The Situation (2006)

36% of critics liked it
(47 reviews)
47% of users liked it
(2,338 ratings)

The war in Iraq provides the backdrop for this story of personal and political chaos from British filmmaker Philip Haas. Anna (Connie Nielsen) is an American journalist covering the fighting in Iraq in 2003. American forces have removed Saddam Hussein from power, but violence remains widespread on… More The war in Iraq provides the backdrop for this story of personal and political chaos from British filmmaker Philip Haas. Anna (Connie Nielsen) is an American journalist covering the fighting in Iraq in 2003. American forces have removed Saddam Hussein from power, but violence remains widespread on both sides, and many of the criminals and opportunists who attached themselves to Hussein's regime are scrambling for position under the American-authorized government. Anna has friends and allies on both sides of the conflict, and is romantically involved with two men -- Dan (Damien Lewis), a CIA operative who believes the future of Iraq depends on Americans working with moderate Iraqis and rebuilding the damage done in the war (beliefs that run counter to those of his superiors), and Zaid (Mido Hamada), a photographer from Iraq who is eager to leave his battered country behind and start a new career in the West. As Anna's loyalties are torn between these two men and their differing perspectives on Iraq, a scandal polarizes the nation when two Iraqi children are found dead after having been thrown off a bridge by American soldiers. The Situation was written by Wendell Steavenson, a former journalist who was inspired to write the script by her own experiences covering the Iraq war. ~ Mark Deming, Rovi

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Rating, Runtime: R, 1 hr. 46 min.
Directed By: Philip Haas
Genres: Mystery & Suspense, Drama

In Theaters: Oct 18, 2006 Wide
On DVD: Jul 31, 2007
Studio: Shadow Distribution

Critic Reviews

Sandy MacDonald, Boston Globe
The concept is strong and expertly fleshed out; it's just a pity that Hollywood tropes are allowed to invade.
John Monaghan, Detroit Free Press
Beneath the melodrama is an insider's account of the seemingly inconsequential details often edited out of dispatches from the front.
Tom Long, Detroit News
The essential message in this strongly felt film comes clear: 'It's Iraq.' It used to be bad, but now it's worse. And anyone in his right mind, including Iraqis, wants to get out.
Ruthe Stein, San Francisco Chronicle
The Situation' is bound to stir up controversy because of the way Americans are portrayed, and anything that gets people talking and thinking is for the good. It brings the war home, where our soldiers should be.
Andrea Gronvall, Chicago Reader
[Haas'] attempt to convey the tangled relations between sheikhs and insurgents, occupiers and civilians is undercut by Wendell Steavenson's mightily overwritten screenplay.
Eleanor Ringel Gillespie, Atlanta Journal-Constitution
There are a half dozen people in colorful supporting roles all of whom have their own truths. And all of whom are far more interesting, as characters and actors, than [Connie Nielsen].
Cynthia Fuchs, Common Sense Media
Sobering Iraq war melodrama isn't for kids.
Cherryl Dawson and Leigh Ann Palone, TheMovieChicks.com
I don't think this movie sheds any new light on 'the situation', but it could have, and it's a shame that it didn't.
Jeff Vice, Deseret News, Salt Lake City
A pretty lousy movie in general, though it's the film's somewhat accusatory Iraq War subject matter that's getting it some attention -- deserved or not -- that makes the whole thing a little distasteful.
Mary F. Pols, Contra Costa Times
It's a credit to the material and the basic plot that even as you're groaning over a clunky speech explaining it all, you're completely focused on what the situation in Iraq actually is.
Andrea Chase, Killer Movie Reviews
Bringing the chaos down to very human terms redefines the paradigm for thinking about the occupation, and makes this a film that is more than a mere exercise in action/adventure
Cynthia Fuchs, PopMatters
Even as it makes a mucky melodrama out of the war in Iraq, this effect does not seem entirely inappropriate, as it accommodates a U.S. perspective of its own actions.
Michelle Orange, Reeler
You want better for this film, but the discomfort it causes is not a matter of it being too soon for the audience, but rather, it seems, for the filmmakers.
Andy Klein, Los Angeles CityBeat
His heart is in the right place, and our current situation cries out for a film like this %u2026 like this, but much better made.
Bob Strauss, Los Angeles Daily News
It's [Wendell Steavenson] first screenplay, and it shows; while not the movie's only problem, the script is a big one, made up as it is primarily of dialogue that isn't just expository, but clunkily explanatory.

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Walter M

[font=Century Gothic]"The Situation" is an ambitious and well-meaning but talky movie about the SNAFU that is the Iraq War as seen through a group of interrelated thinly drawn characters who are just around to state various political positions which any of the fine… More
[font=Century Gothic]"The Situation" is an ambitious and well-meaning but talky movie about the SNAFU that is the Iraq War as seen through a group of interrelated thinly drawn characters who are just around to state various political positions which any of the fine documentaries from the past few years have done better. The two main characters, Anna(Connie Nielsen), a journalist who spends most of her time outside of the Green Zone, and Dan(Damian Lewis), an intelligence officer, are Americans and lovers. They also share an Iraqi source, Rafeeq(Nasser Memarzia). Anna uses him as a source on a story about American troops pushing two teenagers who were out after curfew off a bridge.(One swam to shore. The other drowned.) Dan sees Rafeeq as somebody who can help his cause, even though most of his superiors view him as a terrorist.(The movie is kind enough to point out that most Iraqis are not terrorists. At the same time, Anna and Dan are naive enough to think any good would come of the American invasion.) In Iraq, it is frowned upon to say the least to work for the Americans(not differentiating between the press and the government) which is a tightrope that Zaid(Mido Hamada), a Christian photographer who just obtained his first passport, walks daily. This is a solid setting for a movie but it lacks true focus. The incident on the bridge would have been a good one but it is only brought up occasionally, while the movie heads off on various tangents. [/font]