The Sky Turns
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Mercedes Alvarez was three years old when, in the late 1960s, her parents left La Aldea, a village in the barren Northern Spanish Soria region. She was the last child born in La Aldea. Now, only fourteen people live there, a last dying generation. Soon this village, like so many other rural communities all over the world, will be deserted and will probably disappear from the map. Alvarez returns for the first time to her ancestral home and makes a stunning film about memory and the terrifying passing of time.
Rotten Tomatoes Score: 100%

Critic Reviews from Rotten Tomatoes

"Without relying on melodrama or nostalgia, Alvarez embraces the inescapable nature of impermanence."
‑ John Hartl, Seattle Times
"A fastidious tone poem, meticulously composed and deliberately paced."
‑ , New York Times
"Alverez's film is nearly brimming with chuckle-inducing existential aporia and wise old quips that are powerful enough to make men smile in the face of death."
‑ Robert Tumas, Slant Magazine
"A documentary about the demise of the filmmaker's village in Spain, The Sky Turns is poorly conceived but pleasing to look at."
‑ Maria Garcia, Film Journal International
"Instead of expressing sorrow for a vanishing way of life, "The Sky Turns'' exudes a clear and weightless joy."
‑ Ty Burr, Boston Globe
"In the beautifully com posed documentary "The Sky Turns," filmmaker Mercedes Alvarez returns after 35 years to Aldealsenor, the remote Spanish village where she was born."
‑ V.A. Musetto, New York Post
"A somewhat meandering, yet provocative and lyrical documentation of a village's history, its evolution and the memories of its 14 villagers."
‑ Avi Offer, NYC Movie Guru
"This documentary has been winning awards in festivals and it's easy to see why: It's a personal, lyrical, original meditation about time, memory, history and space."
‑ Emanuel Levy, EmanuelLevy.Com
"A fastidious tone poem, meticulously composed and deliberately paced."
‑ Mike Hale, New York Times
"Nothing speaks more elegantly to the bewilderment of the locals than a long shot of newly built windmills lining a distant hilltop while a villager, made tiny by Álvarez's framing, looks on in the foreground, swallowed up by the forces of history."
‑ Andrew Schenker, Village Voice
"startlingly personal"
‑ Chris Cabin,
"What's rendered here is a fleeting life where we're mere visitors with roots that come and go. The film is testament to this transient existence."
‑ Matthew Nestel, Boxoffice Magazine
More reviews for The Sky Turns on Rotten Tomatoes