action Sagat vs. Eddy Gordo fight, which is wrenches the gut.
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WHOA! OW! WHOO! AMAZING Thailand martial arts epic film with Tony Jaa since <i>Ong-Bak: The Thai Warrior</i>. Jaa is terrific and more better than Hong Kong's Jackie Chan and Jet Li in his incredible fight scenes. He delivers "bone-breaking thrills and amazing… More
WHOA! OW! WHOO! AMAZING Thailand martial arts epic film with Tony Jaa since <i>Ong-Bak: The Thai Warrior</i>. Jaa is terrific and more better than Hong Kong's Jackie Chan and Jet Li in his incredible fight scenes. He delivers "bone-breaking thrills and amazing gravity-defying action" performed without stunt doubles, wires or CGI. I love final showdown of battle scene between Tony Jaa and Nathan B. Jones that gave me a big jaw-dropping.
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I like the elephant story...along with some of the action...but, other than that...not that great of a film.
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Kham: You killed my father, and you stole my elephant!
Towards the end of this movie there is a seen where I was actually crying of laughter because of the hilarity as well as the horrific violence going on at the same time, and how it was continuously repeated. That was a first for… More
Kham: You killed my father, and you stole my elephant!
Towards the end of this movie there is a seen where I was actually crying of laughter because of the hilarity as well as the horrific violence going on at the same time, and how it was continuously repeated. That was a first for me.
Once this movie gets started, it only gets faster, with some of the craziest martial arts action i've seen. Lots of fun watching this, and if you complain about plot, then you apparently haven't seen a martial arts movie before.
I can only hope that Tony Jaa gets a big Hollywood movie, but isn't restricted and is able to be just as unleashed as he is here.
...oh, and don't fuck with this man's elephants.
Kham: Where the hell is my elephant!!!!
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BRUTAL - but luv it! Where Ong Bak showed the artistry and skill of Thai Boxing, this one shows the raw brutality and anger of a warrior when his elephants are kidnapped. yes - his elephants. But there is soul and a bit of heart and raw emotion towards the climax..... especially when… More
BRUTAL - but luv it! Where Ong Bak showed the artistry and skill of Thai Boxing, this one shows the raw brutality and anger of a warrior when his elephants are kidnapped. yes - his elephants. But there is soul and a bit of heart and raw emotion towards the climax..... especially when ass is gettin killed... not whooped.. out rightly killed. More bones must have been broken in making this movie then all Hollywood films in the last 10 years.
WHOAAA!
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After wowing the world and his dog with Ong-Bak, Prachya Pinkaew reunites with Tony Jaa to deliver another blistering martial arts picture.
This time around, Tony's simple Thai villager is on a mission to retrieve stolen elephants (yep) from poachers. This forces him to follow… More
After wowing the world and his dog with Ong-Bak, Prachya Pinkaew reunites with Tony Jaa to deliver another blistering martial arts picture.
This time around, Tony's simple Thai villager is on a mission to retrieve stolen elephants (yep) from poachers. This forces him to follow them into Australia and become the target of a vicious crime syndicate.
A sad factor of Ong-Bak's phenomenal success is that already with it's follow-up there is kowtowing to Western audiences. For example, the majority fo the cast speak English for 70% of the film, even the Thai characters. Also, though its predecessor has hardly plot-centric, practically all of the Buddhist philosophy presented beforehand is absent here. Now we are just left with Jaa's simple moralising.
There is a greater comedic bent here, too. Though this does seem an odd criticism, and does allow Petchtai Wongkamlao to shine, it is a clear indicator of the entertainment-all-the-way design.
Irregardless, the main reason everyone will watch is the fighting, and of course Jaa delivers in spades. The tram-hop is gobsmacking, and the frequently-mentioned one-shot of his multi-fight, multi-flight ascension of a mafia building is astonishing.
Though it does lack the first-time amazement of seeing Jaa do his stuff, Warrior King is cracking entertainment
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Tony Jaa debut in Ong-Bak was absolutely amazing bring a fresh new star in martial arts film and single handily made Thailand action film popular. Unfortunately, Jaa followup to Ong-Bak wasn't as spectacular.
As with any critic I would give an overall sentence describing the… More
Tony Jaa debut in Ong-Bak was absolutely amazing bring a fresh new star in martial arts film and single handily made Thailand action film popular. Unfortunately, Jaa followup to Ong-Bak wasn't as spectacular.
