Viggo Mortensen, Kodi Smit-McPhee, Charlize Theron, Guy Pearce, Garret Dillahunt ...( see more  see more... ) , Michael K. Williams , Molly Parker , Robert Duvall

From Cormac McCarthy, author of NO COUNTRY FOR OLD MEN, comes the highly anticipated big screen adaptation of the beloved, best-selling and Pulitzer Prize-winning novel, THE ROAD. Academy Award-nomin...( read more  read more... )ee Viggo Mortensen leads an all-star cast featuring Charlize Theron, Robert Duvall, Guy Pearce and young newcomer Kodi Smit-McPhee in this epic post-apocalyptic tale of the survival of a father (Mortsensen) and his young son (Smit-McPhee) as they journey across a barren America that was destroyed by a mysterious cataclysm. A masterpiece adventure, THE ROAD boldly imagines a future in which men are pushed to the worst and the best that they are capable of—a future in which a father and his son are sustained by love.

Flixster Users

73% liked it

172,832 ratings

Critics

72% liked it

136 critics

R, 1 hr. 51 min.

Directed by: John Hillcoat

Release Date: November 25, 2009

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Stats: 2,833 reviews

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Flixster Reviews (2,833)


  • December 9, 2009
    This is such a pedestrian thing to say, but God, the book was so much better.

    More later
  • December 8, 2009
    * Thoughts in a bit
  • December 4, 2009
    Bleak, depressing road movie based on the Pulitzer Prize winning novel by Cormac McCarthy about survivors of the apocalypse . With only the slightest hair of a story, this film is a fascinating study of the strong bond between a father and son. Actors Viggo Mortensen and Kodi S...( read more)mit-McPhee who play the central pair, are compelling and elevate what could have just been just a variation of 28 Days Later. The pacing can be extremely lethargic at times, but for those who are willing to be drawn in by the hypnotic gloom of this post apocalyptic world, the rewards are substantial.
  • November 30, 2009
    The thinking man/woman's post-apocalyptic film.
    While the biological, geological and structural devestation is ever present and ominous, the film focuses mainly on the deeper horror of such an event; the social, psychological and physical deterioration of society,
    This film is ...( read more)Intense, bleak and at times horrific. But always deeply thought provoking and very complex to spite it's simplicity.
    WIth the exception of Mortensen and Smith-McPhee, screen time is minimal for the rest of the cast. But everyone does a really good job with the time that they have and over all the acting is pretty amazing.
    One of those films that you will think (and talk) about for awhile after seeing it.
  • November 28, 2009
    The Boy: How many people do you think are still alive?
    The Man: In the world? Not very many.

    Based on a great novel from author Cormac McCarthy, this is a bleak tale about a father and son making there way through an abandoned world. Director John Hilcoat and screenwriter Jo...( read more)e Penhall do great justice to the novel, bringing this dark tale to life, which is certainly benefited by the strong performances, headlined by Viggo Mortensen.

    The Boy: Are we gonna die?
    The Man: We are not gonna quit. We are gonna survive this.

    An unnamed father, played by Viggo Mortensen and his young son, played by Smit-McPhee, struggle to survive after an unspecified apocalypse and make their way toward the coast for possible food, shelter, safety, or to potentially find other survivors of the cataclysmic events. Along the way, armed with a gun with only two bullets, they encounter grave struggles and hardships across the barren landscapes, with scarce shelter and resources available to them, and having to avoid bands of cannibals and other desperate gangs looking to pillage valuables and food. Various flashback sequences occur where the Man remembers events prior to the catastrophe involving his deceased wife, played by Charlize Theron.

    The Man: I told the boy when you dream about bad things happening, it means you're still fighting and you're still alive. It's when you start to dream about good things that you should start to worry.

    Hilcoat's previous film was the great Australian western, "The Proposition," starring Guy Pearce. That film made great use of the barren outback to go along with another dark tale. His being attached to an adaptation of "The Road" got me immediately excited, and after seeing this film, he has delivered. As much as the story can be emotionally draining, I was not depressed watching this film. The balance between showing what humans are capable of and keeping a strong father-son bond at the center if the story is very effective here. Portraying a world gone to nothing, and not exploiting this aspect to achieve something greater beyond the two key characters is the element that certainly keeps this film in a grounded and tonally successful point of view.

