C. Aubrey Smith, Davison Clark, Erville Alderson

The radiant Princess Sophia Frederica (Marlene Dietrich) gets taken to Russia, renamed Catherine, and married off to the Grand Duke Peter. Peter is "a royal half-wit" with all the physical (and intell...( read more  read more... )ectual) appeal of a halibut. Luckily, even before the wedding Sophia-Catherine-Marlene has already fallen in lust with the handsome, womanizing emissary Count Alexei, the first of many uniformed conquests. Melodrama doesn't come any more melo than this, and Dietrich doesn't really do much, except swivel those enormous searchlight eyes from one man to another, but this is one of her sexiest and most memorable roles. It culminates with her escaping from the Palace--and stealing the throne of Russia from the halibut (who by now is Peter III)--all dressed in Cossack uniform. The Empress, Peter's mother, is played--somehow appropriately--with the accent and social grace of a New Jersey chambermaid. Great music, great lighting, and great camera work, all directed with an odd mixture of campy humor and glaring bombast by Josef von Sternberg. Scarlet Empress has (to quote the titles) "a supporting cast of 1,000 players"; at least 950 of them look exactly like Rasputin. They don't make movies like this anymore; what a pity. --Richard Farr

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Unrated, 104 min.

Directed by: Josef von Sternberg

Release Date: September 15, 1934

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DVD Release Date: May 8, 2001

Stats: 92 reviews

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Flixster Reviews (92)


  • August 13, 2008
    What extravagent decadence this was. The whole visual style of this film is just ridiculous with the bizarre gothic sets and expressionistic lighting. To add to that there's these hilariously campy dialogue and performances that offset all seriousness.
  • December 11, 2007
    another dietrich/sternberg collaboration which highly emphasizes the supreme feminism through emanicipated sex charisma as means to dominate over men, maybe over the entire russian nation deflected upon the lens of a promiscuous historical woman figure "catherine the great" who ...( read more)has been re-incarnated by the husky deviously attractive marlene dietrich.

    the flamboyant visuality of bizarre architectures and palace inner embellishment is amazingly inked with the signature of the usual sternberg's pompously lushness, particularly the ancient russia backset relentlessly provides sternberg with grand material to carve incisively with raw exotica.

    maybe the pace of this story is a bit protracted with too many passages on catherine's loss of puberty innocence. as you observe upon an inadequate marlene dietrich with girlish curly bang over her forehead, swiving pupils with lips ajar, sighing over the irreversiblility of her youthful rosy dreaminess. could you imagine that?

    the akwardness declines as dietrich reappears as her usual luscious self who lays her eyes to select her liason candidates among juicy young soldiers, dressed in warrior armour with big furry beret conquering russia with her military worshippers, exuberating sensuality even thru masculine outfits, no other woman could have that sort of luring duplicity interwoven with ambundant individuality to accomplish such task as dietrich.

    you could parellel "scarlett empress" with greta garbo's "queen christina" exemplified as feministic assertions. that sort of connived appreciation over female aggression might only be reserved in an ambiguous decade like 30s with conservative audience simmered with lecherous smolder underneath.

    as dietrich chooses riding on the horse to wave the mass in celebration of her successful domination, garbo's queen christina would rather denunciate her crown for private liberaty(she just wants to be alone! left alone!). both cases also reflect the living attitude of this two legendarily adrogynous actresses.
  • January 23, 2009
    Historical melodrama, with sets that punch you in the face. This film has a big German Expressionist hangover but it just adds to make it really visually stunning, and effective.
    It's hard to pass up a chance to stare at Marlene Dietrich, but this experiment by Sternberg is one ...( read more)of the better, and more dark ways to do so.
  • January 25, 2007
    The power which Dietrich's character projects on screen feels so real that it could be haunting for a patriarchy society.
  • January 25, 2009
    Marlene Dietrich sluts around in really expensive royal clothing (which does make her look incredible) in a palace decorated with monster statues and a monstrous Russian Empress who only wants Dietrich to mate with her retarded looking son for an heir to the throne. Well, that's ...( read more)if you look past the great set design.
  • January 23, 2009
    Lavish spectacle of the story of Catherine the Great. Marlene Dietrich gives a wonderful performance in going from a naive young girl to the ambitious woman who becomes empress of Russia.
  • July 9, 2008
    Breathtaking scenery. The plot is unimportant, it's all about Dietrich!
  • July 6, 2008
    nominated for best foreign film by NBR
  • April 10, 2008
    No sir, I don't like it.
  • July 19, 2007
    All CLASSICS are GOOD

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