Fred Weller, Frederick Weller, Gretchen Mol

A contemporary story of love, sex and art, set in a college town that follows the steadily intensifying relationship between Evelyn and Adam. As Evelyn strengthens her hold on Adam, his emotional and ...( read more  read more... )physical evolution discomforts his friends Jenny and Philip, with unexpected consequences for all. By turns, hopeful and harsh, the collegiate quartet deals with the conflicting human desires for autonomy and connection, truth and love, and the notion that seduction is an art.

Flixster Users

65% liked it

6,545 ratings

Critics

65% liked it

133 critics

R, 1 hr. 37 min.

Directed by: Fred Weller, Frederick Weller, Gretchen Mol, Neil LaBute, Paul Rudd, Rachel Weisz

Release Date: May 1, 2002

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DVD Release Date: September 23, 2003

Stats: 475 reviews

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Flixster Reviews (475)


  • December 23, 2008
    I got a girlfriend, she goes to art school, I got an art school girlfriend, yeah!


    Evelyn: Pornography is meant to titilate and excite you. I mean does a peni...( read more)s excite you? Any ol' penis? Did you like what you saw? Did it get you hot?

    When I saw Rachel Weizs name as the producer and sat through the first few minutes of the film, I thought I was gonna be stuck with an overly opinionated touchy feely girly movie about relationships.

    All the signs were there, it looked and sounded like this is all from a womans point of view, a womans wishful thinking as to how relationships and conversations should be, and a-yada-yada-yada!

    The storys plot twist is a real shocker, what seemingly started like an average girly film ended up being not so average at all. This ones got horns.

    Directed by: Neil LaBute
    Genres:: Dark Comedy / Drama
  • August 4, 2008
    "When Picasso took a shit, he didn't call it art. He knew the difference. That's what made him Picasso."

    ...( read more)25/EarthlyAlien/shapeofthings-280.jpg" border="0" alt="Photobucket">

    You either like Neil LaBute or you don't. The Shape of Things is didactic. It is mathematical. It is choppy. There is no middle ground. His art is true or it is hateful. All art that isn't true should be destroyed because it is hateful. The actors don't say the words. They recite their dialogue. Every shot is framed and can only be framed that way because that is the only way it would be true. Any other way would be false. And thus bad.

    The Shape of Things, LaBute's third film based on his own original script (after In the Company of Men and Your Friends & Neighbors), is about a feminist art student (Rachel Weisz) who romantically traps a nerdy museum security guard (Paul Rudd) and, without ever exactly "making" him, gets him to improve himself, in terms of his wardrobe, his weight, and... eventually, more. There's another couple in the film, played by Gretchen Mol and Fred Weller, who have their doubts about this relationship. And a fascination with it.

    Part of this film's greatness lies in Weisz's performance of LaBute's self-consciously clipped and mannered dialogue, back after a break for Nurse Betty and Possession. She is playing a character who *is* this overdetermined style. If you've seen David Mamet's Oleanna, you have a general idea of the kind of role she has - Debra Eisenstadt had a similar role, of a campus feminist, in that film. Only Weisz is much better than Eisenstadt - with more conviction in herself and the incantations she is reciting, but without skimping on this manipulated/manipulating style.

    In describing this film and LaBute's other work as mannered, artificial and stagy (it is all these things), I fear I may be turning people off of this film more than on to it, and I wouldn't dispute anyone who says this material worked better as the stage play it originally was (there is not even a token attempt even to "air out" the play... 10 dialogue scenes are essentially played before some naturalistic backgrounds). The Shape of Things is also a film that really demands to be seen twice or not at all - not because it's difficult or incoherent - but because some things happen in the third act that recode the whole film and even alter the kind of film we've been seeing.

