Critic Reviews
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Christopher Orr, The New Republic
Linney and Hoffman are both terrific, and Jenkins's script is pointed and perceptive, but the film's arc is a little flat.
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Jonathan F. Richards, Film.com
It's billed as a comedy. You may or may not find much to laugh at.
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Joshua Rothkopf, Time Out New York
A goo-free comedy.
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Tom Long, Detroit News
Powerful, painful and yet unerringly funny as it points out our emotional and physical vulnerabilities, this is a film that finds the humor in tragedy while keeping both omnipresent.
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John Monaghan, Detroit Free Press
The Savages not only boasts Oscar-worthy performances from Philip Seymour Hoffman and Laura Linney as a self-absorbed brother and sister, its attention to detail makes it sweetly funny and genuine.
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Kelly Vance, East Bay Express
We could say that The Savages is a social-problem drama about senile dementia and nursing homes, but that's a little like saying The 400 Blows is about school truancy.
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Fernando F. Croce, CinePassion
One rummages vainly through tics in search of genuine emotion
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Tony Macklin, Fayetteville Free Weekly
The Savages is a labored labor of love about an estranged brother and sister, who have to deal with a frail and fractious father.
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Wesley Lovell, Cinema Sight
Exploring ground laid out many times before, The Savages is at times frustrating and at times emotional film that could have used a re-write.
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Heather Huntington, ReelzChannel.com
Jenkins fans looking for the irreverent humor of Slums need not apply.
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Jeff Bayer, The Scorecard Review
Having the talent of Laura Linney and Philip Seymour Hoffman isn't enough.
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Austin Kennedy, Sin Magazine
It could have been shortened a bit, I didn't think the material was enough for almost two hours, but if you enjoy dramedy's like SIDEWAYS, give it a try.
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Urban Cinefile Critics, Urban Cinefile
Tamara Jenkins's film tackles the difficult subject of facing up to an ageing parent's mental and physical demise with overt sensitivity but no punches are spared.
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Margaret Pomeranz, At the Movies (Australia)
This film is immensely rewarding and in its own way exceptionally beautiful.
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Robert Davis, Paste Magazine
Oddly being marketed as a comedy by its distributor, The Savages is best approached as a drama with an intermittently light touch that's generally more of a curse than a boon.
Read all 15 critic reviews
Featured Audience Ratings
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Sometimes dysfunctional families make us laugh, or even cry. This one could cause a slight depression. When the Savage siblings have to deal with their father in the beginning stages of dementia and see each other more often than they are comfortable with. Considering the names in… More
Sometimes dysfunctional families make us laugh, or even cry. This one could cause a slight depression. When the Savage siblings have to deal with their father in the beginning stages of dementia and see each other more often than they are comfortable with. Considering the names in the leading roles it's not very surprising that the acting is top notch. There are also a few very amusing parts, mostly the kind of humor that makes you feel ashamed for other's actions. But to the honest, the rest of the film is a little too bleak and depressing to really warrant a second look. The final frame redeems some of that impression, but overall I wondered what the creators were trying to tell us. Life is uncomfortable and then you die?
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Even with a father with dementia, I could not connect with the story or the characters.
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Having not experienced any of director Tamara Jenkins' films before, I went into this film expecting something along the lines of "Little Miss Sunshine" in it's supposedly humourous take on a dysfunctional family. That's not what I got but there was still… More
Having not experienced any of director Tamara Jenkins' films before, I went into this film expecting something along the lines of "Little Miss Sunshine" in it's supposedly humourous take on a dysfunctional family. That's not what I got but there was still plenty to enjoy from the emotionally impaired characters.
As their estranged father Lenny Savage (Philip Bosco) sinks into senility in an Arizona retirement village, Wendy (Laura Linney) and Jon (Philip Seymour Hoffman) are forced to figure out how to care for the dad who never cared for them.
This is not a comedy as some of the critics would have you believe. Yes, there are moments of comedy but no more than the humour that accompanies life and it's irony. This is a heartfelt drama, dealing with the painful responsibility that families face in our modern day, injected with humour and pathos and wonderfully acted by Linney and Hoffman - who are two of the best in the business. The relationship between the siblings is entirely believable. There is not a lot of communication between them but what's not said, is just as important. There's also not a lot going on in these peoples lives. They seem to think so but we are able to sit back and observe the avoidance they are trying to make. It also never fully discloses why the two of them have such contempt for their ailing father. It's hinted that he never had much time for them but as the film draws to a close and Wendy's creative writing and aspiration to be a successful playwright comes to fruition, a bit more is revealed as she uses her experiences as inspiration for her writing.