    The Gang Member: That boy looks hungry. Why don't ya'll come on to the truck?
    The Man: You look at him again, I'll shoot you in the head.
    The Gang Member: I don't think you've killed a man in your life.

    The work by Mortensen and young Smit-McPhee is great. The two clearly worked hard to create the chemistry needed here, with Mortensen again throwing himself into another great performance. Small but effective work from Theron and Robert Duvall as well.

    The cinematography is quite effective here throughout. Working on a small budget, if one can get past the fact that gray is almost the only color you will see throughout this film, there is much to admire in the way the film has captured vast barren wastelands in both urban and forest settings. While not necessarily dwelling on how abandoned this world is, its certainly a great accomplishment in its portrayal of the world that was described in the book and in a way that captures why these characters act the way that they do.

    This certainly wont be a comfortable film for everyone to watch. Its very bleak and certainly not the exciting post-apocalyptic film that the ads want to sell this as (although there really isn't any other way to bring large audiences); however, its well made, with strong performances, and certainly does justice to the novel on which it is based.

    The Man: You have to keep carrying the fire.
    The Boy: What fire?
    The Man: The fire inside you.
  • December 20, 2009
    Very sad movie. Viggo Mortensen was perfect as the father. If what happens in this movie happens when the wold starts ending I hope its a very long time from now.
  • December 20, 2009
    Really want to see this movie
  • December 20, 2009
    I HAVE ONE IN FRONT MY HOUSE
  • December 20, 2009
    Ce film post-apocalyptique nous dévoile ce qui pourrait nous arriver dans un monde rempli de violence et d'injustice, où la survie est difficile. La petite étincelle qui fait de nous des humains peut s'éteindre à n'importe quel moment et nous faire basculer dans la bestialité, co...( read more)mme si nous étions revenu à l'âge de pierre. Mais heureusement qu'un petit garçon tente malgré tout de transmettre l'espoir et l'amour à tous et surtout à son père.
  • December 19, 2009
    only cause of no country for old men

Critic Reviews


November 30, 2009
A.O. Scott, At the Movies

It hits a few tinny, sentimental notes. Still, I admire the craft and conviction of this film, and I was impressed enough by the look and the performances to recommend that you see it. full review

November 29, 2009
Peter Travers, Rolling Stone

In this haunting portrait of America as no country for old men or young, Hillcoat -- through the artistry of Mortensen and Smit-McPhee -- carries the fire of our shared humanity and lets it burn brigh... full review

November 29, 2009
Joe Morgenstern, Wall Street Journal

You hang on to yourself for dear life, resisting belief as best you can in the face of powerful acting, persuasive filmmaking and the perversely compelling certainty that nothing will turn out all right. full review

November 29, 2009
Armond White, The New York Press

Great junk like Resident Evil and passable schlock like 28 Weeks Later have more skill and integrity. Why would anyone want to make -- or watch -- this Hillcoat/McCarthy desolation except to feel fash... full review

November 25, 2009
A.O. Scott, The New York Times

The most arresting aspect of The Road is just how fully the filmmakers have realized this bleak, blighted landscape of a modern society reduced to savagery. full review

November 25, 2009
Kyle Smith, New York Post

Zombieland was the same movie with laughs, but if you take away the comedy, what is left? Nothing, on a vast scale. full review

November 25, 2009
Amy Biancolli, Houston Chronicle

My, but it's been a fine year for Armageddon. full review

November 25, 2009
Moira MacDonald, Seattle Times

Mortensen warms the film with his presence, creating a vivid portrait of a bereft man clinging to the one thing he has left. full review

November 24, 2009
Colin Covert, The Minneapolis Star Tribune

John Milton described hell as "darkness visible." That is the grim, mesmerizing world that director John Hillcoat creates here. full review

November 24, 2009
Claudia Puig, USA Today

While the film is not as resonant as the novel, it is an honorable adaptation, capturing the essence of the bond between father and son. full review

View more The Road reviews at RottenTomatoes.com

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