The Shanghai Gesture poster & wallpaper

Albert Bassermann, Eric Blore, Gene Tierney

Josef von Sternberg's The Shanghai Gesture is one of the most perverse portraits of decadence to squeak past Hollywood censors. Set in a Shanghai of crowded, claustrophobic, and gloriously phon...( read more  read more... )y street sets, Sternberg tells the tale of the criminals and aristocrats who inhabit "Mother Gin Sling's," a gambling house of seedy opulence where the bored rich and desperate poor congregate to lose their money and possibly their souls. Into this world wanders the thrill-seeking Poppy (the elegant Gene Tierney), a haughty girl infatuated with the club's sleepy-eyed gigolo-poet, Omar (Victor Mature, at his lazy best). "We buy and sell everything in the most honorable manner," he purrs to Poppy while luring her further into debt. When Gin Sling (Ona Munson) discovers the girl's secret, she uses her as part of an elaborate revenge against millionaire Sir Guy Charteris (Walter Huston), a Shanghai businessman with his own dark secrets. Though this came out a year before Casablanca, it plays like a twisted, fun-house mirror reflection of that film, a corrupt paradise in world of meaningless bustle, empty gestures, and easy virtue. Sternberg's languid pacing gives the film a stuck-out-of-time quality, with a story that slows and eddies while the film lingers on the sleazy decadence (suggested, rather than shown, in sly, subversive flourishes.)

Unfortunately the source print is substandard, splotchy, and full of speckles, with a soundtrack layered in hiss. At times it's like looking at the film through the veils Sternberg was so fond of. --Sean Axmaker

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Unrated, 1 hr. 38 min.

Directed by: Josef von Sternberg

Release Date: December 25, 1941

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DVD Release Date: August 31, 1999

Stats: 22 reviews

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Gene Tierney Mature and Tierney The Shanghai Gesture The Shanghai Gesture The Shanghai Gesture Ona Munson as Gin Sling The Shanghai Gesture The Shanghai Gesture The Shanghai Gesture The Shanghai Gesture
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Flixster Reviews (22)

  • groaningbitch
    August 22, 2009
    groaningbitch
    could you imagine rhet butler's favored blonde prostitute belle walting in "gone with the wind" impersonating a chinese dragon lady? that would happen under the directional trademark of josef von sternberg.

    ona munson plays the casino-owner mother "gin sling" in shaghai of chi...( read more)na, and she schemes to claim her retribution upon her primary past fued from the new-arriving official sir guy charter. meanwhile she ensnares a young beautiful dame who calls herself poppy smith(a still burgeoning gene tierney) into the allure of the arabian giglo-poet omar(victor mature)....maliciously she intends to corrupt the girl into further deprivity by the thrills of gambling and sexual slavery. gin sling proceeds her conspiracy with resourceful levels to settle her so-called former debts.

    gene tierny luminates with brightful glamour in the outset with her flighty manners, and you could forsee a future major star then while ona munson endeavors herself at her perverse chineseness with her stuck-out cheekbones and the twisted slanted eyes contorted by her straight-lined raising eyebrows. the cosmetics of mother gin sling is literarily a grostesque from caucasion's stereotyped image upon a dragon lady magnified over a thousands times to create an imaginary monstress. maybe it's really histrionic but it's certainly attention-grappling and definitely not dull to watch. a ultimate realization of the best camp!

    the background sceneries appear engrossingly campy with all the absurd chinese exotica as if von sternberg collects all the eccentric antics of china to dispatch them together to conjure up an aura of lush nightmarish foreign land with creeps and living wax figures of "caucasian chinese"....and the script is written upon the occidental concepts of some incomprehensible chinese conventions as if it's strutting its enormous knowledge on chineseness, such as the elder china-man with five wives who flaunts his acquired conceptions upon women(another white chinese imatation with types on his eyelids) or gin sling's remark of filial piety....and gin sling likes to speak with her sentence began as "we chinese...."

    but is "shanghai gesture" derogatory to chinese? apparently not. how could it form any harm to the china image since it's so obviously fake? just like the mythical theme of arabian nights, you could gallope wild in your most wanton fantasies of exoticism. contrarily, it's well-depicted pulp fiction of the raging sound of minority races in a very idiocyncratic way since it's a getting-even tale of a grudgy chinese woman who battles her conscienceless caucasian lover who tramps her with severe exploitations. some might criticize the asiastic villainy in early hollywood cinema was uglifying those oriental races, but under another spectacle, it's more aloofly characteristic to be raw and untamed....the contemporary asian castings as user-friendly adapters to the occident is lackluster and characterless in comparasion with the ancient edginess of recalcitrants since asiastic races were still considered mean, insidious people in 18th century novels....on the other hand, what's so cool about chineses (or asiastic) being dosmeticated as the meek ones like nowaday trends of globalization?
  • Ghw12158
    September 9, 2008
    Ghw12158
    good stuff from the master
  • RunBabySallyRun
    July 22, 2007
    RunBabySallyRun
    Really weird and interesting - definitely ahead of its time.

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