AJ Bowen, Anessa Ramsey, Justin Welborn

It’s New Year’s Eve in the city of Terminus and chaos is this year’s resolution. All forms of communication have been jammed by an enigmatic signal that preys on the fears and desires of everyone in t...( read more  read more... )he city. Told in three parts from three unique perspectives by three visionary directors, The Signal is a horrific journey towards discovering that the most brutal monster might actually be within all of us.

Flixster Users

58% liked it

7,101 ratings

Critics

54% liked it

67 critics

R, 1 hr. 39 min.

Directed by: Dan Bush, David Bruckner, Jacob Gentry

Release Date: February 22, 2008

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DVD Release Date: June 10, 2008

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Flixster Reviews (1,389)


  • October 7, 2009
    Clark: Anna, I need a couple of things that Ken borrowed, namely my hatchet... and some garbage bags.

    An awesome, original, independent horror film. Divided into three distinct parts, all featuring the same characters within the same narrative, but written and directed by thre...( read more)e different directors, the film manages to stay fresh throughout, mixing the tone, providing some fun, and becoming trippy, but nevertheless intriguing.

    The story is set in the city of Terminus. The new year is approaching, but the world may be in trouble. A mysterious signal is being emitted from every TV, phone, and radio in the area, causing anyone who stares at it long enough to become mesmerized in some way, leading them to perform acts of violence. At the center of this particular story, the lead characters are a wife, her lover, and her husband. Each of these characters are separately the stars of each distinct act, or "transmission," as it is called in the film.

    The film opens with an admittedly creepy as well as bizarre couple of minutes from another film, before getting into this story, where the first act functions as a drama/horror film. The second act lightens things up at first, working (well) as a very dark comedy, with the characters being very much aware of the genre cliches. The third act settles back into thriller territory, as well as trying to deliver a meaning to the circumstances seen in this film.

    Lewis Denton: The TV must've gotten into his head and told him to kill you.
    Anna: Yeah, that's what happened to Ken. He was watching TV and it made him go bad.
    [two people run from a man chasing them with a chainsaw in the background]
    Clark: This is without a doubt the most fucked up day in the history of mankind. We should go back inside.
    Anna: [cheerful] Who wants cocktails?

    I had no idea what I was getting into with this film, beyond a basic idea of the premise. I was incredibly happy with how offbeat, yet well made this whole thing was. Each act is distinct, working well for different reasons. The first two in particular have some pretty great things going for it. The first is incredible due to its sound design and the almost claustrophobic hand held style running throughout. The second works due to how well the comedy is balanced, as it is just thrown into this movie, most likely catching you off guard, all while still remaining incredibly bloody. The third is still well made, but bringing in an almost existential reasoning behind the signal is not something easily done within a half an hour.

    So much of this movie is very well done. If anyone is looking for an original horror film, this is certainly a good place to start. Its well crafted, well acted, plenty bloody, entertaining, and intriguing.

    Clark: It was self defense.
    Anna: You chopped his head off!
    Lewis Denton: He had it coming... probably. These are wild times. Everybody's been driven to desperate measures. I guess this happens to everybody.
  • August 15, 2009
    Very low rent horror with a TV signal turning people psychotic.. Directed by three people in three sections - the second is a misjudged stab at comedy. It should have stuck to the '28 Days/Weeks' vibe of the opener and closer. It tries to distinguish its self from the zombie hord...( read more)es with the varying psychoses the receivers suffer but it over complicates the interplay at times.
  • May 2, 2009
    This movie leaves your brain exhausted after it's over. The Signal is a furiously perplexed, brain twisting mind-fu*k, from start to finish. And although for those, like myself, who were able to follow the storyline, there comes a point in the movie were you just say "fu*k it." Y...( read more)ou remove your thinking cap, and still with acceptance and understanding of it's overall outline, you let the movie speak on it's own terms through methods of loopy insanity, and just watch as it does the thinking for you with displays of mayhem and bloody carnage. You won't grab a hold of this movie, it grabs a hold of you, and like it's characters as they quickly loose their minds through frequency levels, you'll loose yours through your TV set. It's a wicked experience for sure, but one that's also quite a mess.