A good family drama, dealing with the stuggles that are becoming ever more present in our current times, helped by subtle and very real performances. If you have the patience to invest, you'll be rewarded.
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Wow, finally got around to seeing this (after years of the dvd collecting dust on my shelf). A superb family drama ripe with the perfect blend of drama, comedy, and sadness. Some of the best work in both the careers of Linney and Hoffman.
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Technically, this is a strong film, but technicality often doesn't cut it. What it lacks is a character. or characters, to whom we can attach ourselves. At the end, I didn't think that I got to know anybody, and the scenes to which I could connect were scenes for which I… More
Technically, this is a strong film, but technicality often doesn't cut it. What it lacks is a character. or characters, to whom we can attach ourselves. At the end, I didn't think that I got to know anybody, and the scenes to which I could connect were scenes for which I did all the work; that is I connected to Jon's monologue about the emotional manipulation of nursing homes because I've been in emotionally manipulating nursing homes, not because the film showed me the gruesome details that Jon and Lenny are privy to.
Also, I wonder if the film bites off more that it can chew. It opens the doors of an abusive father/son relationship, a failed/failing playwright, a researcher wondering if his career is worthwhile, the "dying process" as hospice workers insensitively call it, and reconnecting with a long-lost relative. Each of these themes have had its own film, and the result of shoving all of those themes into this film creates a lack of focus and a feeling of uncomfortable detachment for the audience.
That said, Hoffman, Linney, and Bosco are fantastic. These are actors at or near the top of their game, and I can only wish that the script would've given them a greater chance to shine.
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Great performances? Check. Overwrought, angsty writing? Check. Probably a bit more self-important than it should be? Check.
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I Actually really enjoyed this movie, it is a really good dark comedy which is actually really funny!!
its a nice story thats interestin and you get to distinguish the different personalities of the characters!
its funnny, sad, and a cute movie that is well acted and just a very… More
I Actually really enjoyed this movie, it is a really good dark comedy which is actually really funny!!
its a nice story thats interestin and you get to distinguish the different personalities of the characters!
its funnny, sad, and a cute movie that is well acted and just a very enjoyable movie to enjoy!
it is just a dark comedy drama that doesnt have much to the story apart from estranged family brought back together by their dying father who they've not seen in a while, through this they discover whats right and wrong in their life!
Its a good movie and worth the watch!!
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There are endless variations that can be done with the family drama, which is why I tend to like this kind of movie so much. The Savages brushes against death, possible child abuse, and their effects of those things on an elderly man and his two middleaged children. I say brushes,… More
There are endless variations that can be done with the family drama, which is why I tend to like this kind of movie so much. The Savages brushes against death, possible child abuse, and their effects of those things on an elderly man and his two middleaged children. I say brushes, becaused the story never really delved into these issues as deeply as I hoped it would.
Despite the fact that the plot seemed to chase its own tale a bit, I did enjoy the performances from Linney and Hoffman. The material wasn't amazing, but the two actors are so likeable that it made the movie better than it would have been, otherwise. I would have enjoyed a more focused narrative (and an ending that left more of an impression), but The Savages was still enjoyable enough for me to consider it "ok".
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I like Laura Linney Movies. A warm and touching Movie just like I expected.
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I liked how this movie didn't try too hard to be a comedy like it could've. There was some funny things but it was mostly a real story. Philip Seymour Hoffman and Laura Linney were absolutely perfect together, their acting alone makes this movie a necessity. The… More
I liked how this movie didn't try too hard to be a comedy like it could've. There was some funny things but it was mostly a real story. Philip Seymour Hoffman and Laura Linney were absolutely perfect together, their acting alone makes this movie a necessity. The dysfunctional nature of the family was just priceless, being compatible and decent was like an Olympic challenge for them.
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A simple, honest and moving drama with some great performances. Having cared for dying relatives, I could relate to it a lot. I liked the fact that without being preachy, it gives us the most important lessons of all, Don't give up and it will probably all be all right in the… More
A simple, honest and moving drama with some great performances. Having cared for dying relatives, I could relate to it a lot. I liked the fact that without being preachy, it gives us the most important lessons of all, Don't give up and it will probably all be all right in the end. Loved the last scene, I think I'm going soft!
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Some exquisitely beautiful scenes: Jon's gradual congratulations for Wendy while he's strapped to that back-aligner contraption; Jon yelling in the parking lot about how all the nursing home niceties prey on guilt; Wendy and Jimmy's short-lived friendship; Lenny… More
Some exquisitely beautiful scenes: Jon's gradual congratulations for Wendy while he's strapped to that back-aligner contraption; Jon yelling in the parking lot about how all the nursing home niceties prey on guilt; Wendy and Jimmy's short-lived friendship; Lenny turning down his hearing aid as Jon and Wendy bicker about how they're not like their father. It's good. It's darkly comedic. It's a movie I'd like to love, you know? But something about it throws me off. Perhaps it's the andante pacing. Perhaps it's the overabundant places in the script that are textbook definitions of how to split dialogue into different locations or withhold exposition from the audience. Perhaps it's the portrayal of a starving playwright's life that hits too close to home, yet somehow still closes with a random, happy ending.