As with any critic I would give an overall sentence describing the overall story of the movie, but this movie is so bad in story telling there no redeeming value. I blame the editing of this movie which makes the American version of this movie flow uneasily and and most of the acting in this movies doesn't help much.
Time to talk about the action, one word, average. Yeah that's right, average mainly due the unspectacular choreography in this movie. Out of all the fight scenes in this movie, only one really stand out and unfortunately it's a short one. One I personally enjoyed was when Tony Jaa fought against Nathan Jones a second which was entertaining and unbelievable how it was done. Unfortunately what ruin that fight scene was the other villains inference.
The Protector is a disappointing, uneasy, and poorly edited action movie.While it may have tons of fight scenes, whats makes a good action movie is a decent story (or better than average) and great action sequences to be fun and entertaining.
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Wasn't anything as of what I expected...I was disappointed by a margin.Wasn't as high octain as Ong Bak. tony Jaa really needs some new moves! '
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The production is better than "Ong Bak" and Tony Jaa prove again that he is an amazing martial artist and the fight scenes, for the most part are amazing although some get repetitive and boring. Despite the ridiculous story and dialogue the action is what sells this film… More
The production is better than "Ong Bak" and Tony Jaa prove again that he is an amazing martial artist and the fight scenes, for the most part are amazing although some get repetitive and boring. Despite the ridiculous story and dialogue the action is what sells this film and Tony Jaa mix of acrobatics and authentic Thai martial arts and makes this film enjoyable, laughable and even somewhat touching.
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I went back and read my review of my first Tony Jaa experience 'Ong Bak (Thai Warrior)' and could conceivably reprint it here for my second. Amazingly, the exact same features apply to 'The Protector,' which I shall recap, bulletstyle::
- overriding serious tone… More
I went back and read my review of my first Tony Jaa experience 'Ong Bak (Thai Warrior)' and could conceivably reprint it here for my second. Amazingly, the exact same features apply to 'The Protector,' which I shall recap, bulletstyle::
- overriding serious tone punctuated by one very funny sight gag
- incredible acrobatic fight scenes
- one amazing stunt sequence with Jaa evading a gang of rollerblading baddies brandishing fluorescent lightbulbs (you read that right)
- Jaa's only acting skill resembles a pissed-off look
- horrible choppy storyline
The blame for that last lies completely with the Weinstein's perpetual disrespect for Asian film by cutting 20-30 minutes for American release, as if nobody here cares about the story and only want the action. But action only makes sense within the context of story, so we are left with more loose ends than a championship chili cookoff.
'The Protector' does boast one unique sequence that I have never seen before in film. While many of Jaa's punches, kicks, and stunts are made in combination - sometimes 5 or 6 before cutting cameras - during a sequence not unlike Jackie Chan in 'Project A' he seeks the villain over multiple stories of a lounge/restaurant, racing up stairs and dispatching of bad guys along the way. Unless some Hitchcockian 'Rope' editing trickery was employed, this is a consecutive string of over twenty-five stunts in three consecutive minutes of film. Think about that, fall down or miss a punch cue at any point during that ultra-complex marathon take and it's back to square one. Observing Jaa's huffing & puffing at the end makes me believe it really *was* ONE take, so keep your eyes out for this impressive achievement!
I'll reiterate that if Jaa substituted more stunt sequences in place of straight feet & fist fight scenes, he might rival Jackie Chan for the best martial arts entertainments around. As is, he still provides solid adrenalized action.
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He went on to presenting this film, being a lover of Kung Fu cinema.
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This isn't so much a film as a vehicle for Tony Jaa to show his potential as the next Jackie Chan (who pops up briefly to rub this fact in) as he does stunts, fights and the like without CG or wirework. There is some wonderful choreography - especially a one-take fight as he… More
This isn't so much a film as a vehicle for Tony Jaa to show his potential as the next Jackie Chan (who pops up briefly to rub this fact in) as he does stunts, fights and the like without CG or wirework. There is some wonderful choreography - especially a one-take fight as he makes his way up the inside of a club. But he cannot act and it's not nearly as good as his first vehicle, Ong Bak.
Read all 20 featured audience ratings
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