Anne Blake, Beatrix Lehmann, Bernard Lee

A middle-aged British spy, about to retire, is given one last assignment to infiltrate East Germany and uncover information about a former colleague suspected of having become a Communist traitor.

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75% liked it

3,953 ratings

Critics

82% liked it

11 critics

Unrated, 1 hr. 52 min.

Directed by: Martin Ritt

Release Date: January 1, 1965

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DVD Release Date: July 13, 2004

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Flixster Reviews (220)


  • February 1, 2007
    A spy movie that's more along the lines of the dull Tom Clancy stories with little to no action. Okay, maybe not that bad but with the word Spy in the title don't expect a James Bond flick or a Bourne movie.
  • November 26, 2006
    a film that shows the grittier side of the world of spies. a well made film with a suprising twist towards the end. trust no one! not even your own side! hehe
  • April 25, 2008
    A great cast (Richard Burton, Claire Bloom, Oskar Werner), but the story just didn't keep me interested.
    Nice cinematography though, very atmospheric.
  • March 18, 2008
    Absolute cracker. I really love the cold war spy films.
  • September 9, 2009
    Based on the novel by John Le Carre, The Spy Who Came in from the Cold is closer to the dour, chilling world of Harry Palmer than the glossy glamorous lifestyle of James Bond. Le Carre's best-selling novel provides the basis for this breathtaking Cold War thriller of espionage, i...( read more)ntrigue, crosses and double-crosses. A tension-packed and brilliantly plotted screenplay matches brooding first-rate performances from the entire cast, with masterful semi-documentary style direction from Martin Ritt.
  • August 13, 2009
    Superbly acted and a good story, well directed and written. It seems longer than it's 112 minute length and it can be slow moving, but the professionalism in which the film was made makes it well worthwhile.
  • March 13, 2009
    In the novel there's a wonderful line surmising the main character's, and, one suspects the author, Le Carre's philosophy regarding politics:

    "Some people join the Party, some people keep canaries."

    It's short, to the point, yet devastating, for this statement essentially lower...( read more)s political activism to the level of a weekend hobby. You can either spend your free time marching against globalisation, or, you could stay home and sort out your stamp collection. Either way, you're having fun.

    To write such a novel and make such a film at a time when the Cold War was at its height, a few short years after the near-nuclear confrontation of the Cuban Missile Crisis, is a testament to how brave it is.

    The Spy Who Came in from the Cold basically mocks anyone who is a Believer. It says, If you really think this Cold War has anything to do with actually ideology and pure political thought then you're a bloody fool. It's nothing more than a dirty little game played by rotten little men, using innocents -- the masses around the globe -- like pawns on a chessboard.

    At its heart, this film will remain relevant for all time because the message is universal and, sadly, will never not apply to the state of world affairs regardless of the year.
  • December 21, 2008
    Pretty smart flick, so smart that I didn't understand some of it. That was due to me not paying attention I suppose though it's a very good thing when an intense dramatic spy movie requires your full attention in order for the full effect. I'm a fan.
  • December 10, 2008
    no thanks not my kinda thing
  • November 30, 2008
    Directed by Martin Ritt,"the Spy Who Came In From The Cold" is an adaption of John Le Carre's best selling novel about a reluctant British double agent,offers effectively restrained performance by Richard Burton in the title role;Claire Bloom,as an idealistic British communist wh...( read more)o becomes the spy's lover during his undercover operation;and Oskar Werner as an East German interrogator. The drab cold war atmosphere is deftly evoked by Oswald Morris's elemental black-and-white photography and the cramped sets designed by Tambi Larsen and Hal Pereira. But Martin Ritt's film means less without its popular foil. Released in 1965,as the same year "The Ipcress File",and the 007 thriller "Thunderball",the fourth of the phenomenally successful James Bond films starring Sean Connery,"the Spy Who Came In The Cold" consistently positions itself as a rebuke to the glamourous,action movie ethos of the Bond films:no fancy gadgets or bikini-clad beauties here,only a pinched and dingy universe in which the moral compass spins without direction.
    If Ritt has a limtation as a director,it is his tendency to use drama to demonstrate,to turn his characters into masterpieces for the moral and political values he wants to compare and contrast. For a film about ambiguity-do the actions of Burton's character make him a hero or a dupe or a man who just froze up during his mission. Of one of the most interesting films of the mid-1960's,"The Man Who Came In From The Cold" ultimately seems pat and predictable but well done.

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