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Very sad movie. One of the best performances I have seen Laura Linney do though.
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I have so much hope for mankind when i hear Philip Seymour Hoffman's laugh.
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Good performances but grim
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If you are looking to watch a movie for a little escape...this is not it. This movie is straight out of the pages of the real and directed right into the heart of where it hurts.
Forcing us to recognize the reality of what it means to get older in our society and even confront what… More
If you are looking to watch a movie for a little escape...this is not it. This movie is straight out of the pages of the real and directed right into the heart of where it hurts.
Forcing us to recognize the reality of what it means to get older in our society and even confront what may be our own futures this film holds back on nothing.
It will strip you to the emotional bones and leave you raw maybe even asking, "Did I really need to watch this tonight?" The question would be, "Is there ever a good time to watch this subject matter?"
Brilliantly played by Hoffman and Linney two people look to find care for their aging Father. NOTE: I say, "people" here and not "characters." This is done so well that you may forget that it is only a film.
Never descending into the tripe and trite cliche that might make this subject matter into a soap opera the film is uncompromising in breaking you along with the emotional wrecks. All the trials and tribulations are felt whole heart and we are left barren from beginning to end taking a journey with these people that might just hit too close to home on a lot of levels.
Savor the nuances. Savor the performances and try not to be too hurt by the fact that this movie will take it away and does not even attempt to give it back...as it should be.
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What's not to like about The Savages? It provides an emotionally gripping story, and its nuanced characters are portrayed to perfection by two of this generation's greatest actors (Linney and the great PSH). A simple, straight-forward script is complemented by a great score… More
What's not to like about The Savages? It provides an emotionally gripping story, and its nuanced characters are portrayed to perfection by two of this generation's greatest actors (Linney and the great PSH). A simple, straight-forward script is complemented by a great score in what was secretly one of the best films of 2007, and the end result is an examination of facing one's mortality in old age, in middle age, and due to the accessibility of the film, at any age. I'm excited to see what Tamara Jenkins does next, this is a film of name-making quality.
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Great black comedy and dramatic tragedy - a feat made possible by the supremely measured performances of its leads. Laura Linney and Philip Seymour Hoffman are pitch-perfect. Linney's Wendy Savage is incredibly self-absorbed and emotionally immature, but can easily react to and… More
Great black comedy and dramatic tragedy - a feat made possible by the supremely measured performances of its leads. Laura Linney and Philip Seymour Hoffman are pitch-perfect. Linney's Wendy Savage is incredibly self-absorbed and emotionally immature, but can easily react to and act on an emergency. Hoffman's Jon Savage is just messed up - maybe event more so - but along with his sister, he gets the job done and manages to hold it together. That siblings story reminds me a bit about between my mother and uncle who lost their mother (my grandmother).
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In many ways this is a small film. The texture, the subject matter, the disjointed intimacy, all make this appear less than what it is; but perhaps that is to its credit.
No new ground is broken here, telling the tale of a brother and sister struggling to deal with taking care of a… More
In many ways this is a small film. The texture, the subject matter, the disjointed intimacy, all make this appear less than what it is; but perhaps that is to its credit.
No new ground is broken here, telling the tale of a brother and sister struggling to deal with taking care of a father with demensia, who they were divorced from for many years. However the slow revelation of the abuse angle is well handled and the performance of Laura Linney a very good one. Weigh this performance against the almost catatonic flat-line of Seymore Hoffman, who I feel was totally wasted here; given not much to do but be "in" the film and react to its plot conventions.
I was hoping for something somehow deeper here, but felt touched enough by the circumstances to start wondering "what if" as the film progressed; so I suppose it was successful in delivering its message.
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<font size=1>"Stuck on a Family Hamster Wheel, Mile After Mile, Year After Year"~ M. Dargis, New York Times</font><br><br>Too glum and depressing. Its just too close to being real. Its a different kind of movie yes, but... I wouldnt really recommend… More
<font size=1>"Stuck on a Family Hamster Wheel, Mile After Mile, Year After Year"~ M. Dargis, New York Times</font><br><br>Too glum and depressing. Its just too close to being real. Its a different kind of movie yes, but... I wouldnt really recommend anyone to watch this, best stay away from this one if youre the moody type.
Read all 20 featured audience ratings
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