Cole Sear: You know the accident up there?
Lynn Sear: Yeah.
Cole Sear: Someone got hurt.
Lynn Sear: They did?
Cole Sear: A lady. She died.
Lynn Sear: Oh my god. What, you can see her?
Cole Sear: Yes.
Lynn Sear: Where is she?
Cole Sear: Standing next to my window.
Lynn Sear: Cole,… More
Cole Sear: You know the accident up there?
Lynn Sear: Yeah.
Cole Sear: Someone got hurt.
Lynn Sear: They did?
Cole Sear: A lady. She died.
Lynn Sear: Oh my god. What, you can see her?
Cole Sear: Yes.
Lynn Sear: Where is she?
Cole Sear: Standing next to my window.
Lynn Sear: Cole, you're scaring me.
Cole Sear: They scare me too sometimes.
Lynn Sear: They?
Cole Sear: Ghosts.
The first big hit film from director M. Night Shyamalan. Manages to hold together well, even after knowing where the film is headed, which I credit to Shyamalan's skills as a director. As a writer, he may have hit some damn big bumps, which turned into walls, in years past, but visually, the man does know how to tell a story. It certainly helps that the two main roles are very well played.
Child psychiatrist Malcolm Crowe, played by Bruce Willis, is confronted one night by a former patient who he failed to help. After Vincent shoots Crowe in the stomach and kills himself, Crowe can't stop thinking about it. During the next fall, he is now trying to help a troubled boy named Cole Sear, played by Haley Joel Osment, who has many of the same problems Vincent had. Crowe sees a chance to redeem himself, but doubts his ability to reach the boy, particularly when Cole claims to see ghosts.
Beyond having supernatural elements, manipulated by some sharp music cues, this is not a horror film. Instead, the premise merely sets the film up as the dramatic character study it really is. Throughout the film, we are constantly shown scenes reflecting two relationships. One is Willis and his wife, played by Olivia Williams, who seems strained by the amount of time he has spent on his career, which is now made worse by the one fateful night. The other is between Cole and his mother, played by Toni Collette, which is portrayed as one of strong bonding, only threatened by not being able to understand a large detail and its purpose.
This film would be much more of a downer if it wasn't for the chemistry between Willis and Osment. These two work well together. Willis plays his part very understated. While that Willis twinkle shines through in a few moments, he is largely restrained throughout, playing very soft and effective. Osment is quite good, showing lots of talent in young shoes.
As I mentioned, the direction also plays a large part in having this film succeed. There are a number of creative sequences that accomplish a lot in the realm of having moments designed to thrill, while still staying true to character. The way everything is laid out completely for its eventual reveal is also still effective. Its a shame that so much regard for this film is placed upon its ending, because besides having a twist, the film never tries to be one that feels inconsequential up until that point; it's merely a capper to a film that has already succeeding in delivering a solid story.
A solid drama...with ghosts.
Cole Sear: You ever feel the prickly things on the back of your neck?
Malcolm Crowe: Yes.
Cole Sear: And the tiny hairs on your arm, you know when they stand up? That's them. When they get mad... it gets cold.