    LaBute's style, world-view and vision is too distinctive not to treasure - how many American films would have a line like "What Take Back the Night rally did you find her at?" without explicitly coding the speaking character as hateful and the woman in question as oppressed? He's an authentic prophet against the era and the world that exists, although it's not yet clear in the name of what. One of the things about the ending is that it casts doubt on rummaging through an artist's work for windows into his soul. And a few of his words I read months ago gave me the impression that LaBute considers the whole idea of artist biography to be contemptible. But in his films' caustic misanthropy and contempt for contemporary mores (though not their formal style), we may have an American Buñuel on our hands. How this same man would end up remaking The Wicker Man is beyond me.
  • January 9, 2007
    Kind of interesting to see her thesis unfold, but very uncomfortable film.
  • November 16, 2006
    A great, great movie. If you can appreciate great characters and an awesome story check it out. If you don't like watching people be mean, get over yourself and check it out.
  • May 3, 2009
    Though not everything in The Shape of Things has translated well from the play to the big screen, it's still entertaining enough to recommend.
  • September 18, 2009
    This movie is slow moving and irritating at times but if you keep watching, you'll find the one thing that makes it worth it. Rachel Weisz. She is the only remotely interesting character - sorry Paul Rudd but this is the first time I found you annoying. If I had been able to buy ...( read more)the two of them as a couple, it would have been a more powerful climax.
  • July 22, 2009
    so mean. i mean, the moral is all right. but i can't believe the ending. of course, you could almost see it coming.
  • June 8, 2009
    not the best labute, but solid
  • April 18, 2009
    An insightful and clever film with a mighty sting in its tail, The Shape Of Things is written & directed by Neil LaBute and based on his play of the same name, and also reunites the cast of the original staging. Paul Rudd plays Adam, being 'shaped' by his new girlfriend Ev...( read more)elyn, and this is one of the few films where the transformation from nerdy, inexperienced and frumpy 'nobody' to expressive, confident and handsome man is genuine. Rudd, who lost 25 pounds for the film, is excellent as the complex but also far too malleable Adam, and is especially exceptional in the more dramatic scenes. The film though, belongs to Rachel Weisz as Evelyn, who crosses a whole spectrum of characteristics - she is playful, sexy, brutal and more. LaBute keeps everything fluid so that the film never feels too much like a stage play - until the final 'act', where there's a genuine feel of claustrophobia leading up to the supremely horrific, and brilliantly performed reveal. There's a great deal of rewatch value thanks to this too. Masterly and harsh, it would work fantastically well as a double bill with Closer.

    "By the time I'm through here, I'll promise that you'll have the answer."

  • March 12, 2009
    ya begenirdim ya gicik olurdum, begenmeyi tercih ettim. genelde masum cocuklarin bu tip cezalari cekmesi adil degil ama, banane ki. öyle degil mi. mantikli bir film. paul rudd un önceki hali daha sevimliydi ama.

Critic Reviews


May 9, 2003
Claudia Puig, USA Today

Raises interesting questions about the power exerted in relationships and the amount of control a person can or should have over another. full review

May 9, 2003
Moira MacDonald, Seattle Times

It's a compelling story, getting better as it goes along, but nonetheless suffers from being too obviously bound to its stage origins. full review

May 9, 2003
Mick LaSalle, San Francisco Chronicle

The film is certainly clever enough to hold an audience's interest throughout, though in the end it's a victim of its own ambition. full review

May 9, 2003
David Edelstein, Slate

In LaBute's movies, people are either clueless dupes or psychotic manipulators, while art is meant to rub your face in unpleasant 'truths.' And I think he takes a little too much pleasure in that nose... full review

May 9, 2003
A.O. Scott, The New York Times

Aside from the faces of the actors, there is very little in The Shape of Things that is recognizably human. full review

May 9, 2003
Roger Ebert, Chicago Sun-Times

LaBute has that rarest of attributes, a distinctive voice. full review

May 8, 2003
Peter Travers, Rolling Stone

[LaBute's] ideas on art and humanity will make you hoot, holler, curse the actors, damn LaBute and argue like hell with your date. What else do you want from a movie? full review

April 16, 2003
Nick Schager, Slant Magazine

This preposterous relationship drama is ... LaBute's staunch defense of his own work. full review

View more The Shape Of Things reviews at RottenTomatoes.com

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The Shape Of Things Trivia


  • What pop master supplied the entire soundtrack to Neil LaBute's 2003 adaptation of his own stage play, The Shape of Things?  Answer »
  • Who is the security guard at the art museum in The Shape Of Things To Come ?  Answer »
  • Who does Adam meet in The Shape Of Things To Come ?  Answer »
  • What is Evelyn's occupation in The Shape Of Things To Come ?  Answer »

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