Critic Reviews
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Ruthe Stein, San Francisco Chronicle
After scripting both Barbershops, writer-director Mark Brown appears to have exhausted his ability to create new and interesting characters to inhabit The Salon.
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Steven Rea, Philadelphia Inquirer
Despite all the stock characters and scenarios, Fox and company manage to bring things to life. And cut some hair.
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Lisa Rose, Newark Star-Ledger
The best scenes in Barbershop featured incisive discussions of current events. Here, the closest brush with topicality is a reference to Eddie Griffin.
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Kyle Smith, New York Post
A feeble dramedy about a Baltimore beauty shop where someone should come in to sweep up the clichés.
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Elizabeth Weitzman, New York Daily News
Given that Brown wrote the significantly superior Barbershop, he should know that when you make a socially conscious comedy, you've got to weave in plenty of wit alongside the wisdom.
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