Critic Reviews
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Phelim O'Neill, Guardian [UK]
Just when you're settled into thinking you're watching another survival horror, there's a massive and quite bold change in direction and all bets are off.
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Derek Malcolm, This is London
It is short, sharp and competently made but only narrowly avoids falling into the torture porn genre.
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David Parkinson, Radio Times
Zampaglione admirably maintains the mood of menace and makes his point about humanity's potential for evil without undue preachiness.
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Rich Cline, Shadows on the Wall
It cleverly weaves together nasty nightmares from both the Iraq occupation and World War II while constantly grossing us out. Although we never get very deeply involved.
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Scott Weinberg, FEARnet
It's like Deliverance turns into Hostel halfway through -- only not nearly as good as either of those films.
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