    My complaints would be the pace of the film. It's too quick and flashy for a movie of it's kind, with such a complex story. It's a story that has a lot more going on than what they actually show. With a story like this you shouldn't dive into the action right away, but yet get the characters acquainted, and ease us into the story a little more before just jumping into apocalyptic mayhem. Every good script should have a beginning, a middle, and an end. The Signal just has a middle, if you catch my drift. There was a lot more of a story to be told here. It was like taking a Stephen King novel and fitting it into 35 minute sitcom. It just wouldn't work at all. But than again, it worked on behalf of the whole "insanity" concept, only it screamed out greater potential more than what was actually offered to us.

    My other complaint is the idea of them using as much comedy as they did. At first the movie took a serious tone, one that was very disturbing, then 40 minutes into the film it pulled a spoof like sense of humor from it's ass. And about 35 minutes after that, the movie was dead serious again. The outrageous humor in the middle just didn't fit, it didn't go along well with the story, it didn't need it, and it will most likely throw a lot of people off. Almost like an anthology film The Signal was told in separate stories, but unlike like one it was all in the same setting, and with the same characters. But like lots of anthologies, there's always the worse of the bunch, and the middle story is definitely the worse here. The Signal would have been fantastic without these flaws, but in it's own right it's still an enjoyable twisted little flick.

    The acting was good enough, the script was well thought out, and it had a great complex story, one that's disturbing and bloody as hell. I wouldn't watch this movie again, I don't think, but it definitely didn't fail to entertain me this one time. The Signal is a fast and twisted horror gem that'll please most people. It's a love it or hate it kind of movie it seems, by reading other reviews, so you just have to judge for yourself. I recommend this film for horror fans looking for a different kind of horror movie. It's one hell of a ride.

  • November 24, 2008
    Loved it! 50,000 dollars never looked so great or played so tightly. Other ultra-low budget horror films haven't got a leg to stand on now. If there's one flaw, it's a little difficult to sell post-apocalyptica on so little money - where are the overhead tracking shots? The waves...( read more) of insane people? The Signal does a decent job of allowing it to the imagination, but still, that lack of scope does shine through at times. Why are there so few people at a train terminal on New Year's Eve?

    The bizarre, and admittedly awkward, tone shift half an hour in will certainly preclude the movie from any sort of widespread recognition, but I thought it added something vital and interesting to a somewhat tired premise. I think genre-bending is still quite difficult for a lot of people to accept, which makes things harder on The Signal's kind of average delivery of its humor, but all in all the reception is indicative of American need for tidy packaging.

    Not just great as a low-budget horror film, but great period, The Signal deserves a view from just about anyone. Shame this didn't get much of a theatrical release.
  • November 23, 2008
    This movie was really effin weird and bloody. It wasn't horrible, but I definitely wouldn't watch it again.
  • November 22, 2009
    It's amazing, fun, very original, dramatic, and quirky funny. Absolutely awesome, and a few times were gripping.
  • November 19, 2009
    Decently gory with a complex all over the place storyline, this lil indie horror flick tempers the craziness with a touch of humor that finds the mark.
  • November 18, 2009
    blood, blood, mmm and more blood...What a boring movie!!
  • October 30, 2009
    There's nothing typical about this indie film. Everything is put together near perfectly and I was shocked by the totally believable cast. The film is crazy, literally.
  • September 27, 2009
    Intelligent and clever....funny

Critic Reviews


February 22, 2008
Colin Covert, The Minneapolis Star Tribune

With just one compelling sequence emerging from so many filmmakers' efforts, The Signal is decidedly less than the sum of its parts. full review

February 22, 2008
Kurt Loder, MTV

...a film-school genre exercise more than anything else; and being hyperbolically bloody in a very familiar way, it just isn't scary. full review

October 21, 2007
Nick Schager, Slant Magazine

This low-budget horror film charts the fallout from a mysterious media transmission that cognitively rewires people into killers, and eventually turns out to be an imbalanced project that delivers inc... full review

View more The Signal reviews at RottenTomatoes.com

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The Signal Trivia


  • Guess the tagline!: "If the signal dies, so does she."  Answer »
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